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Published in electronic ·

Emika

Battles

The opening track of DREI, the 2015 album Emika reportedly wrote in two weeks and produced and mixed herself: a song about limits and freedom, with pitch-shifted vocals, sibilant cut-ups used as percussion and her trademark sub-bass.

Review

Genre and Mood

Emika opens her album DREI with Battles, electronic music that sits between electro-pop and the experimental. The feelings named here follow the critics: dark and haunting, because the Electricity Club heard an unsettling creepiness over her sub-bass and Ibiza Spotlight a dark and brooding world; defiant, because Spectrum Culture heard an artist who wants more battles and is ready to seize the opportunity.

Song Summary

DREI is, in Emika’s own words, ultimately about freedom: coping with it, limitations against it, the madness of being alone and the perils of a limitless creative mind. Ibiza Spotlight heard that dualism of limits and freedom set out in the opening lines of Battles. The other half of her statement is about sound: a desire to produce fat hard beats without needing anyone. She wrote the album, reportedly in a single two-week period, and produced and mixed it herself.

Musical Breakdown

No source walks through Battles section by section; the reviews describe its elements, so the breakdown follows them and leaves the rest to your ears.

Intro

The album starts here, with the words Ibiza Spotlight read as its theme. Listen to how much room the first lines are given before the track fills in.

Main Section

The Electricity Club heard attention to detail above all in the voice: Emika’s vocal is pitch-shifted, and sibilant cut-ups, the hiss of sung syllables, are processed until they act as percussion with a haunting effect. Underneath sits what the same review calls her trademark sub-dub bass.

Outro

No source describes how Battles ends. Listen for whether the voice or the bass is the last to leave, and for how the next track picks up.

Concepts in Focus

mixing is the stage where every recorded part is balanced into one finished track, and it is often left to a specialist. On DREI Emika did it herself, so the placement of each cut-up and the weight of the bass are her decisions as much as the melody is.

Battles also shows two ways a song can multiply. Emika’s own alternate versions include an instrumental and an a cappella, released in 2017, and Battles Pt. II with Sebastian, which her Bandcamp edition of DREI lists as its last track. A remix is someone else’s reading: on DREI Remixes, Cyclic Defrost heard The Black Dog stay close to the album’s brooding, stripped-back landscapes, while Kamikaze Space Programme put the emphasis on clattering drum programming and handclaps.

Artistic Context

Emika is Ema Jolly, born in Milton Keynes in 1986 to a Czech mother from Příbram and based in Berlin since 2006. After two albums on Ninja Tune she launched Emika Records in 2014; DREI came out on it on 4 May 2015, the same year as her piano album Klavirni. The song that follows Battles on the album is Emika – My Heart Bleeds Melody.

Impact and Reception

Spectrum Culture heard DREI route back towards her signature electronic form, and the Electricity Club, looking back a year later, cited Battles as proof of her care as a producer. Put it on with headphones and follow the hissing syllables rather than the words.

Learn from this track

Intermediate

What you will learn

  • Explain what it means for one artist to write, produce and mix a record herself, and what mixing adds after recording.
  • Hear how processed vocal fragments can work as percussion rather than as words.
  • Tell an artist's own alternate versions of a song from remixes by other producers.

Listening guide

  1. the opening lines Ibiza Spotlight heard the album's theme, a dualism between limitations and freedom, set out in the first words of Battles.
  2. the vocals The Electricity Club singled out the pitch shifting of Emika's voice as a sign of her attention to detail in production.
  3. the percussion Sibilant cut-ups, the hissing edges of sung syllables, processed for what the same review called a hauntingly percussive effect.
  4. the low end What the Electricity Club called her trademark sub-dub bass, under the unsettling mood it hears in her experimental pop.

Concepts in this track

alternate version

58 tracks

A second finished recording of the same song by the same artist, with a different arrangement, tempo or sound rather than a reworking by another producer. Comparing two versions shows how much of a song's mood comes from production rather than from melody and words.

mixing

31 tracks

The stage of making a record where all the recorded parts are balanced into one finished stereo track: their levels, placement, tone and effects. Mixing comes after recording and before mastering, and is often done by a specialist rather than by the producer.

remix

164 tracks

A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.

Listen next, and why

Questions for discussion

  1. Emika says DREI is about coping with freedom. Why might an album about freedom open with a song called Battles?
  2. What changes when the person who wrote a song is also the one who balances every sound in the final mix?
  3. Battles exists as an album track, an instrumental, an a cappella, a Part II and several remixes. Which of them is the song?

References

  1. FACT. Emika unveils new album DREI (2015). Article
  2. Ibiza Spotlight. Album of the week: Emika 'DREI' (2015). Review
  3. The Electricity Club. EMIKA Flashbacks EP (2016). Review
  4. Spectrum Culture. Emika: DREI (2015). Review
  5. Cyclic Defrost. Emika – Drei Remixes (Emika Records) (2015). Review
  6. Emika (Bandcamp). DREI (2015). Artist
  7. Wikipedia. Emika. Encyclopedia
  8. MusicBrainz. Battles (recording). Database
  9. MusicBrainz. Drei (Instrumentals & A Capellas). Database
  10. Emika Records. EMIKA - Battles (2015). Video

Weighted overlap of genres, feelings and moods.

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