Groove Armada
Superstylin'
Groove Armada's 2001 single fuses house with dancehall, reggae and dub over a speed-garage bassline, with MC M.A.D. on vocals and a live horn section; a UK number 12 and a 2003 Grammy nominee.
Feeling
42 tracks.
Groove Armada
Groove Armada's 2001 single fuses house with dancehall, reggae and dub over a speed-garage bassline, with MC M.A.D. on vocals and a live horn section; a UK number 12 and a 2003 Grammy nominee.
The Horrorist
'One Night In New York City' is The Horrorist's dark techno story of a naive suburban girl's night in the city, first released in 1996 on his own Things To Come label and a German dance number one in 2001, told in a cold spoken voice over a driving machine beat.
Pomplamoose
Pomplamoose's 2019 cover of Daft Punk's 'Harder, Better, Faster, Stronger': a robot anthem built from a sample and a vocoder, replayed by a live band with real keys, bass, drums and human voices, and filmed so that everything you hear, you see.
Nina Simone
'Sinnerman (Felix Da Housecat's Heavenly House Mix)' sets Nina Simone's ten-minute 1965 recording of a traditional spiritual about a sinner with nowhere to hide inside a four-and-a-half-minute house groove, for Verve Remixed 2 in 2003.
Luca Malina
'FCKRZ' is a 2021 single by the Viennese singer Luca Malina, R&B-inspired pop about the darker side of relationships, produced by Luca Pivetz with guitar by Lukas Koffler and a self-made video.
Pilocka Krach
The Canadian producer Hrdvsion (Nathan Jonson) remixes Berlin experimental artist Pilocka Krach's 'Discolight' into a five-and-a-half-minute club track, the lead side of a 2012 remix 12-inch on Greatest Hits International.
Funky Fat & Digitaria
Two Brazilian acts, the Belo Horizonte trio Funky Fat and the duo Digitaria, meet on Jamie Jones and Lee Foss's label Hot Creations in 2012: a slower, electro-slanted house track of soaring synths, grumbling stabs and breathy vocals.
Fernanda Porto
Fernanda Porto's own Sambassim: the São Paulo composer's song that fused samba and bossa nova melody with electronic beats and helped name a style, drum 'n' bossa.
Caravan Palace
Caravan Palace's 2015 single fuses 1930s-style swing with club beats and Zoé Colotis's voice, and its animated video of a brawl in a bar full of animals made it one of the most-watched electro-swing tracks ever.
alt-J
A lullaby with teeth: alt-J's 2012 breakthrough wraps an obsessive love song, borrowed in part from Where the Wild Things Are, in plucked guitar, close harmonies and a refrain that piles up until it will not let go.
Vitalic
A pulsating electro track from Vitalic's 2001 Poney EP on International DeeJay Gigolo: driving machine beats and a snarling synth riff that capture the raw energy of the early-2000s dance floor.
Deluxe
'Tum Rakak' is a song by Deluxe, the moustachioed band from Aix-en-Provence: a funky live-band groove in B-flat minor with Liliboy singing a gleefully absurd lyric about curiosity, party crumbs and a truck that reeks in the heat.
Tubbe
The queer electropunk duo Tubbe, who moved from Munich to Berlin in 2013, set the small-town dream of the big city against its confetti, noise and 1-euro-shop reality, a 2015 synth-pop single from their Audiolith album Keine Arbeit lieber Tanzen.
Timo Maas
Timo Maas's 'Shifter', featuring MC Chickaboo, is a driving 2002 single from his debut album Loud: German club production at the meeting point of house and breakbeat, with an MC riding the groove; a UK top 40 hit.
Felix Da Housecat
Felix Da Housecat's 2001 electroclash single: a melody sampled from The Flirts' 'Passion', Miss Kittin's cool, spoken-sung vocal and a lyric of starlets and cameras, the record that opened Kittenz and Thee Glitz.
Dead Kennedys
Dead Kennedys' 1981 single sets Jello Biafra's satire of a moronic party over East Bay Ray's breakneck surf-punk riff, and became the first UK top-40 hit with the word in its title, despite a BBC ban.
Controller 7
A 2007 mashup by the San Jose producer Controller 7 that lays the Temptations' 1966 'Get Ready' a cappella over the rhythm section of Peter Bjorn and John's 'Young Folks', two songs forty years apart that line up uncannily well.