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Published in deep house ·

Jan Blomqvist

Dark Noise

One of the long tracks of Jan Blomqvist's 2016 debut album Remote Control: eight and a half minutes from the Berlin singer and live electronic bandleader, written with his lyricist Ryan Mathiesen.

Review

Genre and Mood

Jan Blomqvist makes deep house and electronic music around his own voice, and Dark Noise is one of the long tracks of his first album. Armada’s release notes speak of his melancholic vocals and soul-stirring atmospheres; we hear the track as melancholic, hypnotic and dark, a reading the title supports, though no review we found describes this track on its own.

Song Summary

Dark Noise is track five of Remote Control, released by Armada Music on 26 February 2016. It is credited to Jan Freter, Blomqvist’s real name, and Ryan Mathiesen, with whom he writes his lyrics. At 8:27 it gives a song the length of a club record, one of four tracks on the album past eight minutes, according to its MusicBrainz tracklist. The album as a whole, Beatportal reported, took two years to make and deals with the barrage of media his generation faces every day.

Musical Breakdown

No source we found walks through Dark Noise section by section, so we name only what the credits and the album’s own description support, and leave the rest to your ears.

Intro

The track’s long running time leaves space for a slow opening; how that space is filled is not documented.

Main Section

Blomqvist is the credited singer; in his music, German Wikipedia says, he sings over beats, analog synthesisers, piano and bass.

Outro

The ending, too, is undescribed by our sources; listen to how it hands over to Drift, the next track.

Concepts in Focus

Blomqvist’s sound is built on the synthesizer, analog ones in particular, combined with piano and bass. He said of Remote Control that he wanted all tracks to follow a certain special sound design but never sound the same: a shared palette of synthesised sound, used differently each time.

He is best known as a live act, and a live recording of Dark Noise exists: on Live in Munich, released in 2020, it runs 6:15, more than two minutes shorter than the studio version. Blomqvist told Beatportal that he was one of the few electronic artists in Berlin to bring a drum kit and a piano into clubs; Christian Dammann plays drums in his band and Felix Lehmann keyboards.

The album was also remixed: Remote Control Remixed followed in 2017, including a remix of Dark Noise by Fears for Tears, released on 19 May 2017.

Artistic Context

Jan Freter was born in 1982 in Ahnsbeck, Lower Saxony, played guitar in a punk band as a teenager and moved to Berlin at 19, studying aerospace engineering and then mathematics before leaving for music; his first show was at Tresor in 2008. Before Remote Control came singles such as Jan Blomqvist – Big Jet Plane and Jan Blomqvist – Time Again.

Impact and Reception

Remote Control launched a world tour with his band, and Dark Noise soundtracks his official recap video of that 2016 tour. Since then Blomqvist has played Burning Man, Coachella and Tomorrowland. Dark Noise is here for the patience it asks of a listener. Give it the full eight minutes.

Learn from this track

Introductory

What you will learn

  • Explain what it means for an electronic artist to perform live with a band rather than from a DJ booth.
  • Compare a studio album track with its live recording and a remix, and say what each version is for.
  • Describe the sound world of a debut album whose maker wanted every track to share one sound design without any two sounding the same.

Listening guide

  1. the voice Jan Blomqvist singing his own words, written with Ryan Mathiesen: on Remote Control the lyrics deal with the flood of media his generation lives in.
  2. the sound design Analog synthesisers, part of his setup, inside an album he wanted to follow one special sound design without any two tracks sounding the same.
  3. the length Eight minutes and 27 seconds, one of four tracks past the eight-minute mark on a 12-track album that took two years to make.
  4. the live version On Live in Munich (2020) the song runs 6:15, played by Blomqvist and his band: compare what the stage keeps and what it cuts.

Concepts in this track

live recording

32 tracks

A recording made in front of an audience rather than built in a studio. It captures energy, improvisation and the sound of the room, and often differs from the studio version.

remix

164 tracks

A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.

synthesizer

66 tracks

An electronic instrument that generates sound from oscillators and shapes it with filters and envelopes. Synthesizers define the sound of electronic pop, house and techno.

Listen next, and why

Questions for discussion

  1. Why might a live electronic act bring a drummer and a keyboard player into a club instead of a laptop alone?
  2. A song called Dark Noise on an album about media overload: does the title describe the music, the world around it, or both?
  3. Which version would you play first to someone new to Blomqvist: the album track, the live recording or the remix?

References

  1. Wikipedia. Jan Blomqvist. Encyclopedia
  2. Festivalling. Jan Blomqvist sparks global tour with release of debut album (2016). Article
  3. Beatportal. Jan Blomqvist: Live Wires (2020). Interview
  4. YouTube. Dark Noise (Topic upload, release credits) (2016). Label
  5. YouTube. Dark Noise (Live In Munich) (Mixed) (2020). Label
  6. MusicBrainz. Remote Control (release). Database
  7. Jan Blomqvist. Jan Blomqvist - Dark Noise (Remote Control Tour Recap) (2018). Video
  8. Armada Music. Jan Blomqvist - Dark Noise (2016). Video

Weighted overlap of genres, feelings and moods.

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