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Instruments and technology

synthesizer

38 tracks.

What it is

An electronic instrument that generates sound from oscillators and shapes it with filters and envelopes. Synthesizers define the sound of electronic pop, house and techno.

Read more on Wikipedia

electroclash

18 tracks

A late-1990s and early-2000s scene that fused 1980s electro, synth-pop and new wave with punk attitude, deadpan vocals and a taste for fashion and performance. It grew around labels such as International DeeJay Gigolo in Munich and clubs in New York, Berlin and Paris.

post-punk

3 tracks

The music that followed punk from the late 1970s: still tense and stripped-down, but more experimental, with prominent bass, angular guitars, cold synthesizers and detached vocals. Its dark branches, gothic rock and darkwave, have been revived again and again since.

arpeggio

1 track

A chord played one note at a time instead of all at once, rising, falling or cycling in a steady rhythm. Synthesizers and sequencers can play arpeggios automatically, and the pulsing synth arpeggio became a signature of electronic disco and much dance music since the 1970s.

bassline

33 tracks

The lowest melodic part of a track. In dance music it often carries the hook as much as the vocal does, and its rhythm against the kick drum defines the groove.

A synthesizer whose sound is made by analog circuits rather than computation. Their slight instability gives a warmth many producers seek, even emulated in software.

drum machine

10 tracks

An electronic instrument that plays programmed drum patterns. Its machine-steady time and synthetic sounds became the foundation of hip-hop, house, techno and synth-pop.

sequencer

3 tracks

A device or program that records and plays back musical events in time, so a producer can program parts that repeat exactly.

vocoder

5 tracks

A device that imposes the shape of a voice onto a synthesizer's sound, producing the robotic singing heard from Kraftwerk to Daft Punk.

distortion

7 tracks

Deliberately overdriving a signal so that it clips and gains harmonics: grit on a guitar, a bass or a vocal. It adds aggression and presence.

filter sweep

5 tracks

Gradually opening or closing a filter so that a sound goes from muffled to bright or back. Filter sweeps create build-ups and are a signature of French house.

Hear it in these tracks

Solange

Losing You

Solange and Dev Hynes wrap the end of a relationship in a skittering, eighties-tinted R&B groove: the 2012 lead single of the True EP on Terrible Records, with a Melina Matsoukas video shot in Cape Town's Langa township.

Mount Sims

Grave

A slow, cold-blooded crawl through synths, live drums and a graveside croon: Grave, from the 2008 album Happily Ever After produced by Thomas Stern, turns Mount Sims' taste for horror into five minutes of nocturnal dread.

Mount Sims

Good Service

Deadpan vocals, buzzing analog synths and a drum machine with attitude: Good Service is Mount Sims serving early-2000s electroclash with a sly, suggestive grin.

Mount Sims

Ashes

A smouldering piece of dark synth-pop that opens Mount Sims' 2004 album Wild Light: cold machines and a weary croon circle the remains of something that burned out long ago.

Klyne

Waiting

A slow, stripped-down slice of dark electronic R&B from the Eindhoven duo Klyne, where Nick Klein's soft, close-miked voice drifts over sparse beats and muted synths; the new song on their 2015 Closer EP.

Klyne

Entropy

A hushed, late-summer slow jam from the Dutch duo Klyne, where a feather-light falsetto floats over soft keys, tropical-leaning drums and pulsing synths.

Klangkuenstler

Golden

A late-night techno roller from Klangkuenstler's 2015 debut on Great Stuff: a massive, rounded bassline, a nasty but beautiful sawtooth lead and a bed of vinyl noise that makes the dark groove feel strangely warm.

Jan Blomqvist

Big Jet Plane

Jan Blomqvist slows Angus & Julia Stone's folk lullaby into a long, glowing melodic-house drift, his weary vocal hovering over the pulse like a plane above night clouds.

Future Forward Society, Mount Sims

The Creep (Capri Mix)

A long, prowling electro mix that keeps its shadows close: The Creep in its Capri Mix stretches Mount Sims' sly menace over six and a half minutes of pulsing synths.

Flume

Holdin On

A chopped-up soul vocal, wobbling synth chords and a swinging, head-nodding beat: Flume's breakout cut is two and a half minutes of pure, woozy elation.

Ben Khan

Savage

Two and a half minutes of warped, woozy funk: Ben Khan's cool falsetto slides over wobbling synths, guitar stabs and brass that sounds trapped inside a bubble.

ayokay, Quinn XCII

Kings of Summer

Bright synths and Quinn XCII's easy vocal paint a memory of summers when you and your friends felt untouchable: the 2016 breakthrough of two school friends from Michigan.

Adam Freeland

Do You

Melodic synths crash into live drums and a snarling rock vocal: Do You opens Freeland's Cope with a breakbeat-punk jolt that sounds like a band and a DJ at war.

Codec & Flexor

Time Has Changed (Northern Lite Remix)

Erfurt's Northern Lite rework Codec & Flexor's electroclash-era club hit for the 2004 remix EP: a six-minute version that keeps the song's cool, detached refrain and gives it the band's own blend of electro and pop.

Hania Rani

Full Performance (Live on KEXP)

A serene, immersive 36-minute KEXP session recorded in July 2022: the Polish pianist and composer Hania Rani plays 24.03, Ghosts, Komeda Part 3 and Buka on piano and synthesizers, pieces that would reach her later albums.

2raumwohnung

Somebody Lonely and Me (Nacht)

The night side of a song recorded twice: 2raumwohnung's 2017 single sets Inga Humpe's German verses and English refrain over a darker, 1980s-flavoured synth arrangement, one of two versions on their double album Nacht und Tag.

Indiana

Solo Dancing

A hypnotic, synth-driven song about dancing alone, the 2014 single that took the Nottingham singer Indiana to number 14 in the UK and became the centre of her debut album No Romeo.