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Published in electronic ·

Whilk & Misky

Darklands

'Darklands' is one of the first two songs the London duo Whilk & Misky ever wrote: a slow-burning blend of blues guitar, electronic production and a voice that starts quietly and ends up belting, from their 2014 debut EP The First Sip.

Review

Genre and Mood

Whilk & Misky go somewhere darker with Darklands, an electronic song shaped by blues and folk songwriting. It is melancholic, atmospheric and introspective, a track that takes its time and lets its intensity rise slowly.

Song Summary

Darklands is one of the duo’s first songs. Nima Khaste and Charlie Dickens met in London in November 2012 and began making music within months; “Wing Clipper” came out of a jam session, Darklands followed a month later, and for a while those two demos on SoundCloud were all they had, before they had played a gig. Their sound pairs Nima’s electronic production with Charlie’s guitar and voice, drawing on techno, folk, electronica and blues. When Complex’s Pigeons and Planes posted the song in 2013, it noted how it starts off quietly and then the belting starts before the three-minute mark.

Musical Breakdown

Intro: Evocative Soundscapes

The song opens with a sense of space and depth: guitar and electronic textures setting a reflective mood.

Verse 1: Captivating Lyrics

The voice enters softly, close and restrained, matched to the atmospheric bed beneath it.

Chorus: Emotional Climax

The melody lifts and the voice gains power, the first sign of how far the song will climb.

Bridge: Deepening the Atmosphere

The electronic elements come forward, the beat and textures thickening as the song builds.

Verse 2 and Outro: Continuing the Journey

The final stretch carries the build to its peak, the voice at full strength, before the song settles again.

Concepts in Focus

Darklands is built as one long build-up. Rather than alternating loud and soft sections, it starts quietly and adds weight until the voice breaks into a belt, which Complex placed just before the three-minute mark of the early version. In a dance track a build-up prepares a drop; here it prepares a voice. Listen to how each new layer raises the tension without telling you yet where it will end.

The song also has an official music video, released by Island Records on 20 October 2014. The video uses an edit of about three and a half minutes, while the version on the EP The First Sip runs over seven; comparing the two shows how much of a build-up survives when it has to happen in half the time.

Artistic Context

Whilk & Misky are a London duo: Nima Khaste, who started playing keyboard at eight and grew up with Iranian music and later, studying in Dubai, the darker music of the Gulf, and Charlie Dickens, who found his way to music through punk. Nima has said he loves both blues and techno, and the duo describe their music as the place where blues meets electronica. Darklands appeared on The First Sip, their debut EP on their own label Dirty Charm, released in December 2014 after they had signed to Island, alongside Whilk & Misky – Clap Your Hands, Whilk & Misky – Babe I’m Yours and “Love Lost”.

Impact and Reception

Darklands remains one of the duo’s own favourites: asked in 2022, Charlie Dickens named it, with “Rain Dance”, as the songs he likes best. It shows the template of their sound in its earliest form, a folk voice, a blues guitar and electronic patience. Listen through to the end; the song keeps its best moment for late.

Music Video

The official video for Darklands was released on 20 October 2014 and is published on the duo’s VEVO channel, (C) 2014 Island Records. It accompanied the run-up to the EP and introduced a wider audience to a song that had first circulated as a SoundCloud demo.

Learn from this track

Introductory

What you will learn

  • Follow a build-up that grows from a quiet start to a full-voiced climax over several minutes.
  • Describe how blues guitar and electronic production can be combined in one song.
  • Compare a long EP version of a song with the shorter edit used for its video.

Listening guide

  1. the intro A quiet, spacious opening of guitar and electronic textures that sets a reflective mood.
  2. the first verse The voice entering softly, close to the microphone, over the atmospheric bed.
  3. the build-up The arrangement thickening and the voice growing stronger, the slow climb the song is built on.
  4. the climax The point where the singing turns into a full-throated belt, the release the quiet start has been holding back.

Concepts in this track

music video

57 tracks

A short film made to accompany a song. Since MTV it has shaped how songs are remembered, and on YouTube it is often the main way a song is heard.

build-up

24 tracks

A passage that raises tension toward a release: rising pitch, faster drum rolls, opening filters, added layers. In dance music it prepares the drop.

Listen next, and why

Questions for discussion

  1. Charlie Dickens has said that if you strip back house tracks you find the bassline of pentatonic blues. Can you hear blues inside Darklands?
  2. The song was written before the duo had played a single gig. What does an early song keep that later ones might lose?
  3. The EP version is twice as long as the video edit. Which length suits a slow build-up better?

References

  1. WHRB. A New Wave of Musical Fusion with Whilk and Misky (2022). Interview
  2. Deezer. Whilk & Misky. Database
  3. Discogs. Whilk & Misky - The First Sip (2014). Database
  4. IMVDb. Darklands (2014) (2014). Database

Weighted overlap of genres, feelings and moods.

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