Whilk & Misky
Get What We Want
Whilk & Misky blend acoustic warmth with electronic pulse on this track from My Round, Charlie Dickens' soulful voice and Nima Khaste's production chasing a simple wish: to get what we want.
Genre
15 tracks.
Whilk & Misky
Whilk & Misky blend acoustic warmth with electronic pulse on this track from My Round, Charlie Dickens' soulful voice and Nima Khaste's production chasing a simple wish: to get what we want.
The Asteroids Galaxy Tour
A brassy, technicolour psych-pop stomp from Denmark, Mette Lindberg's helium-bright voice riding horns and a strutting beat that make heartbreak sound like a parade.
Solange
Solange and Dev Hynes wrap the end of a relationship in a skittering, eighties-tinted R&B groove: the 2012 lead single of the True EP on Terrible Records, with a Melina Matsoukas video shot in Cape Town's Langa township.
Michelle Gurevich
Michelle Gurevich croons a deadpan, candlelit elegy for love gone cold, with lo-fi synths and a slow-dance sway that make heartbreak feel strangely elegant.
Glass Animals
Glass Animals' breakout is a slow, syrupy jungle of a love song, Dave Bayley's murmured vocal drifting over finger-snap beats, soft guitar and a bassline that oozes.
Foster The People
A breezy, whistled indie-pop earworm with a chilling story underneath: the demo Mark Foster wrote and recorded alone in five hours, which went viral in 2010 and spent eight weeks at number three in the US.
Broken Back
Bright acoustic strumming over a gentle electronic beat, Broken Back's first single sounds like optimism earned the hard way.
ayokay, Quinn XCII
Bright synths and Quinn XCII's easy vocal paint a memory of summers when you and your friends felt untouchable: the 2016 breakthrough of two school friends from Michigan.
Electric Guest
A piano-driven, falsetto-led romp produced by Danger Mouse, 'This Head I Hold' was Electric Guest's 2012 debut single: retro soul-pop swagger wrapped around a reminder that you don't have to follow the steps society lays out.
The xx
'Crystalised', The xx's 2009 debut single, is minimal indie pop at its most intimate: a muted guitar riff, a sparse beat by Jamie xx, and two voices, Romy Madley Croft's and Oliver Sim's, answering each other verse by verse.
Portugal. The Man
Portugal. The Man's Grammy-winning sleeper hit: a quick, swinging slice of psychedelic funk-pop that borrows its melody from Motown's Please Mr. Postman and rides one of the decade's most recognisable basslines.
Michelle Gurevich
'Party Girl' is the home-recorded title song of Michelle Gurevich's 2007 debut, made under the name Chinawoman: a slow, deadpan contralto ballad about nightlife that became her best-known song and gave its title to a Cannes-winning film.
Feist
The first single from Feist's The Reminder (2007), co-written and produced with Chilly Gonzales: a sly, piano-led indie pop song about love and longing, danced through an empty airport at night in Patrick Daughters' video.
Miike Snow
Miike Snow's 2012 lead single sets sing-along melancholy over glitchy piano chords and a four-on-the-floor house beat, recorded in a Stockholm studio once used by ABBA.