cover version
21 tracksA new recording of a song by an artist other than the original. A cover can be faithful or transform the song's genre and meaning.
Production
56 tracks.
A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.
Read more on WikipediaA new recording of a song by an artist other than the original. A cover can be faithful or transform the song's genre and meaning.
A guest performer credited on another artist's track, usually as "feat.": a rapper's verse, a singer's hook or a second voice. Features bring together different styles and audiences and are central to hip-hop, R&B and dance music.
A longer version of a track, with extra intro, outro or instrumental sections, made for clubs and DJs rather than radio.
A second finished recording of the same song by the same artist, with a different arrangement, tempo or sound rather than a reworking by another producer. Comparing two versions shows how much of a song's mood comes from production rather than from melody and words.
A Jamaican practice of remixing a record by stripping it to drums and bass and treating the rest with echo, reverb and drop-outs. Dub's studio techniques shaped techno, house and electronic music at large.
A track made by laying parts of two or more existing recordings on top of each other, typically the vocal of one song over the instrumental of another. Its art lies in finding songs whose tempo, key and phrasing line up.
Preparing a finished recording again at the mastering stage, the last step before release: adjusting its loudness, tonal balance and dynamics, often from the original tapes and for a new format or reissue. Unlike a remix, a remaster leaves the arrangement and the balance between instruments as they were and changes only the overall sound.
Taking a fragment of an existing recording and reusing it in a new one, as a loop, a chop or a texture. Sampling is central to hip-hop and dance music and raises questions of credit and copyright.
Yoko Duo, Stimming
Stimming wraps Yoko Duo's fragile song in velvet: a slow, organic deep house remix full of soft textures, a hushed vocal and the feeling of a room going quiet.
Whilk & Misky
The 2014 breakthrough of the London duo Whilk & Misky: a barefoot, bossa-nova-tinged acoustic song with handclaps for percussion, played on Zane Lowe's Radio 1 show and later carried onto dance floors by a Solomun remix.
The Supermen Lovers, Jay Lamar, Jesse Oliver
The Helsinki duo Jay Lamar and Jesse Oliver stretch Moments, a 2013 single by the French producer behind Starlight, into a warm, unhurried deep house glide of soft chords, rounded bass and wistful melodies.
The Hacker, Mount Sims
Oxia turns The Hacker and Mount Sims' cold-wave electro into a patient, rolling techno journey, all brooding synth lines and a build that keeps tightening the screw.
The Avener, Ane Brun
The Avener wraps Ane Brun's fragile Scandinavian folk confession in a slow, rolling deep-house groove, turning a private surrender into a sunset dancefloor moment.
Santé, Richard Judge
Santé lays a deep, rolling groove under J.U.D.G.E's grave, soulful voice, six minutes of dark-room house that feels like the first clear thought after a long night.
Queen, The Miami Project
A Skillz chops John Deacon's immortal bassline into a strutting breakbeat workout, keeping Freddie Mercury's swagger front and centre while the drums hit like a b-boy battle.
Noir & Haze
Solomun's vocal mix of the Noir & Haze single, Resident Advisor's remix of the year 2011: a rolling, bass-heavy deep house groove under Haze's aching voice, released on Noir Music and later licensed to Defected.
Niklas Ibach
Niklas Ibach slips Dotan's aching folk-pop plea onto a soft deep-house pulse, keeping the ache while giving it somewhere to move.
Metronomy
Soulwax strip Metronomy's sixties-tinged pop down to a gleaming machine groove and rebuild it, six and a half minutes of neon disco-pop driven by the bassline and a slow-burning release.
Lilly Wood and The Prick, Robin Schulz
Robin Schulz lifts a mournful 2010 French folk-pop song onto a bouncing deep house beat, Nili Hadida's bleak prayer and a looping guitar riff becoming a number one across Europe in 2014.
KlangKuenstler
The British producer Miguel Campbell turns KlangKuenstler and Alice Phoebe Lou's 2014 moon song into a warm, rolling groove for Sunday Best, her voice floating weightless over a bassline that never stops gently pushing forward.
KANT
The Copenhagen production team KANT stretch Leo Stannard's aching vocal across a seven-minute club arrangement on Black Butter Records, melancholy piano chords and a steady deep house pulse turning heartbreak into something you can dance through.
John Newman, Kove
Kove drives John Newman's northern-soul plea for a second chance into rolling drum and bass, the raw voice riding fast breaks and big, bright chords.
Jan Blomqvist
The Zürich duo Animal Trainer fold Jan Blomqvist's hushed 2011 cover of Big Jet Plane into a rolling, late-night deep house remix, released on the Berlin label Dantze, where a longing vocal drifts above a patient, pulsing groove.
James Newton Howard, Jennifer Lawrence
Jennifer Lawrence's eerie Mockingjay folk song recast as an uptempo, drum-heavy rebel anthem, the unaccompanied verse growing into a pounding march with strings and a dance pulse.
Imany, Filatov & Karas
Imany's smoky contralto meets a sleek, pulsing house remix from Filatov & Karas, turning a slow seduction from a film soundtrack into a continental dancefloor hit.
Gorillaz
The Soulchild Remix turns Gorillaz's woozy 19-2000 into a bright, bouncing cartoon road trip, a 2001 UK top-ten single and the title theme of FIFA Football 2002, with a chorus everyone remembers: get the cool shoeshine.
Gorgon City, Zak Abel, Dj Anna
DJ Anna pulls Gorgon City's pop single into the dark: a heavy rolling bassline, Zak Abel's soulful voice in fragments and nearly eight minutes of late-night pressure.
Gorgon City
Will Saul, remixing as CLOSE, stretches Gorgon City and MNEK's 2014 UK number four into a six-and-a-half-minute, dub-tinged deep-house journey, the soulful vocal echoing through a late-night haze.
Gorgon City, Katy Menditta, WEISS
WEISS stretches Gorgon City's Imagination into a six-minute, groove-led house workout for the 2015 remix EP, leaving Katy Menditta's voice to flicker in and out over the bass.
Gorgon City, Katy Menditta
A sleek, sunlit house cut where Katy Menditta's soulful vocal floats over a rubbery bassline and crisp garage-tinged drums, built for the moment a club exhales.
Glass Animals, Gilligan Moss
Gilligan Moss stretches Glass Animals' sticky love song into a glistening electronic daydream of chiming percussion, warped vocal slivers and a slow-blooming groove.
Future Forward Society, Mount Sims
Future Forward Society and Mount Sims build a slinking, shadowy electro crawl, all low-slung bass, cold synths and a voice that seems to whisper from the corner of the room.