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Published in electronic ·

Brandt Brauer Frick, Emika

Pretend

On Mr. Machine, their 2011 album for !K7, the German trio Brandt Brauer Frick and their acoustic ensemble remade Emika's song Pretend around her own vocal: seven and a half minutes of struck percussion, strings and a rigid 4/4 beat.

Review

Genre and Mood

Brandt Brauer Frick play techno with an acoustic ensemble, and on Pretend they hand the microphone to Emika. It is electronic, minimal and techno in form, made with acoustic instruments rather than only electronic tools. The feelings named here, hypnotic and intense, follow the critics: the Quietus heard something strangely fluid, the Line of Best Fit something increasingly frantic.

Song Summary

Pretend is one of the new songs on Mr. Machine, released by !K7 on 24 October 2011, an album on which the trio also re-recorded tracks from their 2010 debut You Make Me Real for their ensemble. The song is Emika’s: she is credited as its composer and lyricist, and her vocal appears in modified form on her own debut album. The Line of Best Fit called the result a remix-cum-cover of her original.

Musical Breakdown

The sources describe the track’s shape rather than a timeline, so the breakdown follows that shape.

Intro

The Quietus heard the ensemble build “a dense mesh of percussion and struck melodies”. Listen for where the first figure comes from: wood, skin or string.

Build-up

For the Line of Best Fit, the track is a seven-minute series of crescendo and diminuendo: figures introduced, repeated, warped and returned to the mix. Emika’s detached vocal sits over “taut aquatic percussion”, in PopMatters’ words.

Climax

The build ends in “a swell of dramatic strings”, and the Line of Best Fit heard violins scratched at with something approaching full-blown violence.

Outro

No source describes how the track ends. Listen for which figure is the last to go.

Concepts in Focus

A four-on-the-floor beat puts the kick on every beat of the bar. In Pretend it is played by people, and the Quietus found the whole “strangely fluid despite the rigid 4/4 drum beat”: the pulse is strict, the hands around it are not.

The track is a long build-up, or rather several: tension that rises, falls back and rises again, until the strings take over.

It also shows how flexible a remix can be. Brandt Brauer Frick remixed Emika’s Pretend, released by Ninja Tune as a single in September 2011, and their version is close to a cover, a new arrangement around her vocal. Soul Clap then remixed theirs.

Artistic Context

Daniel Brandt, Jan Brauer and Paul Frick formed the group in Wiesbaden in 2008, combining the formulas of dance music with new classical music; after moving to !K7 they played live as the Brandt Brauer Frick Ensemble. Emika, born Ema Jolly in Milton Keynes in 1986 and based in Berlin since 2006, has a mother from Příbram.

Impact and Reception

The Line of Best Fit called Pretend “one of the very best tracks” it had posted as a Song of the Day; PopMatters gave Mr. Machine seven out of ten and named Pretend one of its most compulsively danceable moments. Play it loud enough to hear the hands behind the beat.

Learn from this track

Intermediate

What you will learn

  • Explain how a four-on-the-floor beat can be played by acoustic instruments rather than a drum machine.
  • Describe how a track builds and releases tension through crescendo and diminuendo.
  • Explain how one vocal can live in two versions of a song, a singer's own and a remix-cum-cover by another act.

Listening guide

  1. the beat The Quietus heard a dense mesh of percussion and struck melodies that feels strangely fluid despite the rigid 4/4 drum beat under it.
  2. the vocal Emika's voice, which the Quietus called a chilly ice-queen performance and PopMatters a detached vocal, set against taut, aquatic percussion.
  3. the repetitions The Line of Best Fit heard figures introduced, repeated, warped and brought back into the mix: follow one of them through the track.
  4. the strings The build ends, for PopMatters, in a swell of dramatic strings; the Line of Best Fit heard violins scratched with something close to violence, in a Morricone-like way.

Concepts in this track

build-up

35 tracks

A passage that raises tension toward a release: rising pitch, faster drum rolls, opening filters, added layers. In dance music it prepares the drop.

remix

164 tracks

A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.

four-on-the-floor

20 tracks

A steady kick drum on every beat of a 4/4 bar. It is the pulse of disco, house and most techno: the body always knows where the next beat lands, so everything else can move around it.

Listen next, and why

Questions for discussion

  1. Techno is usually made by machines. What changes when people play its repetitions by hand?
  2. Emika's vocal is on her own Pretend and on this one. How can the same voice mean something different over another arrangement?
  3. A critic called Pretend increasingly frantic, another one of the album's most danceable moments. Can a track be both?

References

  1. The Line of Best Fit. Brandt Brauer Frick Ensemble ft Emika – Pretend (2011). Review
  2. The Quietus. EXCLUSIVE: Brandt Brauer Frick Ensemble – 'Pretend' (2011). Article
  3. PopMatters. Brandt Brauer Frick: Mr. Machine (2011). Review
  4. Reviler. Brandt Brauer Frick Ensemble: “Mr. Machine” Review (2011). Review
  5. The Line of Best Fit. Brandt Brauer Frick Ensemble x Soul Clap – Pretend (2011). Article
  6. Wikipedia. Brandt Brauer Frick. Encyclopedia
  7. Wikipedia. Emika. Encyclopedia
  8. MusicBrainz. Pretend (recording). Database
  9. Brandt Brauer Frick - Topic. Pretend (2017). Video

Weighted overlap of genres, feelings and moods.

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