Whilk & Misky
Get What We Want
Whilk & Misky blend acoustic warmth with electronic pulse on this track from My Round, Charlie Dickens' soulful voice and Nima Khaste's production chasing a simple wish: to get what we want.
Instrument
keyboard
35 tracks.
Santé, Richard Judge
Awake
Santé lays a deep, rolling groove under J.U.D.G.E's grave, soulful voice, six minutes of dark-room house that feels like the first clear thought after a long night.
Robin Thicke, T.I., Pharrell Williams
Blurred Lines
A cowbell-clacking, falsetto-laced funk-pop strut from Robin Thicke, Pharrell and T.I. that owned the summer of 2013 and then the courtroom.
Mount Sims
Restless
Seven minutes of slow-burning tension, Restless loops a nervous synth figure and a stalking beat until the repetition itself becomes the thrill.
Michelle Gurevich
Lovers Are Strangers
Michelle Gurevich croons a deadpan, candlelit elegy for love gone cold, with lo-fi synths and a slow-dance sway that make heartbreak feel strangely elegant.
Michelle Gurevich
First Six Months of Love
A slow, smoky synth ballad in which Michelle Gurevich's deadpan contralto toasts the giddy first months of a romance while already hearing the ending coming.
Marcus Marr & Chet Faker
The Trouble With Us
Marcus Marr and Chet Faker (Nick Murphy) recorded this disco-funk jam in four days in a Brixton studio in July 2015: a funk-flecked guitar riff and a soulful plea about a relationship going wrong, made into a reason to dance.
Klyne
Entropy
A hushed, late-summer slow jam from the Dutch duo Klyne, where a feather-light falsetto floats over soft keys, tropical-leaning drums and pulsing synths.
Joss Stone
Less Is More
A teenage Joss Stone leans into a lilting, reggae-kissed soul groove and sings about wanting less with the husky authority of a singer twice her age.
Jain
So Peaceful
Zanaka's gentle closer, a reggae-tinged sway where Jain lets the album's travels settle into calm, sunlit contentment.
Jain
Hope
Jain's light, sing-song voice, her own drum programming and Yodelice's bass and trombone carry a small, sunny plea for a better world, the title track of her first EP in 2015.
Jain
City
The closing song of Jain's 2015 Hope EP, produced by Yodelice: her bright, slightly mischievous voice riding a homemade-sounding beat that mixes pop simplicity with the rhythmic colours of a childhood spent between Dubai, Congo and Abu Dhabi.
Gorillaz, Neneh Cherry
Kids with Guns
A cold, clanking Gorillaz track from Demon Days where Damon Albarn's weary vocal and Neneh Cherry's spectral backing turn a nursery-rhyme melody into a quiet alarm about children and violence.
Gin Wigmore
Kill Of The Night
Gin Wigmore's smoky rasp prowls over stomping drums and a swaggering, bluesy strut, a midnight hunt sung by someone who fully intends to win.
Flume
Holdin On
A chopped-up soul vocal, wobbling synth chords and a swinging, head-nodding beat: Flume's breakout cut is two and a half minutes of pure, woozy elation.
Daft Punk
Get Lucky (Radio Edit)
Nile Rodgers' chicken-scratch guitar, Pharrell's easy vocal and Daft Punk's robot choir turn a four-chord loop into the most irresistible disco revival of the 2010s: the lead single of Random Access Memories, in its radio edit.
Daft Punk
Harder, Better, Faster, Stronger
A chopped funk loop and a robot reciting a workout mantra: Harder, Better, Faster, Stronger is Daft Punk turning a sample into one of the most quoted hooks of the century.
Daft Punk
Give Life Back to Music
The curtain-raiser of Random Access Memories: live drums, Nile Rodgers' guitar and a vocoder mission statement announcing that Daft Punk came back to make music breathe again.
Daft Punk
Around the World
One phrase, one bassline and seven minutes of repetition: Around the World is Daft Punk proving that a loop can be a whole world on its own, and Michel Gondry's video turned its arrangement into choreography.
Corinne Bailey Rae
Put Your Records On
Corinne Bailey Rae's sun-dappled soul-pop single is a gentle invitation to let your hair down, all breezy guitar, soft horns and a warm voice telling you to grow into yourself.
Clea Vincent
All that she wants
Cléa Vincent turns Ace of Base's 1992 hit into breezy, homespun French synth-pop, trading its reggae-pop strut for a dreamy, lo-fi groove closer to hip-hop and R&B.