Skip to content
Published in deep house ·

Jan Blomqvist

Something Says

The track from Jan Blomqvist's first EP for Oliver Koletzki's Stil vor Talent, Ink of 2012, that made him known: a stripped-down dance track that builds patiently towards a climax of washed-out piano and whispers, and a rooftop video from Berlin that he calls the moment it all began.

Review

Genre and Mood

Jan Blomqvist made Something Says for the dance floor, and its label described it as a stripped-down excursion in rhythm. It belongs to deep house and electronic music as a long, patient track, and the feelings on this page, hypnotic and dreamy, are our reading of what the label heard: a slow lead towards a climax, carried by whispers rather than singing.

Song Summary

Something Says is the second of three tracks on Ink, Blomqvist’s first EP and his first 12-inch for Stil vor Talent, the Berlin label of Oliver Koletzki; MusicBrainz dates the digital release to May 2012, and the track runs about eight and a half minutes. The release credits name Blomqvist as composer and Blomqvist with Ryan Mathiesen as lyricists. The label’s notes set it against the EP’s title track, which has a classic song structure: for Something Says, Blomqvist strips his sound down and lets the track build patiently towards an epic climax of washed-out piano melodies, spurred on by his trademark whispers.

Musical Breakdown

The label’s notes give the shape of the track; no source names its timings, so this breakdown follows that shape without them.

Intro

The sound is stripped down, a dance-floor track in which rhythm leads.

Build-up

The track does not hurry. Listen for how it builds, and for the whispered voice that pushes it on.

Climax

At the end of the build, the label promised washed-out piano melodies and an epic climax.

Outro

No source describes how the track lets go; listen for whether the piano or the rhythm has the last word.

Concepts in Focus

Something Says is a lesson in the build-up as the whole form of a track. Blomqvist told Progressive Astronaut that a finished track is like a carefully written story, with an introduction, a plot and a climax, and that it is not rushed to an end just because a certain length is in fashion. Eight and a half minutes give a build room to work.

A live recording made the track known. Blomqvist called the video of Something Says his breakthrough: it was filmed spontaneously on a Berlin rooftop terrace on a rainy day in late summer 2011 and went viral. German Wikipedia places it on the roof of the Weekend club at Alexanderplatz; his channel carries a video titled Something Says (Live at WEEKEND Rooftop).

Artistic Context

Born Jan Freter in 1982, Blomqvist moved to Berlin at 19 and released his first single, Jan Blomqvist – Big Jet Plane, on Dantze in 2011. Ink followed on Stil vor Talent, and in 2012 he also sang on Oliver Koletzki’s The Devil In Me.

Impact and Reception

German Wikipedia says the video made Blomqvist known worldwide. He said it felt like the moment it all began, and years later the track still made him smile and he still played it. Give the build its eight minutes.

Learn from this track

Introductory

What you will learn

  • Follow a long dance track that builds patiently towards its climax instead of arriving at it.
  • Explain how a live video can make a studio track known before and beyond its release.
  • Relate Blomqvist's idea of a finished track as a story with an introduction, a plot and a climax to this one.

Listening guide

  1. the opening The stripped-down sound the label described: a dance-floor track in which rhythm comes first.
  2. the build-up The patient lead towards the climax, spurred on by what the label called Blomqvist's trademark whispers.
  3. the climax The epic climax of washed-out piano melodies that the label promised at the end of the build.

Concepts in this track

build-up

35 tracks

A passage that raises tension toward a release: rising pitch, faster drum rolls, opening filters, added layers. In dance music it prepares the drop.

live recording

32 tracks

A recording made in front of an audience rather than built in a studio. It captures energy, improvisation and the sound of the room, and often differs from the studio version.

Listen next, and why

Questions for discussion

  1. Blomqvist said a finished track is not rushed to an end just because a certain length is in fashion. What does an eight-minute track allow that a three-minute one does not?
  2. A rooftop video shot on a rainy day made this track known. Why might a live performance travel further than the record?
  3. Whispers instead of singing: what does a voice gain or lose when it drops almost to nothing?

References

  1. Forced Exposure. Jan Blomqvist - Ink (SVT 078EP) (2012). Label
  2. Progressive Astronaut. Feature: Jan Blomqvist [Interview] (2019). Interview
  3. Wikipedia (German). Jan Blomqvist. Encyclopedia
  4. MusicBrainz. Something Says (Original Mix). Database
  5. YouTube. Something Says (Topic upload, release credits) (2012). Video
  6. Jan Blomqvist. Jan Blomqvist - Something Says (Live at WEEKEND Rooftop). Video

Weighted overlap of genres, feelings and moods.

Neighbourhood

This track, the tracks most like it and theirs. Drag, zoom, hover; a dot opens the track.

Show as table