Skip to content
Published in disco ·

Marcus Marr & Chet Faker

The Trouble With Us

Marcus Marr and Chet Faker (Nick Murphy) recorded this disco-funk jam in four days in a Brixton studio in July 2015: a funk-flecked guitar riff and a soulful plea about a relationship going wrong, made into a reason to dance.

Review

Genre and Mood

Marcus Marr and Nick Murphy, then performing as Chet Faker, made The Trouble With Us together, and it lands squarely between disco, funk, soul and modern electronic production. The mood is groovy on the surface and longing underneath, a bittersweet song about a relationship going wrong that insists on making you dance anyway.

Song Summary

The lyric circles the familiar problem of two people who cannot quite make it work, but the music refuses to sulk. A funky bassline, crisp drums and a chopping guitar riff lock into a loose, live-sounding jam, while Murphy’s smoky, soulful voice pleads and teases over the top. Music Feeds described it as “fuelled by catchy hooks and a funk-flecked guitar riff”, and Inthemix heard an “intergalactic funk-tinged track”. The memorable detail is the feel: it sounds like two musicians having a great time in a small room, which is more or less exactly what happened.

Musical Breakdown

The song plays like a studio jam shaped into a pop single of under four minutes.

Intro

Drums and bass kick in straight away with a confident, disco-funk strut, guitar stabs flickering at the edges.

Verse 1

Murphy’s voice slides in, relaxed and husky, telling his side of the story over the rolling groove.

Build-up

Keys and extra guitar layers stack up and the rhythm tightens, the tension rising towards the hook.

Chorus

The title line hits with a sing-along lift, frustration turned into a groove you cannot stand still to.

Bridge

The arrangement thins to bass, drums and voice, a brief, intimate moment before the band surges back.

Climax

The final choruses pile on guitar licks, vocal ad-libs and percussion, the jam at full heat.

Outro

The groove rides out with the band still playing, as if nobody wanted the session to end.

Concepts in Focus

The song is built on a guitar riff: a short, funky figure, played by Marr, that repeats under the verses and choruses and gives the track its identity. In disco and funk the rhythm guitar is often as important as the vocal, chopping chords on and around the beat so the band feels lighter on its feet. Listen for how the riff never changes much while the voice moves around it.

That riff is one part of a groove made by two people playing most of the instruments themselves. The sleeve credits Marr with production, mixing, keyboards, guitar, bass and backing vocals and Faker with lead vocals, synth bass and keyboards. Recorded over four days, 6 to 9 July 2015, the parts sit together with the small looseness of musicians reacting to each other, which is what makes a groove feel human.

Artistic Context

Chet Faker is the Australian musician Nick Murphy, born in 1988, whose name was a tribute to Chet Baker; he dropped it in 2016 to release music under his own name and revived it in 2020. Marcus Marr is a London DJ, producer and guitarist. The two met online after Faker posted one of Marr’s songs on Twitter; Marr thanked him, they exchanged ideas and then recorded the four-track Work EP together at Marr’s studio in Brixton, South London. The Trouble With Us premiered on Triple J’s Good Nights with Linda Marigliano on 15 October 2015 and was released the next day as the lead single; Work followed on 4 December 2015 through Detail Records and Downtown, with every track credited to both.

Impact and Reception

Triple J made it a pick of the week, and its video, directed by Kinopravda and shot at Korda Studios, followed on 10 December 2015. The single gave Chet Faker fans a looser, more danceable side of him and introduced Marr to a much wider audience. It is on this playground because it turns heartbreak into a party without losing its soul. Turn it up and let the bassline argue the case.

Learn from this track

Introductory

What you will learn

  • Hear how a short, repeated guitar riff can anchor a whole song.
  • Describe what makes a groove feel played by people in a room rather than programmed.
  • Explain how a lyric about a relationship going wrong can sit inside music made for dancing.

Listening guide

  1. the intro Drums and bass starting straight away with a disco-funk strut, the guitar flickering at the edges.
  2. the first verse Faker's relaxed, husky voice telling his side of the story over the rolling groove.
  3. the chorus The title line arriving with a sing-along lift, frustration turned into movement.
  4. the climax Guitar licks, vocal ad-libs and percussion piling up as the jam reaches full heat.

Concepts in this track

riff

14 tracks

A short, repeated melodic or rhythmic figure, usually played by an instrument, that anchors a song. Rock riffs are often guitar figures; in electronic music the same role falls to a synth or bass line.

groove

37 tracks

The felt quality of a rhythm that makes people move: how drums, bass and the other parts lock together and push against each other in time.

Listen next, and why

Questions for discussion

  1. The EP was written and recorded in four days. Can you hear speed and spontaneity in the song, and is that a strength?
  2. Why do so many disco and funk songs set sad or troubled lyrics to joyful music?
  3. Marr played guitar, bass and keyboards and produced; Faker sang and added synth bass. How does a two-person collaboration sound like a band?

References

  1. Wikipedia. The Trouble with Us. Encyclopedia
  2. Discogs. Marcus Marr & Chet Faker - Work (2015). Database
  3. Wikipedia. Chet Faker. Encyclopedia

Weighted overlap of genres, feelings and moods.

Neighbourhood

This track, the tracks most like it and theirs. Drag, zoom, hover; a dot opens the track.

Show as table