WHTKD
Say to Me
WHTKD loops a soulful, pleading vocal over a warm, rolling deep house groove, a track that sounds like late afternoon turning into evening.
Feeling
21 tracks.
WHTKD
WHTKD loops a soulful, pleading vocal over a warm, rolling deep house groove, a track that sounds like late afternoon turning into evening.
Whilk & Misky
A hushed, smoky vocal floats over plucked folk guitar and a slow electronic pulse, turning a simple declaration of devotion into a late-night confession.
Santé, Richard Judge
Santé lays a deep, rolling groove under J.U.D.G.E's grave, soulful voice, six minutes of dark-room house that feels like the first clear thought after a long night.
Klangkuenstler
A rolling tech-house groove with classic house warmth underneath: Soul Digger finds the soul in the machine and keeps the floor moving for almost seven minutes.
Joss Stone
A teenage Joss Stone leans into a lilting, reggae-kissed soul groove and sings about wanting less with the husky authority of a singer twice her age.
Hindi Zahra
Hindi Zahra sings a love letter to music itself, her warm, smoky voice swaying over interlocking guitars and soft percussion that blend folk, soul and Berber roots.
Hindi Zahra
Hindi Zahra's smoky voice glides over a lilting, desert-blues guitar and soft percussion in Beautiful Tango, a slow dance of a song that sounds like dusk in a small room.
Gabriella Cilmi
A sixteen-year-old Gabriella Cilmi takes Justin Timberlake's 2002 break-up hit into smoky, live soul territory with a three-piece band: a 2008 B-side recorded by Xenomania, her husky voice carrying all the hurt.
DJ Fitchie, Joe Dukie
Seven unhurried minutes of Pacific dub-soul from two Fat Freddy's Drop mainstays, Joe Dukie's honeyed voice drifting over a deep, patient bassline built for the small hours.
Chet Faker
A wistful, treated saxophone line, a lazy, warm beat and Chet Faker's husky croon make this Built on Glass lead single the definition of late-night electronic soul, and triple j's number one song of 2014.
Chet Faker
Chet Faker's smoky late-night soul over a slow, finger-snapping electronic groove, a minimal track that gets all its heat from his weathered voice and a bassline that barely moves.
Ayọ
Ayọ pleads for a lost love over acoustic guitar and a gentle reggae lilt: the 2006 debut single, recorded with a live band in five days in New York, that made a German-Nigerian singer a star in France.
Avicii
Avicii wraps the standard Nina Simone made famous in soft, swelling synths and lets Audra Mae's smoky, soaring voice carry a song about new dawns, recorded for a 2015 film about his own recovery from years of touring.
Electric Guest
A piano-driven, falsetto-led romp produced by Danger Mouse, 'This Head I Hold' was Electric Guest's 2012 debut single: retro soul-pop swagger wrapped around a reminder that you don't have to follow the steps society lays out.
Headman
Headman's own club version of Moisture, his song with the singer Luca Santucci: a sleek, hypnotic nu-disco and house groove stretched for the dance floor, a bonus track on the 2016 deluxe edition of his album ON.
Aloe Blacc
A hard-times plea set to a Brooklyn retro-soul jam: Aloe Blacc's 2010 hit, the theme of HBO's How to Make It in America, heard here live in Berlin in 2011, where a chorus about a job lost and a dollar borrowed is made for a room to sing.
AnnenMayKantereit x Parcels
AnnenMayKantereit and Parcels join forces on a stripped-back cover of Kylie Minogue's 'Can't Get You Out of My Head', trading the original's cool electronic pulse for Henning May's rough voice and close band harmonies.
Roseaux
The French collective Roseaux and the American soul singer Aloe Blacc turn the Police's 1979 reggae hit into an unhurried soul song, the most famous track of their 2012 album of covers.