Feeling
34 tracks.
Michelle Gurevich
'Party Girl' is the home-recorded title song of Michelle Gurevich's 2007 debut, made under the name Chinawoman: a slow, deadpan contralto ballad about nightlife that became her best-known song and gave its title to a Cannes-winning film.
Tubbe
The queer electropunk duo Tubbe, who moved from Munich to Berlin in 2013, set the small-town dream of the big city against its confetti, noise and 1-euro-shop reality, a 2015 synth-pop single from their Audiolith album Keine Arbeit lieber Tanzen.
Klangkarussell
A warm deep house song from Klangkarussell's 2014 debut album Netzwerk, sung by Will Heard, the English voice of the Austrian duo's UK hit Sonnentanz (Sun Don't Shine).
Joris Delacroix
Joris Delacroix closes his 2018 album Night Visions with Epoque, seven minutes of melodic deep house in which soft, piano-trained melodies ride a steady, driving pulse.
Björk
Before her solo career, Björk sang Icelandic popular songs and jazz standards with a veteran piano trio: Kata rokkar, from the 1990 album Gling-Gló, is a short, playful glimpse of that side of her voice.
Alif Tree
'Forgotten Places' is a hushed downtempo piece by the Marseille producer Alif Tree, built around a sampled voice of the jazz singer Shirley Horn and released on Compost Records in 2006: nu-jazz that sounds like a memory being replayed.
Lekota
Lekota's I Used To combines nostalgic melodies with a modern electronic sound, creating an emotive and introspective listening experience.
Controller 7
A 2007 mashup by the San Jose producer Controller 7 that lays the Temptations' 1966 'Get Ready' a cappella over the rhythm section of Peter Bjorn and John's 'Young Folks', two songs forty years apart that line up uncannily well.
Bronski Beat
Bronski Beat's 1984 debut single turns a gay teenager's escape from home into a falsetto-led synth-pop anthem, built on a sequenced octave pattern and remembered for Bernard Rose's stark video.
Ladytron
Ladytron's 2002 single: whirring synthesizers, two cool, interlocking voices and a minimal lyric that takes a swipe at an industry obsessed with youth, shiny and throwaway on the surface and dark underneath.
