Mount Sims
Ashes
A smouldering piece of dark synth-pop that opens Mount Sims' 2004 album Wild Light: cold machines and a weary croon circle the remains of something that burned out long ago.
Feeling
6 tracks.
Mount Sims
A smouldering piece of dark synth-pop that opens Mount Sims' 2004 album Wild Light: cold machines and a weary croon circle the remains of something that burned out long ago.
Marek Hemmann
Nine minutes of melodic German minimal from the Jena label Freude am Tanzen: Marek Hemmann's Gemini drives on a swinging house groove while synth patterns and funky tenor-sax licks twist around each other.
Her
A brief, late-night breath on Her's first tape, the French duo's velvet electronic soul pared back to just over two minutes of mood, space and a slow, sensual glow.
C.A.R
Roman Flügel turns C.A.R.'s cold-wave Idle Eyes into patient, hypnotic minimal house: a rattling bassline, spiralling keys and pads that swell slowly toward a euphoric peak.
Whilk & Misky
'Darklands' is one of the first two songs the London duo Whilk & Misky ever wrote: a slow-burning blend of blues guitar, electronic production and a voice that starts quietly and ends up belting, from their 2014 debut EP The First Sip.
Alif Tree
'Forgotten Places' is a hushed downtempo piece by the Marseille producer Alif Tree, built around a sampled voice of the jazz singer Shirley Horn and released on Compost Records in 2006: nu-jazz that sounds like a memory being replayed.