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Published in electronic ·

Chet Faker

Gold

Chet Faker's smoky late-night soul over a slow, finger-snapping electronic groove, a minimal track that gets all its heat from his weathered voice and a bassline that barely moves.

Review

Genre and Mood

Chet Faker slows the night down on Gold, a track that blends electronic production, soul and R&B into something smoky and minimal. Its mood is soulful, hypnotic and intimate, the sound of late-night confessions over a groove that barely moves but never lets go.

Song Summary

“Gold” is a slow-burning song about desire and devotion, built around a simple beat, finger snaps and a deep, steady bassline. Chet Faker’s weathered, soulful voice carries everything, swinging between restraint and passion, while layers of keys and subtle electronic textures add warmth. The production is spacious and minimal, and that restraint is what makes the song feel so sensual and close. There is very little on the track that is not essential, and that economy means every small change lands with real weight. Murphy wrote, performed and produced it himself, and it sounds like it: one person’s late-night idea, kept close.

Musical Breakdown

The track builds slowly and subtly, adding warmth rather than volume as it goes.

Intro

Finger snaps and a soft beat set a slow, swaying groove, with a deep bass beginning to pulse.

Verse 1

His voice enters low and warm, almost whispered, carrying the melody over the minimal backing.

Chorus

The hook opens up with a fuller vocal and richer keys, the groove locking in with hypnotic insistence.

Bridge

A quieter moment strips the track down to beat and voice before the layers return.

Outro

The groove rides out with his ad-libs and fading keys, ending as softly as it began.

Concepts in Focus

Gold is a study in groove: the pattern of beat, snaps and bass settles in within seconds and then hardly changes for nearly five minutes. A groove like this works by being dependable. Because the ground never shifts, the listener’s attention moves to the voice and to the small additions, a richer chord, an ad-lib, and each one feels larger than it is.

The bassline is the clearest example of that economy. It barely moves, a few notes repeated low under everything, but take it away and the song would lose its weight and its sway. Listen in the chorus: the voice opens up and the keys thicken, while the bass keeps exactly the same steady step underneath.

The music video, directed by Hiro Murai and choreographed by Ryan Heffington, shows three roller skaters, Candice Heiden, April Corley and Appelusa McGlynn, gliding down a road near Acton, California, filmed from a car driving alongside. It was shot in one night with practical effects, and four takes were stitched together to look like one continuous glide: a picture of the song’s own smooth, unbroken motion.

Artistic Context

Chet Faker is the alias of Australian musician Nick Murphy, born in 1988 and raised in Melbourne, who took the name in homage to Chet Baker and his fragile, intimate singing. He first broke through in 2011 with a slow, soulful cover of Blackstreet’s “No Diggity” that went viral online. “Gold” was the third single from Built on Glass, his debut album, released on Future Classic in April 2014 and recorded at the North Melbourne Meat Market studio; the album debuted at number one in Australia and won the J Award for Australian Album of the Year. The title nods to fragility, and much of the record lives in that tension between smooth surfaces and something more vulnerable underneath; “Gold” is where it sounds most seductive.

Impact and Reception

Released as a single on 2 June 2014, “Gold” was voted number seven in Triple J’s Hottest 100 of 2014, one of three tracks from the album in that year’s top ten, and was shortlisted for Song of the Year at the 2015 APRA Music Awards. Apple used it in 2015 to introduce the new MacBook, and Murphy performed it on The Ellen DeGeneres Show in January 2015, his first American talk-show appearance. The video, with its steady, graceful, slightly unreal skaters, became the image most people attach to the song. It is on this playground for its warmth and restraint. Listen late, with the lights low.

Learn from this track

Introductory

What you will learn

  • Describe how a slow groove holds attention through repetition and small changes rather than a big arrangement.
  • Hear how a bassline that barely moves can still be the most important part of a track.
  • Explain how a music video can mirror a song's form, here a continuous glide made of four shots stitched together.

Listening guide

  1. the intro Snaps and a soft beat set a slow, swaying groove before the bass begins to pulse underneath.
  2. the first verse Murphy's voice enters low and close, a croon that owes more to the jazz singers he admires than to modern R&B.
  3. the chorus A fuller vocal and richer keys lift the hook while the groove underneath stays exactly where it was.
  4. the outro The groove rides out with ad-libs and fading keys, ending as quietly as it began.

Concepts in this track

music video

57 tracks

A short film made to accompany a song. Since MTV it has shaped how songs are remembered, and on YouTube it is often the main way a song is heard.

bassline

33 tracks

The lowest melodic part of a track. In dance music it often carries the hook as much as the vocal does, and its rhythm against the kick drum defines the groove.

groove

37 tracks

The felt quality of a rhythm that makes people move: how drums, bass and the other parts lock together and push against each other in time.

Listen next, and why

Questions for discussion

  1. Very little changes in Gold from start to finish. What keeps it from becoming boring?
  2. Murphy named himself after Chet Baker for his fragile, close-up singing. Where do you hear that influence in this track?
  3. The video looks like one continuous shot but is four stitched together. Does knowing that change how you see it, or how you hear the song?

References

  1. Wikipedia. Gold (Chet Faker song). Encyclopedia
  2. Wikipedia. Built on Glass. Encyclopedia
  3. Wikipedia. Chet Faker. Encyclopedia

Weighted overlap of genres, feelings and moods.

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