Mount Sims
Grave
A slow, cold-blooded crawl through synths, live drums and a graveside croon: Grave, from the 2008 album Happily Ever After produced by Thomas Stern, turns Mount Sims' taste for horror into five minutes of nocturnal dread.
Feeling
14 tracks.
Mount Sims
A slow, cold-blooded crawl through synths, live drums and a graveside croon: Grave, from the 2008 album Happily Ever After produced by Thomas Stern, turns Mount Sims' taste for horror into five minutes of nocturnal dread.
Kosheen
Deep, dark bass, insistent drums and Sian Evans' voice cutting through the fog: Addict opens Kosheen's Independence with the pull of something you cannot quit.
James Newton Howard, Jennifer Lawrence
Jennifer Lawrence's bare, unpolished voice sings an eerie murder ballad from Suzanne Collins' Mockingjay, set to a melody by the Lumineers, that swells into a rebel anthem as James Newton Howard's orchestra gathers behind her.
James Newton Howard, Jennifer Lawrence
Jennifer Lawrence's eerie Mockingjay folk song recast as an uptempo, drum-heavy rebel anthem, the unaccompanied verse growing into a pounding march with strings and a dance pulse.
Gorillaz, Neneh Cherry
A cold, clanking Gorillaz track from Demon Days where Damon Albarn's weary vocal and Neneh Cherry's spectral backing turn a nursery-rhyme melody into a quiet alarm about children and violence.
David Lynch, Karen O
Trentemøller strips Karen O away and leaves only the nightmare: a throbbing, sinister synth drive that sounds like a car speeding down a Lynchian highway at night.
Claptone, Clap Your Hands Say Yeah
Claptone sets Alec Ounsworth's fragile, quavering indie vocal over a patient deep house groove, a dancefloor track that sounds like it is mourning something.
Blankets
Blankets carries the Mockingjay murder ballad out of the woods and onto the dancefloor: a 2015 French electronic cover that keeps the song's hummable, unsettling melody and sets it to a pulsing beat.
AWOLNATION
A slow, menacing electro-rock crawl that erupts into a howled confession, AWOLNATION's Sail is equal parts dread and release.
Lulu Rouge
Danish duo Lulu Rouge and their old ally Trentemøller in seven and a half minutes of nocturnal minimal house: reverberating dub bass, slow-building layers and a Basic Channel shadow.
Saschienne
'Knopfauge' is a track from Unknown (Kompakt, 2012), the debut album of Saschienne, the duo of Berlin DJ Sascha Funke and French singer and synth player Julienne Dessagne: minimal electronic music built on Moog lines and patient layering.
Alic
A seven-minute slab of psychedelic techno from the German duo Alic, released free on their own netlabel Digital Diamonds in 2012: punching drums under slowly shifting atmospheric layers.
Mélissa Laveaux
Mélissa Laveaux, a Montreal-born singer-songwriter of Haitian descent, recasts Elliott Smith's bleak 1995 song for percussive finger-style guitar, double bass, claps and drums on her 2008 album Camphor & Copper.
Nancy Sinatra
Nancy Sinatra's 1966 version of Sonny Bono's song, built on Billy Strange's haunting tremolo guitar, is a hushed ballad of childhood love and betrayal that Quentin Tarantino revived over the opening credits of Kill Bill.