Yoko Duo, Stimming
Close These Curtains (Stimming Remix)
Stimming wraps Yoko Duo's fragile song in velvet: a slow, organic deep house remix full of soft textures, a hushed vocal and the feeling of a room going quiet.
Instrument
132 tracks.
Yoko Duo, Stimming
Stimming wraps Yoko Duo's fragile song in velvet: a slow, organic deep house remix full of soft textures, a hushed vocal and the feeling of a room going quiet.
WHTKD
WHTKD loops a soulful, pleading vocal over a warm, rolling deep house groove, a track that sounds like late afternoon turning into evening.
The Supermen Lovers
A warm slice of French disco-funk from the man behind Starlight, where synths and a rubber-band bassline turn a fleeting moment into a long, glowing groove.
The Supermen Lovers, Herr Styler, Cristine
A flirtatious slice of French pop-funk house from Guillaume Atlan's project, two voices trading lines over a springy bassline until the title becomes a shrugging, grinning verdict on the night.
The Hacker, Mount Sims
Oxia turns The Hacker and Mount Sims' cold-wave electro into a patient, rolling techno journey, all brooding synth lines and a build that keeps tightening the screw.
The Avener, Ane Brun
The Avener wraps Ane Brun's fragile Scandinavian folk confession in a slow, rolling deep-house groove, turning a private surrender into a sunset dancefloor moment.
Solomun
Nine minutes of Solomun's signature deep house, released on his experimental label 2DIY4: Friends rides a supple, swinging groove and moody chords that keep rising just enough to keep a dancefloor leaning in.
Solange
Solange and Dev Hynes wrap the end of a relationship in a skittering, eighties-tinted R&B groove: the 2012 lead single of the True EP on Terrible Records, with a Melina Matsoukas video shot in Cape Town's Langa township.
Santé, Richard Judge
Santé lays a deep, rolling groove under J.U.D.G.E's grave, soulful voice, six minutes of dark-room house that feels like the first clear thought after a long night.
Robin Schulz
Sun-bleached deep house with a soul hook: Robin Schulz builds a sweet, bouncing groove around Francesco Yates and an interpolation of Baby Bash's 2003 'Suga Suga', a number one in seven countries in 2015.
Peaches
Peaches at her most gleefully filthy: Pickles rides a stark, rubbery electro beat while she raps about desire with a grin you can hear in every line.
Noir & Haze
Solomun's vocal mix of the Noir & Haze single, Resident Advisor's remix of the year 2011: a rolling, bass-heavy deep house groove under Haze's aching voice, released on Noir Music and later licensed to Defected.
Niklas Ibach
Niklas Ibach slips Dotan's aching folk-pop plea onto a soft deep-house pulse, keeping the ache while giving it somewhere to move.
Mount Sims
Cold machine rhythm and a detached croon from the American edition of Mount Sims' 2002 debut UltraSex, an electroclash meditation on being close to someone and still completely on your own.
Mount Sims, Toby Dammit
Mount Sims trades the club for a scuffed, shrugging groove, with Toby Dammit of Iggy Pop's and Nick Cave's bands on drums: What's the Big Deal asks its question with a sneer and a beat that will not sit still.
Mount Sims
Cold synth stabs and a deadpan, sneering vocal turn revenge into a dancefloor chant: Mount Sims at his most wiry, sleazy and defiant.
Mount Sims
Seven minutes of slow-burning tension, Restless loops a nervous synth figure and a stalking beat until the repetition itself becomes the thrill.
Mount Sims
A night drive with the headlights off: grinding analogue bass, clipped drum machines and Mount Sims' cool, menacing croon from the darker side of electroclash.
Mount Sims, Jessie Evans
A short, sharp electroclash track from Mount Sims' 2008 album Happily Ever After, with André Lang's live drums under the synths and the underground punk singer Jessie Evans adding saxophone.
Mount Sims
Mount Sims at his most driven: a tight, menacing electro pulse and a vocal set on walking straight into trouble, one of the songs added to Happily Ever After...Again, the 2010 reworking of his darkwave album.
Mount Sims
A slow, cold-blooded crawl through synths, live drums and a graveside croon: Grave, from the 2008 album Happily Ever After produced by Thomas Stern, turns Mount Sims' taste for horror into five minutes of nocturnal dread.
Mount Sims
Deadpan vocals, buzzing analog synths and a drum machine with attitude: Good Service is Mount Sims serving early-2000s electroclash with a sly, suggestive grin.
Mount Sims
A smouldering piece of dark synth-pop that opens Mount Sims' 2004 album Wild Light: cold machines and a weary croon circle the remains of something that burned out long ago.
Michelle Gurevich
Michelle Gurevich croons a deadpan, candlelit elegy for love gone cold, with lo-fi synths and a slow-dance sway that make heartbreak feel strangely elegant.