Waldeck
Memories
Waldeck sets Zeebee's smoky voice inside a crackling, sepia-toned ballroom swing, a downtempo daydream about a love that only lives on in memory.
Instrument
18 tracks.
Waldeck
Waldeck sets Zeebee's smoky voice inside a crackling, sepia-toned ballroom swing, a downtempo daydream about a love that only lives on in memory.
Queen, The Miami Project
A Skillz chops John Deacon's immortal bassline into a strutting breakbeat workout, keeping Freddie Mercury's swagger front and centre while the drums hit like a b-boy battle.
Kygo, Maty Noyes
Soft-focus tropical house from Kygo, with plucked melodies and a warm, pleading vocal from Maty Noyes asking someone not to leave just yet.
KANT
The Copenhagen production team KANT stretch Leo Stannard's aching vocal across a seven-minute club arrangement on Black Butter Records, melancholy piano chords and a steady deep house pulse turning heartbreak into something you can dance through.
Hindi Zahra
Hindi Zahra sings a love letter to music itself, her warm, smoky voice swaying over interlocking guitars and soft percussion that blend folk, soul and Berber roots.
Axwell, Max C
Axwell's piano-lit house anthem distilled to under three minutes: a rolling bassline, a gospel-tinged vocal from Max'C and a chorus built for arms in the air.
AWOLNATION
A slow, menacing electro-rock crawl that erupts into a howled confession, AWOLNATION's Sail is equal parts dread and release.
Hania Rani
A serene, immersive 36-minute KEXP session recorded in July 2022: the Polish pianist and composer Hania Rani plays 24.03, Ghosts, Komeda Part 3 and Buka on piano and synthesizers, pieces that would reach her later albums.
Electric Guest
A piano-driven, falsetto-led romp produced by Danger Mouse, 'This Head I Hold' was Electric Guest's 2012 debut single: retro soul-pop swagger wrapped around a reminder that you don't have to follow the steps society lays out.
Aloe Blacc
A hard-times plea set to a Brooklyn retro-soul jam: Aloe Blacc's 2010 hit, the theme of HBO's How to Make It in America, heard here live in Berlin in 2011, where a chorus about a job lost and a dollar borrowed is made for a room to sing.
The Police
Sting wrote 'Roxanne' after seeing street workers near the band's Paris hotel in 1977: a plea to a woman to leave that life, set to off-beat reggae guitar and a tango-like rhythm, the A&M debut single that became the Police's signature song.
Fernanda Porto
Fernanda Porto's own Sambassim: the São Paulo composer's song that fused samba and bossa nova melody with electronic beats and helped name a style, drum 'n' bossa.
Feist
The first single from Feist's The Reminder (2007), co-written and produced with Chilly Gonzales: a sly, piano-led indie pop song about love and longing, danced through an empty airport at night in Patrick Daughters' video.
Miike Snow
Miike Snow's 2012 lead single sets sing-along melancholy over glitchy piano chords and a four-on-the-floor house beat, recorded in a Stockholm studio once used by ABBA.
Jan Blomqvist
Jan Blomqvist's 2014 summer hit sets his soft, echoing voice, Felix Lehmann's Rhodes piano and two guitars over a minimal deep house pulse, the sound of the Berlin 'concert techno' he helped bring to big stages.
Gregory Porter
Gregory Porter's up-tempo lead single from Take Me to the Alley: a warm, gospel-rooted jazz-soul song of encouragement, carried by his rich baritone and a small acoustic band.
Björk
Before her solo career, Björk sang Icelandic popular songs and jazz standards with a veteran piano trio: Kata rokkar, from the 1990 album Gling-Gló, is a short, playful glimpse of that side of her voice.