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Hindi Zahra

Music (Remastered Version)

Hindi Zahra sings a love letter to music itself, her warm, smoky voice swaying over interlocking guitars and soft percussion that blend folk, soul and Berber roots.

Review

Genre and Mood

Hindi Zahra sings Music (Remastered Version) like a quiet thank-you to the thing she loves most. It is world music in the truest sense, a meeting of folk, soul and the North African traditions she grew up with, and it feels soulful, heartfelt and gently uplifting.

Song Summary

“Music” is a love song whose object is music itself: the comfort, freedom and sense of home that singing can give. Zahra’s voice, warm and smoky with a slight husk, moves with a jazz singer’s ease over an intimate, organic arrangement: Fritz Sundermann and Thomas Naïm on guitars, Sjang Coenen on bass, Thierry Moutoussamy on percussion, and Zahra herself adding guitar, piano and percussion. Nothing is polished to a shine; the song sounds like it was played in a room by people who enjoy each other’s company, which suits an album called Handmade.

Musical Breakdown

The arrangement stays small and acoustic, its movement coming from the rhythm and the voice rather than from big changes.

Intro

A supple guitar figure and light percussion establish a lilting, swaying groove, warm from the very first notes.

Verse 1

Zahra enters softly, her phrasing relaxed and conversational, leaning back on the rhythm like a singer at ease in a small club.

Chorus

The refrain lifts with a little more breath and brightness, a simple, singable melody that captures the joy at the song’s centre.

Bridge

The texture opens up for a moment of vocal and rhythmic play, a nod to the blues and jazz woven through her influences.

Outro

The groove winds down gently, guitar and voice trading a last few phrases before falling quiet.

Concepts in Focus

The groove of “Music” is made by hand. There is no drum kit on the track: the pulse comes from Moutoussamy’s percussion and Zahra’s own, from Coenen’s bass and from two guitars that lock into each other, so the rhythm sways rather than drives. Listen to how much the guitars contribute to the beat; in a small acoustic band the rhythm section is everybody.

It is also a clear example of verse-chorus form. The verses are relaxed and conversational, the chorus a singable refrain with a little more air in the voice, and because the arrangement barely changes between them, the lift you hear in the chorus comes almost entirely from the melody and the singer. Compare how the same musicians open the album on Hindi Zahra – Beautiful Tango (Remastered Version).

Artistic Context

Hindi Zahra was born in Khouribga, Morocco, in 1979, of Amazigh (Berber) heritage, and moved to Paris at fifteen to live with her father; it is there that she built her career. Her debut album, Handmade, released in 2010 on Blue Note and EMI under licence from her own Oursoul Records, blended folk, jazz, soul and Berber influences, sung mostly in English with songs in Tashelhit; she produced, arranged and mixed it herself and even painted its artwork. “Music” is track nine. This remastered version comes from a later reissue of the album, which has also circulated with bonus tracks.

Impact and Reception

Handmade was a breakthrough. It won Zahra the Prix Constantin in 2010 and the Victoire de la Musique for world music album of the year in 2011, and it was certified gold in France. Songs like “Music” showed why: warmth, sincerity and a voice that sounds lived in. It belongs on this playground as a small, glowing tribute to why any of us listen at all. Play it softly on a slow morning.

Learn from this track

Introductory

What you will learn

  • Hear how a small acoustic band builds a swaying groove from interlocking guitars, bass and hand percussion.
  • Follow a simple verse-chorus song and say where its lift comes from when the arrangement hardly changes.
  • Describe how a singer-producer shapes an album she writes, arranges and mixes herself.

Listening guide

  1. the intro A supple guitar figure and light percussion establish a lilting, swaying groove from the first notes.
  2. the first verse Zahra enters softly, leaning back on the rhythm like a singer at ease in a small club.
  3. the chorus The refrain lifts with more breath and brightness: a simple, singable melody at the song's centre.
  4. the outro Guitar and voice trade a last few phrases as the groove winds down.

Concepts in this track

verse-chorus form

26 tracks

The common song structure that alternates verses (new words over similar music) with a recurring chorus (the same words and the hook). Most pop songs follow it.

groove

37 tracks

The felt quality of a rhythm that makes people move: how drums, bass and the other parts lock together and push against each other in time.

Listen next, and why

Questions for discussion

  1. Zahra produced, arranged and mixed Handmade herself. How might the album sound different if a famous producer had made it?
  2. The song is about music itself. Is it harder or easier to write a love song when the beloved is an art form?
  3. Zahra sings mostly in English on an album rooted in Amazigh traditions. What does the choice of language change for the listener?

References

  1. Discogs. Hindi Zahra - Handmade (2010). Database
  2. Wikipedia. Handmade (Hindi Zahra album). Encyclopedia
  3. Wikipedia. Hindi Zahra. Encyclopedia

Weighted overlap of genres, feelings and moods.

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