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Published in alternative rock ·

Gin Wigmore

New Rush

Gin Wigmore's 2015 comeback single, co-written with Charlie Andrew, hits like a jolt of adrenaline: pounding drums and a chant-along chorus pushing her husky voice towards a fresh start after a stifling relationship.

Review

Genre and Mood

Gin Wigmore comes out swinging on New Rush. It is alternative rock with a pop hook and a rock core, built on pounding drums and a chorus made for shouting along, and its feelings are energetic, empowering and bold: the sound of someone kicking a door open.

Song Summary

Wigmore described the song as being about what she was going through at the time: a relationship in which she felt stifled, waking up next to someone with nothing wrong as such but no longer feeling alive, and wanting “a new rush, a new thrill”. After the 2013 Vans Warped Tour she broke off an engagement, left Australia and moved to Los Angeles, and the song is the sound of that break. Her husky, commanding voice rides a muscular arrangement of drums by Aric Improta, bass by Larry Dennison, electric guitar by Dave Goodison and synths by Charlie Andrew and Stuart Crichton, darker and more modern than her earlier vintage-styled records. The chorus is the payoff, a chant-like hook that turns a personal feeling into a collective one.

Musical Breakdown

The track is compact and driven, under four minutes, designed to build momentum from the first bar.

Intro

A heavy, stomping beat and a menacing low end set a tense, dramatic tone straight away.

Verse 1

Wigmore enters low and controlled, her raspy voice coiled like a spring over the pounding rhythm.

Build-up

The tension rises as guitar, percussion and layered vocals gather, the drums hitting harder with every bar.

Chorus

The chorus explodes into a full-throated, chant-along hook, her voice at its most powerful and the band at full volume.

Bridge

A short drop in intensity strips things back, letting the voice and beat breathe before the final surge.

Climax

The last chorus is the biggest of all, with stacked vocals and crashing drums giving it the feel of a stadium anthem.

Outro

The song ends sharply, leaving a ringing silence where the rush was.

Concepts in Focus

The hook of New Rush is a chant rather than a melody to admire. It is short, rhythmic and repeated, built to be shouted back rather than sung beautifully, and Wigmore’s rasp gives it grit that a cleaner voice would lose. Listen to how the verses hold back so that the chorus feels like a release, the musical version of the fresh start the lyric describes.

The song’s widest audience came through a soundtrack: it was chosen for FIFA 16, the football video game, in the year of its release. A New Zealand single that reached number 39 at home was thereby heard by players around the world in menus and replays, a reminder that a song’s reach in the streaming era can depend as much on placement as on charts.

Artistic Context

New Rush was released on 19 April 2015 as the lead single from Blood to Bone, the third album by the New Zealand singer-songwriter, issued by Island Records in June 2015; its video followed on 30 April. The album was recorded in a two-week stretch at Blakeslee Recording Studios in North Hollywood and relies mostly on electronic beats, a clear change from the retro soul and rock and roll of Gravel & Wine. Wigmore worked with people from dance, electronic and hip-hop backgrounds, and producer Charlie Andrew, who co-wrote this song, encouraged her to try new approaches such as singing in falsetto.

Impact and Reception

The single reached number 39 on the New Zealand chart, while Blood to Bone became her third consecutive number-one album there and debuted at number 13 in Australia, her best result in that country. The New Zealand Herald called the album a clear evolution, more experimental, vulnerable and weighty. It is here for its sheer energy. Put it on before a workout, a big day or anything that needs a push.

Learn from this track

Introductory

What you will learn

  • Explain how a chant-like chorus turns a personal feeling into something a crowd can share.
  • Describe how a singer's change of production, from vintage rock and roll to electronic beats, changes how her voice is heard.
  • Recognise how a placement in a video-game soundtrack can carry a song far beyond its home market.

Listening guide

  1. the intro A heavy, stomping beat and a dark low end setting a tense, dramatic tone straight away.
  2. the first verse Wigmore low and controlled, her raspy voice coiled over the pounding rhythm.
  3. the chorus The full-throated, chant-along hook, her voice at its most powerful.
  4. the final chorus Stacked vocals and crashing drums giving the last chorus the scale of a stadium anthem.

Concepts in this track

soundtrack

14 tracks

Music written for or placed in a film, series or game. A placement can give a song a second life and an audience far beyond its genre.

hook

70 tracks

The short, memorable idea a song is built to stick with you: a sung phrase, a riff, a synth line. A hook is designed for repetition and usually arrives early.

Listen next, and why

Questions for discussion

  1. Wigmore said the song is about a relationship in which she felt stifled and was almost feigning happiness. How does the music express wanting 'a new rush'?
  2. Blood to Bone leans on electronic beats where her earlier albums used vintage rock and roll. Does her voice sound different in the new setting?
  3. What makes a song work in a football video game, and does that change how you hear it?

References

  1. Wikipedia. Blood to Bone. Encyclopedia
  2. Discogs. Gin Wigmore - Blood To Bone (2015). Database

Weighted overlap of genres, feelings and moods.

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