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Gorillaz, Neneh Cherry

Kids with Guns

A cold, clanking Gorillaz track from Demon Days where Damon Albarn's weary vocal and Neneh Cherry's spectral backing turn a nursery-rhyme melody into a quiet alarm about children and violence.

Gorgon City, Katy Menditta, WEISS

Imagination (Weiss Remix)

WEISS stretches Gorgon City's Imagination into a six-minute, groove-led house workout for the 2015 remix EP, leaving Katy Menditta's voice to flicker in and out over the bass.

Gorgon City, Katy Menditta

Imagination

A sleek, sunlit house cut where Katy Menditta's soulful vocal floats over a rubbery bassline and crisp garage-tinged drums, built for the moment a club exhales.

Future Forward Society, Mount Sims

The Creep (Capri Mix)

A long, prowling electro mix that keeps its shadows close: The Creep in its Capri Mix stretches Mount Sims' sly menace over six and a half minutes of pulsing synths.

Format:B

Chunky (Radio Edit)

A rubbery, swaggering tech-house stomper from Berlin's Format:B, built on a fat bassline and chopped vocals from Shorty Long's 1966 Motown single Function at the Junction, cut down to a radio-sized strut.

Flume

Holdin On

A chopped-up soul vocal, wobbling synth chords and a swinging, head-nodding beat: Flume's breakout cut is two and a half minutes of pure, woozy elation.

FKJ

Lying Together

The neo-house track that introduced FKJ: chopped vocals, warm filtered chords and an elastic bassline wrapped into four and a half minutes of slow-burning, sunlit intimacy.

Faul & Wad, PNAU

Changes

Faul & Wad Ad build a sax-lit, bittersweet house groove around the children's-choir refrain of Pnau's Baby, a song about growing up that became a European number one.

Drake, The Throne

Pop Style

Drake trades bars with Kanye West, and two lines with Jay-Z, over a murky, minimal trap-inflected beat: a cool, understated flex from the Views era that exists in three different versions.

DJ S.K.T

Must Be A Reason (Radio Edit)

DJ S.K.T rebuilds the vocal hook of Wamdue Project's 1999 number one King of My Castle into a tight, sunny 2017 house edit for DFX, using a replayed sample rather than the original master.

Daft Punk

Around the World

One phrase, one bassline and seven minutes of repetition: Around the World is Daft Punk proving that a loop can be a whole world on its own, and Michel Gondry's video turned its arrangement into choreography.

Clea Vincent

All that she wants

Cléa Vincent turns Ace of Base's 1992 hit into breezy, homespun French synth-pop, trading its reggae-pop strut for a dreamy, lo-fi groove closer to hip-hop and R&B.

Axwell, Max C

I Found U (Radio Edit)

Axwell's piano-lit house anthem distilled to under three minutes: a rolling bassline, a gospel-tinged vocal from Max'C and a chorus built for arms in the air.

Anna Lunoe

Radioactive

Anna Lunoe's Radioactive, her 2016 debut on OWSLA, is a strobe-lit 'hyperhouse' banger sung in her own voice, all clipped vocal hooks, rave stabs and a low end built to rattle a festival tent.

Alle Farben, Graham Candy

Sometimes

Alle Farben's sun-warmed deep house meets Graham Candy's quivering, unmistakable high voice in a wistful Berlin summer song about the days that do not go to plan.

Alicia Keys

Fallin'

A twenty-year-old Alicia Keys at the piano, pouring gospel-sized yearning into a stark, minor-key confession about a love she cannot stop falling into.

Louisahhh

Love Is a Punk (Vitalic Remix)

Vitalic reworks the opening track of Louisahhh's techno-punk debut The Practice of Freedom into a five-and-a-half-minute industrial club track, released on the album's 2021 deluxe edition by HE.SHE.THEY.

Chicks On Speed

Euro Trash Girl

Munich art collective Chicks On Speed turn Cracker's 1990s alt-rock road song into a deadpan electronic cover: an early electroclash single, first pressed on their own Go Records in 1998.

Louisahhh

Like A Vice

A dark and pulsating techno track that closes Louisahhh's intentionally brutal 2017 EP A Trap I've Built, delving into desire, control and liberation.

Kazy Lambist

Doing Yoga

The title track of Kazy Lambist's 2015 debut EP: a smooth, sunlit electronic pop song by the Montpellier producer Arthur Dubreucq, laid-back beats and a playful melody built for summer.