Whilk & Misky
I Want Your Lovin' (Edit)
Whilk & Misky's London soul-pop at its most direct: a warm, swinging groove and a voice that asks for exactly one thing, over and over, until you want it too.
Genre
21 tracks.
Whilk & Misky
Whilk & Misky's London soul-pop at its most direct: a warm, swinging groove and a voice that asks for exactly one thing, over and over, until you want it too.
The Supermen Lovers
A warm slice of French disco-funk from the man behind Starlight, where synths and a rubber-band bassline turn a fleeting moment into a long, glowing groove.
The Supermen Lovers, Herr Styler, Cristine
A flirtatious slice of French pop-funk house from Guillaume Atlan's project, two voices trading lines over a springy bassline until the title becomes a shrugging, grinning verdict on the night.
The Asteroids Galaxy Tour
A brassy, technicolour psych-pop stomp from Denmark, Mette Lindberg's helium-bright voice riding horns and a strutting beat that make heartbreak sound like a parade.
Robin Thicke, T.I., Pharrell Williams
A cowbell-clacking, falsetto-laced funk-pop strut from Robin Thicke, Pharrell and T.I. that owned the summer of 2013 and then the courtroom.
Queen, The Miami Project
A Skillz chops John Deacon's immortal bassline into a strutting breakbeat workout, keeping Freddie Mercury's swagger front and centre while the drums hit like a b-boy battle.
Michael Jackson
One of pop's most recognisable bass lines carries Michael Jackson's paranoid tale of a paternity claim, a tight, shadowy groove that sounds as sharp now as it did on Thriller.
Marcus Marr & Chet Faker
Marcus Marr and Chet Faker (Nick Murphy) recorded this disco-funk jam in four days in a Brixton studio in July 2015: a funk-flecked guitar riff and a soulful plea about a relationship going wrong, made into a reason to dance.
FKJ
The neo-house track that introduced FKJ: chopped vocals, warm filtered chords and an elastic bassline wrapped into four and a half minutes of slow-burning, sunlit intimacy.
Daft Punk
Nile Rodgers' chicken-scratch guitar, Pharrell's easy vocal and Daft Punk's robot choir turn a four-chord loop into the most irresistible disco revival of the 2010s: the lead single of Random Access Memories, in its radio edit.
Daft Punk
A chopped funk loop and a robot reciting a workout mantra: Harder, Better, Faster, Stronger is Daft Punk turning a sample into one of the most quoted hooks of the century.
Daft Punk
The curtain-raiser of Random Access Memories: live drums, Nile Rodgers' guitar and a vocoder mission statement announcing that Daft Punk came back to make music breathe again.
Daft Punk
Nile Rodgers tells his own story in the third of Daft Punk's Collaborators films, a warm, funny portrait of the guitarist whose rhythm runs through Random Access Memories.
Ben Khan
Two and a half minutes of warped, woozy funk: Ben Khan's cool falsetto slides over wobbling synths, guitar stabs and brass that sounds trapped inside a bubble.
Portugal. The Man
Portugal. The Man's Grammy-winning sleeper hit: a quick, swinging slice of psychedelic funk-pop that borrows its melody from Motown's Please Mr. Postman and rides one of the decade's most recognisable basslines.
Pomplamoose
Pomplamoose's 2019 cover of Daft Punk's 'Harder, Better, Faster, Stronger': a robot anthem built from a sample and a vocoder, replayed by a live band with real keys, bass, drums and human voices, and filmed so that everything you hear, you see.
Funky Fat & Digitaria
Two Brazilian acts, the Belo Horizonte trio Funky Fat and the duo Digitaria, meet on Jamie Jones and Lee Foss's label Hot Creations in 2012: a slower, electro-slanted house track of soaring synths, grumbling stabs and breathy vocals.
Deluxe
'Tum Rakak' is a song by Deluxe, the moustachioed band from Aix-en-Provence: a funky live-band groove in B-flat minor with Liliboy singing a gleefully absurd lyric about curiosity, party crumbs and a truck that reeks in the heat.
Kutiman
'Inner Galactic Lovers' is Kutiman's 2015 song assembled from parts recorded by 24 freelance musicians in a dozen countries: an ethereal, funky collage in which every player was hired online and never met the others.
Jorge Ben Jor
Jorge Ben's 'Take It Easy My Brother Charles' is a two-and-a-half-minute samba-soul classic from his 1969 album: a swinging guitar, Trio Mocotó's percussion and a warm word of caution to a 'brother of color', half in Portuguese, half in English.