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Published in electronic ·

Emika

Rache

Rache (Revenge), the seventh track of DREI, the 2015 album Emika reportedly wrote in two weeks and produced and mixed herself: a song Spectrum Culture heard as a celebration beneath a dark exterior, her revenge on the corporate monolith of the music industry.

Review

Genre and Mood

Emika’s Rache is German for revenge, and the album lists it as Rache (Revenge). It belongs to the electronic, experimental electro-pop of DREI, which Ibiza Spotlight heard as dark dub pop and Berlin-influenced electro with a subtle refinement from her classical training. Dark, defiant and celebratory all apply at once, because Spectrum Culture heard a celebration under the darkness: beneath its dark exterior, it wrote, Rache is a song of celebration.

Song Summary

Rache is the seventh track of DREI, released on 4 May 2015 on Emika’s own label, Emika Records, and runs four minutes and thirty-nine seconds. According to FACT, she wrote the album in around two weeks and produced and mixed it herself; Ibiza Spotlight added that she writes, produces, mixes and sings everything on her records. Spectrum Culture read Rache as Emika indulging in her revenge against the corporate monolith that is the music industry, and heard a feminist prowess adorning the album’s messages without addressing it directly.

Musical Breakdown

No review describes Rache section by section, so this page does not map it. What the reviews give is the frame: an album about freedom, a sound of dark dub pop and electro, and a song whose message is brighter than its surface. Listen for where the darkness sits, in the bass, the beat or the voice, and where the celebration comes through.

Concepts in Focus

Emika did the mixing of DREI herself. Mixing decides how loud each part is, where it sits and how it sounds against the others, so when the songwriter is also the mixer, nobody stands between the idea and the finished balance. For a song read as revenge on the music industry, that independence is part of the point; Spectrum Culture quotes her wish to produce fat, hard beats without needing anyone.

Rache also exists as an instrumental, an alternate version released on her own channel. Hearing the track without its voice is a way to separate what the music says from what the words say. Compare the album’s opening, Emika – Battles, where its theme of limits and freedom is first set out.

Artistic Context

Emika is Ema Jolly, born in Milton Keynes, classically trained and holding a degree in music technology, who worked as a sound designer for Native Instruments in Berlin while developing her sound. DREI came after her self-titled debut of 2011, the album Dva and the piano record Klavirni. She now works from a studio in the Black Forest, and she releases on her own label.

Impact and Reception

Rache was not a single, and most of the reviews cited here only list it; Spectrum Culture is the one that reads it. Listen to it as the sound of an artist doing everything herself, and enjoying it.

Learn from this track

Intermediate

What you will learn

  • Explain what it means for one artist to write, produce, sing and mix a record alone, and why that matters for a song about independence.
  • Describe how a song's mood and its message can pull in opposite directions, here a dark sound and a celebratory theme.
  • Compare a vocal track with its instrumental version and say what the voice carries.

Listening guide

  1. the mood The dark exterior Spectrum Culture heard, part of what Ibiza Spotlight called the album's dark dub pop and Berlin-influenced electro.
  2. the message Beneath that darkness, a song of celebration: Spectrum Culture's reading of revenge on the music industry.
  3. the beats Emika's stated wish on DREI to produce fat, hard beats without needing anyone; listen for how heavy the rhythm is here.
  4. the instrumental Rache without its voice, released on Emika's own channel; compare what is left.

Concepts in this track

alternate version

58 tracks

A second finished recording of the same song by the same artist, with a different arrangement, tempo or sound rather than a reworking by another producer. Comparing two versions shows how much of a song's mood comes from production rather than from melody and words.

mixing

31 tracks

The stage of making a record where all the recorded parts are balanced into one finished stereo track: their levels, placement, tone and effects. Mixing comes after recording and before mastering, and is often done by a specialist rather than by the producer.

Listen next, and why

Questions for discussion

  1. Why might a song about revenge sound like a celebration rather than anger?
  2. Emika calls DREI an album about freedom. What does making a record entirely alone have to do with that?
  3. When you remove the voice from a song, is what remains the same song?

References

  1. Spectrum Culture. Emika: DREI (2015). Review
  2. FACT. Emika unveils new album DREI (2015). Article
  3. Ibiza Spotlight. Album of the week: Emika 'DREI' (2015). Review
  4. The Electricity Club. EMIKA Flashbacks EP (2016). Review
  5. Bandcamp (Emika). Rache (2015). Artist
  6. YouTube (Emika - Topic). Rache (Instrumental). Video
  7. YouTube (Emika Records). EMIKA - Rache. Video

Weighted overlap of genres, feelings and moods.

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