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Published in electronic ·

Lipka

No More Beer

A Geneva duo stops the party to break the worst possible news: a wry, shout-along electro-indie track in which the DJ is told to cut the music because the beer is running out.

Review

Genre and Mood

Lipka make No More Beer a party song about the end of the party. The Geneva duo tag their music as electronic, electro and indie, and this track is playful and humorous first, with a bittersweet edge for anyone who has watched a good night run dry.

Song Summary

The premise is simple and very funny: a voice addresses the party people, apologises for ruining the fun and asks the DJ to cut the music, because there is an announcement to make. The beer is running out. What follows is a refrain that repeats that news and a quick exchange about where more might be found, each suggestion shot down. It is a wry take on an everyday disaster, exactly the kind of lyric the band describe as their specialty.

Lyrics Breakdown

Intro: A Toast to the Night

The track opens with the music already playing, as if we have walked into the party, before the first voice interrupts it.

Verse 1: Reflecting on Good Times

The voice greets the party people, admits they are having fun and asks the DJ to stop the music for a moment. The comedy is in the politeness.

Chorus: The Bittersweet Goodbye

The announcement arrives and becomes the hook: the beer is running out, repeated until the line is both refrain and punchline.

Verse 2: Embracing New Beginnings

Two voices trade questions and answers about where the beer might still be, a little comic scene in the middle of the song.

Bridge: A Moment of Reflection

The opening address returns, the party interrupted once again, as if the bad news needs repeating for those who did not hear it.

Final Chorus: Celebration of Life

The refrain closes the song, the party still going and the beer still running out.

Concepts in Focus

The middle of the song is a small play built on call and response. One voice asks where to look, another answers, and each answer is a dead end. The form comes from African and African-American traditions, work songs, gospel, blues, and here it is used for comedy, but it works the same way: one line sets up the next.

The hook is the announcement itself. A good hook is short, repeated and memorable; this one is also a punchline, so every repetition gets the joke again. Listen to how the song gets more mileage out of one sentence than many songs get out of a whole chorus.

Artistic Context

Lipka formed in Geneva in 2009 when two childhood friends, Felix Landis and Etienne Maître, combined backgrounds in punk, drum and bass, dancehall, folk, electronica and rock; Felix’s voice sits over Etienne’s production, and live Etienne also acts as MC, with projections, smoke and light by the visual artist Florian Pittet of SigmaSix. Their debut album LIPKA, written, composed and produced by the two, was produced by Evidence Music, the Geneva company Etienne Maître co-founded in 2013; it was first released in 2013 and appeared on Bandcamp in September 2015, the year the band posted this video.

Impact and Reception

Lipka come out of the Swiss Romand scene: their song “Peanuts” was played on the Couleur 3 show Repérages, and they appeared on the 2013 Demo Tape Clinic compilation of the M4music festival. No More Beer is a good introduction to their humour and to the sound of a duo that refuses to stay in one genre. Put it on near the end of a party and watch who laughs first.

Learn from this track

Introductory

What you will learn

  • Recognise call and response inside a song's lyric, here a comic dialogue between two voices.
  • Explain how a single repeated line can become a song's hook and its punchline at the same time.
  • Describe how humour works in a party song that pretends to stop the party.

Listening guide

  1. the opening The music first, then a voice addressing the party people and asking the DJ to turn the music off: the song begins by pretending to end the party.
  2. the hook The repeated announcement that the beer is running out, a refrain that is both the chorus and the joke.
  3. the dialogue A quick exchange of questions and answers about where the beer could still be hiding, two voices trading lines in call and response.

Concepts in this track

call and response

11 tracks

One phrase is answered by another: a lead voice and a choir, a vocal and an instrument. It comes from African and African-American traditions and runs through gospel, soul, funk and house.

hook

70 tracks

The short, memorable idea a song is built to stick with you: a sung phrase, a riff, a synth line. A hook is designed for repetition and usually arrives early.

Listen next, and why

Questions for discussion

  1. The song asks the DJ to stop the music, over music. Why is that funny, and why does it work on a dancefloor?
  2. Lipka describe their lyrics as a wry, sometimes darkly humorous take on everyday life. Is a party running dry everyday life?
  3. Can a joke song still be bittersweet?

References

  1. Bandcamp. LIPKA (2015). Artist
  2. Evidence Music. Evidence Music. Label
  3. LIPKA. LIPKA - No More Beer [Evidence Music] 2015 (2015). Video
  4. MusicBrainz. Lipka (release). Database

Weighted overlap of genres, feelings and moods.

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