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Feeling

groovy

37 tracks.

Whilk & Misky

I Want Your Lovin' (Edit)

Whilk & Misky's London soul-pop at its most direct: a warm, swinging groove and a voice that asks for exactly one thing, over and over, until you want it too.

Whilk & Misky

Get What We Want

Whilk & Misky blend acoustic warmth with electronic pulse on this track from My Round, Charlie Dickens' soulful voice and Nima Khaste's production chasing a simple wish: to get what we want.

The Supermen Lovers

Moments

A warm slice of French disco-funk from the man behind Starlight, where synths and a rubber-band bassline turn a fleeting moment into a long, glowing groove.

The Supermen Lovers, Jay Lamar, Jesse Oliver

Moments (Jay Lamar & Jesse Oliver Remix)

The Helsinki duo Jay Lamar and Jesse Oliver stretch Moments, a 2013 single by the French producer behind Starlight, into a warm, unhurried deep house glide of soft chords, rounded bass and wistful melodies.

The Supermen Lovers, Herr Styler, Cristine

C'est bon

A flirtatious slice of French pop-funk house from Guillaume Atlan's project, two voices trading lines over a springy bassline until the title becomes a shrugging, grinning verdict on the night.

Solomun

Friends

Nine minutes of Solomun's signature deep house, released on his experimental label 2DIY4: Friends rides a supple, swinging groove and moody chords that keep rising just enough to keep a dancefloor leaning in.

Solange

Losing You

Solange and Dev Hynes wrap the end of a relationship in a skittering, eighties-tinted R&B groove: the 2012 lead single of the True EP on Terrible Records, with a Melina Matsoukas video shot in Cape Town's Langa township.

Robin Thicke, T.I., Pharrell Williams

Blurred Lines

A cowbell-clacking, falsetto-laced funk-pop strut from Robin Thicke, Pharrell and T.I. that owned the summer of 2013 and then the courtroom.

Platinum Doug

Move On (Original Club Mix)

A punchy, no-nonsense club mix from the Swiss house producer Platinum Doug on Enormous Tunes, where a repeated vocal hook and a bouncing bassline push the dance floor forward bar after bar.

Michael Jackson

Billie Jean

One of pop's most recognisable bass lines carries Michael Jackson's paranoid tale of a paternity claim, a tight, shadowy groove that sounds as sharp now as it did on Thriller.

Metronomy

Love Letters (Soulwax Remix)

Soulwax strip Metronomy's sixties-tinged pop down to a gleaming machine groove and rebuild it, six and a half minutes of neon disco-pop driven by the bassline and a slow-burning release.

Marcus Marr & Chet Faker

The Trouble With Us

Marcus Marr and Chet Faker (Nick Murphy) recorded this disco-funk jam in four days in a Brixton studio in July 2015: a funk-flecked guitar riff and a soulful plea about a relationship going wrong, made into a reason to dance.

Marcus Marr, Nick Murphy

Birthday Card

Nearly eight minutes of sleek, disco-tinged house: Marcus Marr's springy production and bright synths carry Nick Murphy's smoky voice towards a long dancefloor release, the opener of their 2015 EP Work.

Klangkuenstler

Golden

A late-night techno roller from Klangkuenstler's 2015 debut on Great Stuff: a massive, rounded bassline, a nasty but beautiful sawtooth lead and a bed of vinyl noise that makes the dark groove feel strangely warm.

Infinity Ink

Infinity

Infinity Ink's Infinity is a bassline-led deep house anthem whose endlessly looped, half-whispered hook made it a platinum hit in Belgium and a club staple since 2012.

Gorgon City, Zak Abel, Dj Anna

Unmissable (DJ Anna Remix)

DJ Anna pulls Gorgon City's pop single into the dark: a heavy rolling bassline, Zak Abel's soulful voice in fragments and nearly eight minutes of late-night pressure.

Gorgon City, Katy Menditta, WEISS

Imagination (Weiss Remix)

WEISS stretches Gorgon City's Imagination into a six-minute, groove-led house workout for the 2015 remix EP, leaving Katy Menditta's voice to flicker in and out over the bass.

Future Forward, Mount Sims

Time for Livin

A long, strutting electro groove released on Kompute Musik, with Mount Sims' deadpan vocal riding a relentless machine pulse that barely changes and never needs to.