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Published in deep house ·

Jan Blomqvist

Time Again

Jan Blomqvist's 2014 summer hit sets his soft, echoing voice, Felix Lehmann's Rhodes piano and two guitars over a minimal deep house pulse, the sound of the Berlin 'concert techno' he helped bring to big stages.

Review

Genre and Mood

Jan Blomqvist brings his signature blend of minimal techno and deep house to “Time Again”, a track that balances melancholic melodies with a hypnotic, driving rhythm. The song’s deep and emotive tone makes it work for both late-night introspection and the dance floor, and it became his summer hit of 2014.

Song Summary

“Time Again” is a song first and a club track second. Blomqvist wrote the music and sings it, with lyrics by Ryan Mathiesen; the credits add Felix Lehmann on piano and Rhodes and two guitarists, Blomqvist and Maurice Catastrof, and the production is shared by Blomqvist and Lehmann. The result layers soft, echoing vocals and real instruments over a smooth, pulsating beat, a track that feels both haunting and energising.

Musical Breakdown

Intro: Hypnotic Build-up

The track begins with minimal, reverberating synths, gradually introducing a subdued beat. The simplicity of the opening draws the listener in before the voice arrives.

Build-up: Layered Sounds

As the track progresses, more layers are introduced: subtle synths, ambient pads and delicate percussive elements. They build a rich texture without overwhelming the introspective atmosphere.

Main Section: Vocal Emotionality

The centre of “Time Again” is Blomqvist’s voice. The melancholic lyric and his soft delivery create a sense of longing that sits against the steady, hypnotic rhythm.

Climax: Rhythmic Drive

The rhythm intensifies, with a more pronounced bassline and driving percussion, balancing the emotional weight of the vocal with a danceable groove.

Outro: Gentle Fade

The track concludes by gradually stripping away the rhythmic elements, letting the melody drift into silence.

Concepts in Focus

The arrangement is one long, gentle build-up. Instead of a tension-and-drop cycle, layers are added patiently, pads, percussion, piano, then the voice, so the track grows like a song rather than like a peak-time club tool. Listen for each new element and notice that none of them breaks the mood.

The release itself is a lesson in versions. The 2014 Time Again single offered a radio edit, the original mix, a longer Jan Blomqvist club mix and three remix versions, by Peer Kusiv, the lyricist Ryan Mathiesen and Animal Trainer. Each targets a different listener, from radio to the club, and comparing them shows how much of a track’s character lives in its arrangement. For one of those remixers at work on another Blomqvist song, hear Jan Blomqvist – Big Jet Plane (Animal Trainer Remix).

Blomqvist is also known for taking this music on stage as a band. Beatportal describes him as one of the few electronic artists who brought a drum set and a piano into Berlin clubs, with a band that has played more than 40 countries, and credits him with helping bring “concert techno” to main stages. The official video here is the studio track; in concert, the same song is played by people rather than sequenced, which is a good reason to look up one of his live sets after listening.

Artistic Context

Jan Blomqvist is a Berlin-based singer, producer and bandleader. He grew up in a village in Lower Saxony, formed his first band at ten and played rock, hardcore and metal into his early twenties, then studied mathematics, where in 2005 he met Felix Lehmann, his future pianist and co-producer, and discovered Berlin techno. “Time Again” was released in July 2014 on the label RAR (Rent A Record Company), marketed by Motor Entertainment. iHeartBerlin, writing that October, called it his “summer hit” and “one of his most impressive tracks to date”, and described him as a long-time Prenzlauer Berg resident who grew up with clubs such as Bar25.

Impact and Reception

“Time Again” was the track that defined Blomqvist’s 2014, and its mix of a sung melody and a hypnotic groove is the template for the concert approach he later took to stages in more than 40 countries. It is on this playground as an example of deep house that behaves like a song. Listen to the original mix first, then the club mix, and hear the same idea stretched for the floor.

Learn from this track

Introductory

What you will learn

  • Describe how a deep house track can be built around a sung, song-like vocal rather than a sampled one.
  • Follow a build-up that adds texture and rhythm gradually without a dramatic drop.
  • Explain how one release can offer a radio edit, an original mix, a club mix and remixes for different listeners.

Listening guide

  1. the intro Minimal, reverberating synths and a subdued beat; the track takes its time before the voice arrives.
  2. the build-up Layers are added one by one, pads, small percussive details, piano, without crowding the mood.
  3. the main section Jan Blomqvist's soft, echoing vocal carrying a melancholic lyric over the steady pulse.
  4. the outro The rhythm is stripped away gradually and the melody drifts out on its own.

Concepts in this track

build-up

24 tracks

A passage that raises tension toward a release: rising pitch, faster drum rolls, opening filters, added layers. In dance music it prepares the drop.

remix

56 tracks

A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.

Listen next, and why

Questions for discussion

  1. Blomqvist plays clubs with a drummer and a pianist. What does a live band add to music that is usually played from a laptop or turntables?
  2. The release offered five versions of the track. Which would you choose for a radio, a club and a headphone listener, and why?
  3. How can a song be melancholic and danceable at the same time? Which elements carry each feeling?

References

  1. Discogs. Jan Blomqvist - Time Again (2014). Database
  2. Beatportal. Jan Blomqvist: Live Wires (2020). Article
  3. iHeartBerlin. Exploring Berlin places with Jan Blomqvist (2014). Article

Weighted overlap of genres, feelings and moods.

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