Peaches
Pickles
Peaches at her most gleefully filthy: Pickles rides a stark, rubbery electro beat while she raps about desire with a grin you can hear in every line.
Genre
electroclash
16 tracks.
Mount Sims
Together Alone
Cold machine rhythm and a detached croon from the American edition of Mount Sims' 2002 debut UltraSex, an electroclash meditation on being close to someone and still completely on your own.
Mount Sims
The Bitten Bite Back
Cold synth stabs and a deadpan, sneering vocal turn revenge into a dancefloor chant: Mount Sims at his most wiry, sleazy and defiant.
Mount Sims
Restless
Seven minutes of slow-burning tension, Restless loops a nervous synth figure and a stalking beat until the repetition itself becomes the thrill.
Mount Sims
No Yellow Lines
A night drive with the headlights off: grinding analogue bass, clipped drum machines and Mount Sims' cool, menacing croon from the darker side of electroclash.
Mount Sims, Jessie Evans
Andy of Jenny
A short, sharp electroclash track from Mount Sims' 2008 album Happily Ever After, with André Lang's live drums under the synths and the underground punk singer Jessie Evans adding saxophone.
Mount Sims
Hellbent
Mount Sims at his most driven: a tight, menacing electro pulse and a vocal set on walking straight into trouble, one of the songs added to Happily Ever After...Again, the 2010 reworking of his darkwave album.
Mount Sims
Grave
A slow, cold-blooded crawl through synths, live drums and a graveside croon: Grave, from the 2008 album Happily Ever After produced by Thomas Stern, turns Mount Sims' taste for horror into five minutes of nocturnal dread.
Mount Sims
Good Service
Deadpan vocals, buzzing analog synths and a drum machine with attitude: Good Service is Mount Sims serving early-2000s electroclash with a sly, suggestive grin.
Future Forward Society, Mount Sims
The Creep
Future Forward Society and Mount Sims build a slinking, shadowy electro crawl, all low-slung bass, cold synths and a voice that seems to whisper from the corner of the room.
Future Forward Society, Mount Sims
The Creep (HV Thrillseeker Mix)
The HV Thrillseeker Mix stretches The Creep into a longer, harder club tool, with the menace of the original pushed through a relentless, driving groove.
Future Forward Society, Mount Sims
The Creep (Capri Mix)
A long, prowling electro mix that keeps its shadows close: The Creep in its Capri Mix stretches Mount Sims' sly menace over six and a half minutes of pulsing synths.
Future Forward, Mount Sims
Time for Livin
A long, strutting electro groove released on Kompute Musik, with Mount Sims' deadpan vocal riding a relentless machine pulse that barely changes and never needs to.
Codec & Flexor
Time Has Changed (Original)
Cold, pulsing analogue-style synths and a detached vocal make Codec & Flexor's electroclash-era club hit sound like a rave remembered through frosted glass.
Chicks On Speed
Euro Trash Girl
Munich art collective Chicks On Speed turn Cracker's 1990s alt-rock road song into a deadpan electronic cover: an early electroclash single, first pressed on their own Go Records in 1998.
Miss Kittin
Frank Sinatra
'Frank Sinatra' is one of the founding anthems of electroclash: Miss Kittin's deadpan spoken vocal over The Hacker's raw electro, a cool, satirical portrait of fame and excess that still fills dancefloors.