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Published in deep house ·

Solomun

Friends

Nine minutes of Solomun's signature deep house, released on his experimental label 2DIY4: Friends rides a supple, swinging groove and moody chords that keep rising just enough to keep a dancefloor leaning in.

Review

Genre and Mood

Solomun’s Friends is nine minutes of deep house in its most seductive form, with the drive of a peak-time house record and the depth of an electronic journey. It is hypnotic, groovy and quietly euphoric, the kind of track that never shouts but keeps a dancefloor leaning in for its entire length.

Song Summary

Friends is about the long game. Solomun builds it from a supple, swinging groove, a warm, rubbery bassline and moody chords that rise and fall in waves, adding and removing details so gradually that you only notice the change once it has already happened. The memorable detail is the swing in the drums, loose and human, which keeps the long running time from ever feeling static.

Musical Breakdown

Built for DJs, the track unfolds in long, patient sections rather than verses and choruses.

Intro

Kick, claps and shuffling hats set a lean, inviting pulse, perfect for mixing in from another record.

Build-up

The bassline slides in and percussion layers multiply, the groove growing denser bar by bar.

Main Section

Moody chords and melodic fragments arrive over the full groove, hypnotic and warm, cycling with small, satisfying variations.

Bridge

The kick drops out for a breakdown of chords and atmosphere, a brief moment of suspension before the return.

Climax

The beat comes back with the chords at full width, the track’s most euphoric stretch, carried by momentum rather than a big drop.

Outro

Layers are peeled away until the drums alone carry it out, a clean exit for the next track.

Concepts in Focus

The foundation is the house groove: a kick on every beat, claps on two and four, hats around them. Everything else in Friends happens on top of that unchanging grid, which is why small changes in the chords or percussion feel so significant.

What keeps the grid from feeling mechanical is swing. The shuffling hats are played unevenly, each pair of notes slightly long-short, so the rhythm lilts instead of ticking. Swing is a setting on most drum machines and sequencers precisely because a little of it makes programmed music feel played.

The shape of the track comes from the logic of the dj mix. A DJ blends one record into the next, so long, sparse openings and endings give room to mix; the nine-minute length is a tool, not indulgence. Compare another long German track that uses its length the same way, Marek Hemmann – Gemini.

Artistic Context

Solomun is Mladen Solomun, born in 1975 in Travnik in what was then Yugoslav Bosnia and Herzegovina and raised in Hamburg, where he ran the club Ego until 2014. In late 2005 he founded the label Diynamic with Adriano Trolio, and in December 2010 he launched 2DIY4 as a second, more experimental outlet; Friends came out on 2DIY4 in 2014. By then he was among the defining figures of melodic deep house, named Mixmag’s DJ of the Year in 2012 and a repeat winner at the DJ Awards in Ibiza, where his Solomun +1 residencies later ran at Pacha and Destino.

Impact and Reception

Friends is the kind of record that lives in DJ bags long after release, a track that shows how a simple groove, handled with taste and patience, can sustain nine minutes. It belongs here as a reminder that restraint can be the most powerful tool on a dancefloor. Give it time, ideally on a proper sound system, and it will give you a lot back.

Learn from this track

Intermediate

What you will learn

  • Describe the house groove and how swing loosens it.
  • Explain why a track made for DJs has long, sparse intro and outro sections.
  • Follow how a nine-minute track sustains interest by adding and removing small details.

Listening guide

  1. the intro Kick, claps and shuffling hats set a lean pulse, the bars a DJ uses to mix in from another record.
  2. the build-up The bassline slides in and percussion layers multiply, the groove growing denser bar by bar.
  3. the main section Moody chords and melodic fragments over the full groove, cycling with small variations.
  4. the outro Layers peel away until the drums alone carry the track out, a clean exit for the next record.

Concepts in this track

dj mix

2 tracks

A continuous sequence of tracks blended by a DJ so that one flows into the next. Extended and club mixes exist so that DJs have long intros and outros to mix with.

house groove

26 tracks

The rhythmic signature of house music: a four-on-the-floor kick, off-beat hi-hats and claps on two and four, at roughly 118 to 128 beats per minute.

swing

9 tracks

Playing pairs of equal notes unevenly, the first longer than the second. Drum machines and sequencers have a swing setting because a little lilt makes a programmed pattern feel played.

Listen next, and why

Questions for discussion

  1. Where in these nine minutes did you notice that something had changed, and what was it?
  2. Solomun is known above all as a DJ. How does a DJ's perspective shape a track like this?
  3. Can a track with no vocal and no big drop still feel euphoric? What does the work instead?

References

  1. Wikipedia. Solomun (DJ). Encyclopedia
  2. MusicBrainz. Friends. Database

Weighted overlap of genres, feelings and moods.

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