Queen, The Miami Project
Another One Bites The Dust (A Skillz Remix)
A Skillz chops John Deacon's immortal bassline into a strutting breakbeat workout, keeping Freddie Mercury's swagger front and centre while the drums hit like a b-boy battle.
Feeling
42 tracks.
Queen, The Miami Project
A Skillz chops John Deacon's immortal bassline into a strutting breakbeat workout, keeping Freddie Mercury's swagger front and centre while the drums hit like a b-boy battle.
Platinum Doug
A punchy, no-nonsense club mix from the Swiss house producer Platinum Doug on Enormous Tunes, where a repeated vocal hook and a bouncing bassline push the dance floor forward bar after bar.
Mando Diao
Mando Diao trade garage-rock grit for a disco-rock floor-filler, a pulsing four-on-the-floor beat and a shout-along chorus about needing someone to dance with.
Lilly Wood and The Prick, Robin Schulz
Robin Schulz lifts a mournful 2010 French folk-pop song onto a bouncing deep house beat, Nili Hadida's bleak prayer and a looping guitar riff becoming a number one across Europe in 2014.
Klangkuenstler
A rolling tech-house groove with classic house warmth underneath: Soul Digger finds the soul in the machine and keeps the floor moving for almost seven minutes.
Klangkuenstler
A six-minute house workout from Klangkuenstler's early, groove-first years, built for the long middle stretch of a club night when the floor just wants to jack.
John Newman, Kove
Kove drives John Newman's northern-soul plea for a second chance into rolling drum and bass, the raw voice riding fast breaks and big, bright chords.
Gorgon City, Katy Menditta, WEISS
WEISS stretches Gorgon City's Imagination into a six-minute, groove-led house workout for the 2015 remix EP, leaving Katy Menditta's voice to flicker in and out over the bass.
Gin Wigmore
Gin Wigmore's 2015 comeback single, co-written with Charlie Andrew, hits like a jolt of adrenaline: pounding drums and a chant-along chorus pushing her husky voice towards a fresh start after a stifling relationship.
Format:B
A rubbery, swaggering tech-house stomper from Berlin's Format:B, built on a fat bassline and chopped vocals from Shorty Long's 1966 Motown single Function at the Junction, cut down to a radio-sized strut.
Flume
A chopped-up soul vocal, wobbling synth chords and a swinging, head-nodding beat: Flume's breakout cut is two and a half minutes of pure, woozy elation.
Daft Punk
A chopped funk loop and a robot reciting a workout mantra: Harder, Better, Faster, Stronger is Daft Punk turning a sample into one of the most quoted hooks of the century.
Daft Punk
Recorded live at Bercy, Daft Punk fold the sunny house bounce of Face to Face into the jittery robot funk of Short Circuit, and the pyramid crowd goes up with it.
Bodyrockers
A crunching dance-rock riff, a strutting beat and a hook about the way you move: Bodyrockers' 2005 floor-filler is pure, unashamed swagger.
Big Data, Joywave
A strutting, paranoid electro-rock stomp where Joywave's Daniel Armbruster sneers the hook over clipped funk guitar, heavy handclaps and a bassline built for headphones and dance floors alike.
Axwell
Axwell's 2004 club record in its original long form: a pumping, filtered house groove that keeps building until the whole floor is lifted with it.
Arctic Monkeys
Arctic Monkeys turn a jealous late-night text into a riff-heavy stomp, with Alex Turner's rapid-fire wordplay riding a fuzzed-out, swaggering guitar line.
Anna Lunoe
Anna Lunoe's Radioactive, her 2016 debut on OWSLA, is a strobe-lit 'hyperhouse' banger sung in her own voice, all clipped vocal hooks, rave stabs and a low end built to rattle a festival tent.
Adam Freeland
Melodic synths crash into live drums and a snarling rock vocal: Do You opens Freeland's Cope with a breakbeat-punk jolt that sounds like a band and a DJ at war.
Pigeon John
The Los Angeles rapper Pigeon John opens his 2010 album Dragon Slayer with The Bomb, a bright, bouncing single co-produced with General Elektriks' Hervé Salters from sampled live instrumentation rather than old records.
Bonaparte, Acid Pauli
Berlin's dance-punk ringmaster Bonaparte and the electronic producer Acid Pauli, once of The Notwist, trade a sly, defiant refrain in a 2020 single that sings from the point of view of something humanity has wronged and now asks for rescue.
Felix Da Housecat
'Madame Hollywood' by Felix Da Housecat featuring Miss Kittin is an electroclash single that plays the glamour of stardom deadpan: a Chicago house producer's taut electro beat and a French voice that sounds bored by fame.
ACRAZE
Orlando producer ACRAZE turned the vocal of Cherish's 2006 R&B single into a two-and-a-half-minute tech house track that spread through DJ sets before it was released and reached the UK top ten in 2022.
Klangkarussell
'We Want Your Soul' is Klangkarussell's remix of Adam Freeland's 2003 anti-consumerist breakbeat single: the speech-synthesizer verses and Bill Hicks sample of the original, slowed into a long, hypnotic house groove on the album Netzwerk.