Whilk & Misky
I Want Your Lovin' (Edit)
Whilk & Misky's London soul-pop at its most direct: a warm, swinging groove and a voice that asks for exactly one thing, over and over, until you want it too.
Instrument
60 tracks.
Whilk & Misky
Whilk & Misky's London soul-pop at its most direct: a warm, swinging groove and a voice that asks for exactly one thing, over and over, until you want it too.
The Supermen Lovers, Herr Styler, Cristine
A flirtatious slice of French pop-funk house from Guillaume Atlan's project, two voices trading lines over a springy bassline until the title becomes a shrugging, grinning verdict on the night.
The Asteroids Galaxy Tour
A brassy, technicolour psych-pop stomp from Denmark, Mette Lindberg's helium-bright voice riding horns and a strutting beat that make heartbreak sound like a parade.
Robin Schulz
Sun-bleached deep house with a soul hook: Robin Schulz builds a sweet, bouncing groove around Francesco Yates and an interpolation of Baby Bash's 2003 'Suga Suga', a number one in seven countries in 2015.
Platinum Doug
A punchy, no-nonsense club mix from the Swiss house producer Platinum Doug on Enormous Tunes, where a repeated vocal hook and a bouncing bassline push the dance floor forward bar after bar.
Nicolas Jaar
A young Nicolas Jaar's slow, sultry minimal-house classic, a crooned vocal and dusty, swaying textures that famously sink from dance tempo into a long, swooning breakdown nobody wants to mix out of.
Marcus Marr & Chet Faker
Marcus Marr and Chet Faker (Nick Murphy) recorded this disco-funk jam in four days in a Brixton studio in July 2015: a funk-flecked guitar riff and a soulful plea about a relationship going wrong, made into a reason to dance.
Mando Diao
Mando Diao trade garage-rock grit for a disco-rock floor-filler, a pulsing four-on-the-floor beat and a shout-along chorus about needing someone to dance with.
Lilly Wood and The Prick, Robin Schulz
Robin Schulz lifts a mournful 2010 French folk-pop song onto a bouncing deep house beat, Nili Hadida's bleak prayer and a looping guitar riff becoming a number one across Europe in 2014.
Kosheen
Deep, dark bass, insistent drums and Sian Evans' voice cutting through the fog: Addict opens Kosheen's Independence with the pull of something you cannot quit.
Klangkuenstler
A rolling tech-house groove with classic house warmth underneath: Soul Digger finds the soul in the machine and keeps the floor moving for almost seven minutes.
KlangKuenstler
The British producer Miguel Campbell turns KlangKuenstler and Alice Phoebe Lou's 2014 moon song into a warm, rolling groove for Sunday Best, her voice floating weightless over a bassline that never stops gently pushing forward.
Jain
Handclap-light percussion, a bouncing bass and Jain's playful, slightly mischievous delivery make Mr Johnson one of Zanaka's sunniest little stories.
Jain
Jain's light, sing-song voice, her own drum programming and Yodelice's bass and trombone carry a small, sunny plea for a better world, the title track of her first EP in 2015.
Hindi Zahra
Hindi Zahra sings a love letter to music itself, her warm, smoky voice swaying over interlocking guitars and soft percussion that blend folk, soul and Berber roots.
Hindi Zahra
Hindi Zahra's smoky voice glides over a lilting, desert-blues guitar and soft percussion in Beautiful Tango, a slow dance of a song that sounds like dusk in a small room.
Gorgon City, Zak Abel, Dj Anna
DJ Anna pulls Gorgon City's pop single into the dark: a heavy rolling bassline, Zak Abel's soulful voice in fragments and nearly eight minutes of late-night pressure.
Glass Animals
Glass Animals' breakout is a slow, syrupy jungle of a love song, Dave Bayley's murmured vocal drifting over finger-snap beats, soft guitar and a bassline that oozes.
Gin Wigmore
Gin Wigmore's 2015 comeback single, co-written with Charlie Andrew, hits like a jolt of adrenaline: pounding drums and a chant-along chorus pushing her husky voice towards a fresh start after a stifling relationship.
Gabriella Cilmi
A sixteen-year-old Gabriella Cilmi takes Justin Timberlake's 2002 break-up hit into smoky, live soul territory with a three-piece band: a 2008 B-side recorded by Xenomania, her husky voice carrying all the hurt.
Foster The People
A breezy, whistled indie-pop earworm with a chilling story underneath: the demo Mark Foster wrote and recorded alone in five hours, which went viral in 2010 and spent eight weeks at number three in the US.
FKJ
The neo-house track that introduced FKJ: chopped vocals, warm filtered chords and an elastic bassline wrapped into four and a half minutes of slow-burning, sunlit intimacy.