Erfurt's Northern Lite rework Codec & Flexor's electroclash-era club hit for the 2004 remix EP: a six-minute version that keeps the song's cool, detached refrain and gives it the band's own blend of electro and pop.
A piano-driven, falsetto-led romp produced by Danger Mouse, 'This Head I Hold' was Electric Guest's 2012 debut single: retro soul-pop swagger wrapped around a reminder that you don't have to follow the steps society lays out.
'Because of You' by C2C featuring Pigeon John is a bright collision of hip-hop, electronics and soul from four French world-champion turntablists, with the Los Angeles rapper's warm voice riding a beat built by hand on record decks.
'The River' is a short, warm house track from Bakermat's second album The Spirit (2021), a record the Dutch producer built from gospel, soul and folk material: a two-and-a-half-minute sketch of uplift rather than a club epic.
The title track of Kazy Lambist's 2015 debut EP: a smooth, sunlit electronic pop song by the Montpellier producer Arthur Dubreucq, laid-back beats and a playful melody built for summer.
Berlin's dance-punk ringmaster Bonaparte and the electronic producer Acid Pauli, once of The Notwist, trade a sly, defiant refrain in a 2020 single that sings from the point of view of something humanity has wronged and now asks for rescue.
A hard-times plea set to a Brooklyn retro-soul jam: Aloe Blacc's 2010 hit, the theme of HBO's How to Make It in America, heard here live in Berlin in 2011, where a chorus about a job lost and a dollar borrowed is made for a room to sing.
A laid-back fusion of dub, reggae and deep electronic beats from East Germany: JPattersson's 2016 Elevator, the title track of an EP that also carries its own dub version and two remixes.
'Smalltalk' is the 2012 lead single of Ultraísta, the trio of Radiohead producer Nigel Godrich, drummer Joey Waronker and singer Laura Bettinson: layered synthesizers and afrobeat-minded drums under a plea to stop the small talk, heard here in Four Tet's garage-shuffle remix.
An uncredited 2015 deep-house rework of Eurythmics' 1983 synth-pop classic: Annie Lennox's cool, haunting vocal set on a laid-back summer house beat, a lesson in how a famous bassline survives any remix.
Groove Armada's 2001 single fuses house with dancehall, reggae and dub over a speed-garage bassline, with MC M.A.D. on vocals and a live horn section; a UK number 12 and a 2003 Grammy nominee.
'Sunset (Bird of Prey)' is Fatboy Slim's 2000 single built around Jim Morrison's voice, sampled from the Doors' 'Bird of Prey': a slow-rising, sun-bleached dance track whose video sends a 1960s fighter pilot on a hallucination.
'Inner Galactic Lovers' is Kutiman's 2015 song assembled from parts recorded by 24 freelance musicians in a dozen countries: an ethereal, funky collage in which every player was hired online and never met the others.
K.Flay's breakthrough answers a decade of songs about getting high with a question, what if I'm already high enough: breezy rhythm, bubbly guitar lines and a sing-song flow produced by Mike Elizondo.
“Makeba” by Jain is an upbeat, irresistibly catchy tribute to the South African singer and activist Miriam Makeba, built on a Hamilton Bohannon sample, a call-and-response refrain and bright, home-programmed pop.
Gregory Porter's up-tempo lead single from Take Me to the Alley: a warm, gospel-rooted jazz-soul song of encouragement, carried by his rich baritone and a small acoustic band.
The title track of Say Yes Dog's 2013 debut EP, later carried onto their album Plastic Love: warm, unhurried synth-pop from a German-Luxembourgish trio who met studying jazz and sound engineering in The Hague.
'Once Twice' is a short, uplifting house track by Ryan Blyth with the Swansea singer and producer Rachel K Collier on vocals, premiered in 2016 on the Love & Other channel: bright beats, a sung topline and a hook built for the dance floor.
A track from Pilocka Krach's 2017 double album Sugar Cane & The Lost Amigos, a tour diary pinned between Mexico, Detroit and Berlin: raw sampled cuts and growling synths in the Bar25 veteran's electro post-rave style.
Hamburg duo Kollektiv Turmstrasse's 2009 'Let Freedom' remix of Federleicht's On the Streets: melancholic, melodic house of deep beats and slowly unfolding synths, from the label that later released their album.
Jorge Ben's 'Take It Easy My Brother Charles' is a two-and-a-half-minute samba-soul classic from his 1969 album: a swinging guitar, Trio Mocotó's percussion and a warm word of caution to a 'brother of color', half in Portuguese, half in English.
'Stand Up' by Hindi Zahra is a buoyant, reggae-tinged call to rise from her 2010 debut Handmade, where pop-reggae gives way to a dizzying oud solo and the rhythm keeps building towards a dance.
An eighteen-minute minimal track by the Romanian producer Marcu Rareș, the title piece of his 2018 EP for the Romanian minimal techno label Welter Records.
Ladytron's 2002 single: whirring synthesizers, two cool, interlocking voices and a minimal lyric that takes a swipe at an industry obsessed with youth, shiny and throwaway on the surface and dark underneath.