Bob Moses
Tearing Me Up
Bob Moses stretch a smoky, heartsick vocal across a slow-burning deep house groove, all brooding guitar, rolling bass and late-night tension that never quite breaks; its RAC remix won a Grammy.
Feeling
36 tracks.
Bob Moses
Bob Moses stretch a smoky, heartsick vocal across a slow-burning deep house groove, all brooding guitar, rolling bass and late-night tension that never quite breaks; its RAC remix won a Grammy.
Codec & Flexor
Erfurt's Northern Lite rework Codec & Flexor's electroclash-era club hit for the 2004 remix EP: a six-minute version that keeps the song's cool, detached refrain and gives it the band's own blend of electro and pop.
Mélissa Laveaux
Mélissa Laveaux, a Montreal-born singer-songwriter of Haitian descent, recasts Elliott Smith's bleak 1995 song for percussive finger-style guitar, double bass, claps and drums on her 2008 album Camphor & Copper.
Tinush
'Sandburg', German for sandcastle, is the title track of the Berlin producer Tinush's 2014 EP on Crosswalk: seven minutes of melodic deep house, later cut to a three-minute radio edit, with remixes by Alec Troniq and Umami.
The xx
'Crystalised', The xx's 2009 debut single, is minimal indie pop at its most intimate: a muted guitar riff, a sparse beat by Jamie xx, and two voices, Romy Madley Croft's and Oliver Sim's, answering each other verse by verse.
AnnenMayKantereit x Parcels
AnnenMayKantereit and Parcels join forces on a stripped-back cover of Kylie Minogue's 'Can't Get You Out of My Head', trading the original's cool electronic pulse for Henning May's rough voice and close band harmonies.
Nancy Sinatra
Nancy Sinatra's 1966 version of Sonny Bono's song, built on Billy Strange's haunting tremolo guitar, is a hushed ballad of childhood love and betrayal that Quentin Tarantino revived over the opening credits of Kill Bill.
Michelle Gurevich
'Party Girl' is the home-recorded title song of Michelle Gurevich's 2007 debut, made under the name Chinawoman: a slow, deadpan contralto ballad about nightlife that became her best-known song and gave its title to a Cannes-winning film.
Feist
The first single from Feist's The Reminder (2007), co-written and produced with Chilly Gonzales: a sly, piano-led indie pop song about love and longing, danced through an empty airport at night in Patrick Daughters' video.
Whilk & Misky
'Darklands' is one of the first two songs the London duo Whilk & Misky ever wrote: a slow-burning blend of blues guitar, electronic production and a voice that starts quietly and ends up belting, from their 2014 debut EP The First Sip.
Totally Enormous Extinct Dinosaurs
Orlando Higginbottom's breakthrough as Totally Enormous Extinct Dinosaurs: lush synths, a dance-floor pulse and Luisa Gerstein's voice, first on a 2010 Greco-Roman EP and then a 2011 Polydor single that soundtracked Nokia's Lumia adverts.
Jan Blomqvist
Jan Blomqvist's 2014 summer hit sets his soft, echoing voice, Felix Lehmann's Rhodes piano and two guitars over a minimal deep house pulse, the sound of the Berlin 'concert techno' he helped bring to big stages.