Skip to content
Published in electronic ·

Klangkarussell

We Want Your Soul

'We Want Your Soul' is Klangkarussell's remix of Adam Freeland's 2003 anti-consumerist breakbeat single: the speech-synthesizer verses and Bill Hicks sample of the original, slowed into a long, hypnotic house groove on the album Netzwerk.

Review

Genre and Mood

Klangkarussell’s “We Want Your Soul” is an electronic anthem that combines long, progressive house rhythms with a pointed commentary on consumer culture. The track’s driving beat and sampled, spoken vocal lines create a hypnotic atmosphere, making it both a dance-floor record and a social critique.

Song Summary

“We Want Your Soul” began as Adam Freeland’s 2003 single, a breakbeat track he described as being about the destructive side of consumer culture. It was the first track for which he wrote the lyrics; the verses are spoken by a speech synthesizer, and it samples the comedian Bill Hicks. Klangkarussell’s version is a remix: they keep Freeland’s voices and message and rebuild the music as slow-burning house, stretched on the album to more than eight minutes.

Musical Breakdown

Intro: Hooking the Listener

The track opens with a minimal beat that gradually introduces layers of electronic texture. The title phrase arrives early and works as an immediate hook, preparing the listener for both the rhythm and the message.

Build-up: Rising Energy

As the beat intensifies, more rhythmic and synthesizer elements are added, building momentum. The spoken lines repeat, creating a mantra-like effect that mirrors the repetition of advertising.

Main Section: The Groove and Message Unite

The core of the track revolves around a pulsating bass, played on electric bass by Felix Howard according to the credits, and synthesizers that drive the song forward while the machine voice delivers its critique of consumerism.

Bridge: Dynamic Shift

Midway through, the energy pulls back slightly, giving way to a more subdued section where the vocals become clearer, before the beat returns for the final push.

Climax: Explosive Energy

As the track nears its peak, the elements come together at full strength, a moment of dance-floor energy that keeps the song’s subversive undertone.

Outro: Echoing the Message

The track winds down with the repetition of the title phrase, the persistent voice outlasting the beat.

Concepts in Focus

This is a remix that changes genre. Freeland’s original is breakbeat, built on broken, punchy drums and released on his label Marine Parade; Klangkarussell turned it into the long, four-on-the-floor house of their album Netzwerk. They posted it on SoundCloud in 2011, the year the duo formed, and it was released officially in 2014 with Freeland credited as featured artist and additional producer.

The words come through sampling twice over. Freeland’s original samples Bill Hicks, the American comedian whose routines attacked advertising and marketing, and Klangkarussell’s remix samples Freeland’s track in turn, so Hicks’s anger is now two records deep.

The verses are spoken word delivered by a speech synthesizer rather than a singer. A flat, synthetic voice reciting what sounds like a sales pitch makes the critique colder and funnier at once: the message about manipulation comes from a machine.

Artistic Context

Klangkarussell are Tobias Rieser and Adrian Held, a duo formed in Salzburg, Austria, in 2011 and best known for “Sonnentanz”, their 2012 debut single and biggest hit. Their debut album Netzwerk, released on 28 July 2014 by Vertigo, Capitol and Universal, reached number 5 in Austria, 8 in Germany and 2 in Switzerland, and includes this remix. Adam Freeland is a British DJ and producer associated with the breakbeat scene; his original “We Want Your Soul”, written and produced with Damian Taylor, reached number 35 in the UK in 2003.

Impact and Reception

Freeland has said he turned down a request from the US retailer Target to license the song for an advertising campaign, which is the most direct proof that he meant its message. Klangkarussell’s version carried that message into a different scene, the melodic house of the 2010s, where it sits beside the duo’s warmer, sung tracks such as Moments. Its lasting appeal is the tension between a groove that wants your body and a voice that warns you about who else wants your soul.

Learn from this track

Intermediate

What you will learn

  • Explain how a remix can change a song's genre and tempo while keeping its message.
  • Recognise a spoken, machine-generated vocal and describe what it adds to a song about advertising.
  • Trace a sample through two records: from Bill Hicks to Adam Freeland to Klangkarussell.

Listening guide

  1. the intro A minimal beat that adds electronic layers slowly, the patient house frame Klangkarussell built around a breakbeat original.
  2. the spoken verses The flat speech-synthesizer voice from Freeland's original reciting its lines; a machine voice is the right messenger for a song about being sold to.
  3. the title phrase The repeated 'we want your soul', turned into a mantra over the groove, echoing the repetition of advertising.
  4. the middle The energy pulls back and the voice comes clearer before the groove returns.
  5. the outro The phrase keeps repeating as the track winds down, the message outlasting the beat.

Concepts in this track

spoken word

9 tracks

A vocal delivered as speech rather than song: talked, recited or half-sung with little or no melody. In electronic and post-punk music a flat, deadpan spoken voice over a beat can sound cool, ironic or confrontational.

remix

56 tracks

A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.

sampling

25 tracks

Taking a fragment of an existing recording and reusing it in a new one, as a loop, a chop or a texture. Sampling is central to hip-hop and dance music and raises questions of credit and copyright.

Listen next, and why

Questions for discussion

  1. Adam Freeland refused to let a large retailer use the song in an advert. Is a dance track against consumerism still a critique once it fills clubs?
  2. Why might a song about advertising give its words to a speech synthesizer instead of a singer?
  3. Klangkarussell first posted this remix on SoundCloud in 2011, years before it appeared on their album. What does that say about how remixes travel today?

References

  1. Wikipedia. We Want Your Soul. Encyclopedia
  2. Wikipedia. Klangkarussell. Encyclopedia
  3. MusicBrainz. We Want Your Soul. Database

Weighted overlap of genres, feelings and moods.

Neighbourhood

This track, the tracks most like it and theirs. Drag, zoom, hover; a dot opens the track.

Show as table