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Genre

downtempo

11 tracks.

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Waldeck

Memories

Waldeck sets Zeebee's smoky voice inside a crackling, sepia-toned ballroom swing, a downtempo daydream about a love that only lives on in memory.

Nu, Jo.Ke

Who Loves the Sun

Nine sun-warmed minutes of organic deep house from the Bar 25 world, where Jo.Ke's gentle, sing-along vocal drifts over a loping groove made for golden-hour dancing.

Kosheen

Addict

Deep, dark bass, insistent drums and Sian Evans' voice cutting through the fog: Addict opens Kosheen's Independence with the pull of something you cannot quit.

Klyne

Waiting

A slow, stripped-down slice of dark electronic R&B from the Eindhoven duo Klyne, where Nick Klein's soft, close-miked voice drifts over sparse beats and muted synths; the new song on their 2015 Closer EP.

Klyne

Entropy

A hushed, late-summer slow jam from the Dutch duo Klyne, where a feather-light falsetto floats over soft keys, tropical-leaning drums and pulsing synths.

DJ Fitchie, Joe Dukie

Midnight Marauders

Seven unhurried minutes of Pacific dub-soul from two Fat Freddy's Drop mainstays, Joe Dukie's honeyed voice drifting over a deep, patient bassline built for the small hours.

Chet Faker

Talk Is Cheap

A wistful, treated saxophone line, a lazy, warm beat and Chet Faker's husky croon make this Built on Glass lead single the definition of late-night electronic soul, and triple j's number one song of 2014.

Camel Power Club

Ourson

Soft beats, sunny loops and a sampled Son House blues voice: Ourson is a short, cuddly piece of French chillout, first a 2015 single and later part of Sputnik II, that feels like a teddy bear rendered in warm sound.

Marbert Rocel

Hush Now

A soulful downtempo song from the German trio Marbert Rocel's second album Catch A Bird: Antje Seifarth's gentle voice over soft, slowly unfolding electronics, made for winding down.

Alif Tree

Forgotten Places

'Forgotten Places' is a hushed downtempo piece by the Marseille producer Alif Tree, built around a sampled voice of the jazz singer Shirley Horn and released on Compost Records in 2006: nu-jazz that sounds like a memory being replayed.