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Groove Armada

Superstylin'

Groove Armada's 2001 single fuses house with dancehall, reggae and dub over a speed-garage bassline, with MC M.A.D. on vocals and a live horn section; a UK number 12 and a 2003 Grammy nominee.

The Horrorist

One Night In New York City

'One Night In New York City' is The Horrorist's dark techno story of a naive suburban girl's night in the city, first released in 1996 on his own Things To Come label and a German dance number one in 2001, told in a cold spoken voice over a driving machine beat.

Pomplamoose

Harder, Better, Faster, Stronger

Pomplamoose's 2019 cover of Daft Punk's 'Harder, Better, Faster, Stronger': a robot anthem built from a sample and a vocoder, replayed by a live band with real keys, bass, drums and human voices, and filmed so that everything you hear, you see.

Luca Malina

FCKRZ

'FCKRZ' is a 2021 single by the Viennese singer Luca Malina, R&B-inspired pop about the darker side of relationships, produced by Luca Pivetz with guitar by Lukas Koffler and a self-made video.

Pilocka Krach

Discolight (Hrdvsion's NSD Mix)

The Canadian producer Hrdvsion (Nathan Jonson) remixes Berlin experimental artist Pilocka Krach's 'Discolight' into a five-and-a-half-minute club track, the lead side of a 2012 remix 12-inch on Greatest Hits International.

Funky Fat & Digitaria

You Bring Me Down

Two Brazilian acts, the Belo Horizonte trio Funky Fat and the duo Digitaria, meet on Jamie Jones and Lee Foss's label Hot Creations in 2012: a slower, electro-slanted house track of soaring synths, grumbling stabs and breathy vocals.

Fernanda Porto

Sambassim

Fernanda Porto's own Sambassim: the São Paulo composer's song that fused samba and bossa nova melody with electronic beats and helped name a style, drum 'n' bossa.

Caravan Palace

Lone Digger

Caravan Palace's 2015 single fuses 1930s-style swing with club beats and Zoé Colotis's voice, and its animated video of a brawl in a bar full of animals made it one of the most-watched electro-swing tracks ever.

alt-J

Breezeblocks

A lullaby with teeth: alt-J's 2012 breakthrough wraps an obsessive love song, borrowed in part from Where the Wild Things Are, in plucked guitar, close harmonies and a refrain that piles up until it will not let go.

Vitalic

You Prefer Cocaine

A pulsating electro track from Vitalic's 2001 Poney EP on International DeeJay Gigolo: driving machine beats and a snarling synth riff that capture the raw energy of the early-2000s dance floor.

Deluxe

Tum Rakak

'Tum Rakak' is a song by Deluxe, the moustachioed band from Aix-en-Provence: a funky live-band groove in B-flat minor with Liliboy singing a gleefully absurd lyric about curiosity, party crumbs and a truck that reeks in the heat.

Tubbe

In Berlin

The queer electropunk duo Tubbe, who moved from Munich to Berlin in 2013, set the small-town dream of the big city against its confetti, noise and 1-euro-shop reality, a 2015 synth-pop single from their Audiolith album Keine Arbeit lieber Tanzen.

Timo Maas

Shifter

Timo Maas's 'Shifter', featuring MC Chickaboo, is a driving 2002 single from his debut album Loud: German club production at the meeting point of house and breakbeat, with an MC riding the groove; a UK top 40 hit.

Jain

Makeba

“Makeba” by Jain is an upbeat, irresistibly catchy tribute to the South African singer and activist Miriam Makeba, built on a Hamilton Bohannon sample, a call-and-response refrain and bright, home-programmed pop.

Felix Da Housecat

Silver Screen (Shower Scene)

Felix Da Housecat's 2001 electroclash single: a melody sampled from The Flirts' 'Passion', Miss Kittin's cool, spoken-sung vocal and a lyric of starlets and cameras, the record that opened Kittenz and Thee Glitz.

Dead Kennedys

Too Drunk to Fuck

Dead Kennedys' 1981 single sets Jello Biafra's satire of a moronic party over East Bay Ray's breakneck surf-punk riff, and became the first UK top-40 hit with the word in its title, despite a BBC ban.

Controller 7

Get Ready for the Young Folks

A 2007 mashup by the San Jose producer Controller 7 that lays the Temptations' 1966 'Get Ready' a cappella over the rhythm section of Peter Bjorn and John's 'Young Folks', two songs forty years apart that line up uncannily well.