'Once Twice' is a short, uplifting house track by Ryan Blyth with the Swansea singer and producer Rachel K Collier on vocals, premiered in 2016 on the Love & Other channel: bright beats, a sung topline and a hook built for the dance floor.
A track from Pilocka Krach's 2017 double album Sugar Cane & The Lost Amigos, a tour diary pinned between Mexico, Detroit and Berlin: raw sampled cuts and growling synths in the Bar25 veteran's electro post-rave style.
Paul Oakenfold's breakbeat and hip-house collision with Pharrell Williams: a pulsing, provocative 2006 single about the pull of desire and money, with an animated video that ends in a warning.
A dark, pulsing piece of electroclash from Mount Sims's 2002 debut UltraSex, released on Gigolo in Europe and Emperor Norton in the US: gritty machine beats, minor-key synth melodies and a cool, defiant vocal.
'Frank Sinatra' is one of the founding anthems of electroclash: Miss Kittin's deadpan spoken vocal over The Hacker's raw electro, a cool, satirical portrait of fame and excess that still fills dancefloors.
Hamburg duo Kollektiv Turmstrasse's 2009 'Let Freedom' remix of Federleicht's On the Streets: melancholic, melodic house of deep beats and slowly unfolding synths, from the label that later released their album.
A 2007 mashup by the San Jose producer Controller 7 that lays the Temptations' 1966 'Get Ready' a cappella over the rhythm section of Peter Bjorn and John's 'Young Folks', two songs forty years apart that line up uncannily well.
Bronski Beat's 1984 debut single turns a gay teenager's escape from home into a falsetto-led synth-pop anthem, built on a sequenced octave pattern and remembered for Bernard Rose's stark video.
An eighteen-minute minimal track by the Romanian producer Marcu Rareș, the title piece of his 2018 EP for the Romanian minimal techno label Welter Records.
A Geneva duo stops the party to break the worst possible news: a wry, shout-along electro-indie track in which the DJ is told to cut the music because the beer is running out.
Birmingham bass producer Chris Lorenzo and The Streets' Mike Skinner meet on a fast, ferocious slice of drum and bass: tight drums, tearing bass synths and Skinner's dry, conversational vocal.