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Published in blues ·

Gin Wigmore

Man Like That

A stomping blues-soul strut in which Gin Wigmore's raspy, fearless voice lays out exactly the kind of man she wants, produced by Butch Walker for Gravel & Wine and later sung in a Heineken James Bond ad.

Review

Genre and Mood

Gin Wigmore drives Man Like That with the stomp of blues, the warmth of soul and the swagger of rock. It is bold, confident and gritty, a short, fierce song that knows exactly what it wants.

Song Summary

The song is a declaration of desire, a list of qualities in the kind of man the singer is after, delivered with a wink and a growl. Wigmore’s voice is the main event: raspy, powerful and full of attitude. The arrangement is built for stomping, with heavy drums and twangy guitars, played by producer Butch Walker and Fran Capitanelli, giving it a vintage feel while the production stays punchy and modern. At under three minutes it hits hard and leaves quickly. There is humour in it too: the lyric is a playful shopping list of manly virtues, and Wigmore sings it with the relish of someone who knows she holds all the cards.

Musical Breakdown

The track wastes no time, building quickly from a lean groove to a full-throated finish.

Intro

A stomping beat kicks things off, raw and rhythmic, with a guitar line snarling on top.

Verse 1

Wigmore enters with a playful, teasing delivery, setting out her terms with a grin you can hear.

Chorus

The hook bursts open, her voice soaring and cracking with energy as the band hits harder behind her.

Bridge

The arrangement drops back for a moment, building tension before the last chorus.

Outro

The song ends with a final punch, as sudden and confident as everything before it.

Concepts in Focus

Man Like That is a compact example of verse-chorus form. The verses set out the list, the chorus states the demand, a short bridge holds back, and the last chorus lands harder for the wait. Nothing is wasted: the whole form fits in under three minutes, which is part of why the song feels so assured.

The hook is less a melody than a voice. Wigmore’s rasp, the way she leans into the title and roughens it, is what makes the chorus stick. Compare the same voice on Gin Wigmore – Black Sheep, the album’s lead single, where it carries a darker message with the same bite.

Artistic Context

Gin Wigmore is a singer-songwriter from New Zealand whose husky voice set her apart early in her career. “Man Like That” comes from her second album, Gravel & Wine, released in New Zealand on 7 November 2011. Before recording it, she spent two months in Mississippi and Alabama looking for Southern inspiration; the album was then made in Santa Monica with Butch Walker, who produced it with his band The Black Widows and co-wrote this song with her. Gravel & Wine went to number 1 in New Zealand and was certified double platinum there.

Impact and Reception

“Man Like That” was released as the album’s second single on 1 February 2012, after “Black Sheep”. It reached its widest audience through a Heineken advert tied to the James Bond film Skyfall, in which Wigmore performs the song. Its retro energy and instantly recognisable vocal made it a natural fit for screens and playlists, and it showed how a contemporary artist could channel old blues and soul swagger without sounding like a pastiche. It is here for its sheer attitude, under three minutes of grit and charisma. Play it loud and stomp along.

Learn from this track

Introductory

What you will learn

  • Identify the verse, chorus and bridge of a short, tightly built pop-rock song.
  • Hear how a singer's rasp and attack can carry more character than the melody itself.
  • Explain how a modern production borrows the sound of older blues and soul without copying it.

Listening guide

  1. the intro A stomping beat and a snarling guitar line kick things off, raw and rhythmic, with a vintage, juke-joint feel.
  2. the first verse Wigmore's teasing, raspy delivery as she sets out her terms; you can hear the grin in it.
  3. the chorus The hook opens up, her voice pushing to the edge of cracking as the band hits harder behind her.
  4. the bridge The arrangement drops back for a moment, building tension before the last chorus.
  5. the ending The song stops with a final punch at under three minutes, as sudden as everything before it.

Concepts in this track

verse-chorus form

26 tracks

The common song structure that alternates verses (new words over similar music) with a recurring chorus (the same words and the hook). Most pop songs follow it.

hook

70 tracks

The short, memorable idea a song is built to stick with you: a sung phrase, a riff, a synth line. A hook is designed for repetition and usually arrives early.

Listen next, and why

Questions for discussion

  1. The lyric is a shopping list of what she wants in a man. Is it serious, a joke, or both?
  2. Gravel & Wine was inspired by two months Wigmore spent in Mississippi and Alabama. Which parts of this song sound Southern, and which sound modern?
  3. Why might a song this short and punchy work so well in an advert?

References

  1. Wikipedia. Gravel & Wine. Encyclopedia
  2. Wikipedia. Gin Wigmore. Encyclopedia
  3. MusicBrainz. Man Like That. Database

Weighted overlap of genres, feelings and moods.

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