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Published in electronic ·

Chris Lorenzo & The Streets

Take Me as I Am

Birmingham bass producer Chris Lorenzo and The Streets' Mike Skinner meet on a fast, ferocious slice of drum and bass: tight drums, tearing bass synths and Skinner's dry, conversational vocal.

Review

Genre and Mood

Take Me as I Am by Chris Lorenzo & The Streets is a fast, gritty piece of British club music: drum and bass at its core, with the bass-heavy swagger of the Midlands scenes Lorenzo came from. The mood is defiant rather than soft, a refusal to be anyone other than yourself.

Song Summary

Chris Lorenzo builds the track from tight drums and bass synths that, in Dancing Astronaut’s phrase, tear through the speakers. Over it Mike Skinner of The Streets delivers his dry, haphazard vocal, conversational and unpolished, so that the beat supplies the urgency and the voice supplies the character. The memorable detail is that contrast: a frantic rhythm under a man who sounds as if he is talking to you across a table.

Lyrics Breakdown

Verse 1: Embracing Authenticity

Skinner opens in his familiar register, half spoken, more observation than performance, with the beat already at full speed beneath him.

Chorus: An Invitation to Be Real

The title is the hook: a short phrase repeated as a demand to be accepted whole, the one moment the vocal becomes something to sing back.

Verse 2: Navigating Life’s Challenges

The second verse keeps the same plain-spoken tone. It arrived weeks after Skinner told Q Magazine how being in The Streets at their peak had affected his mental wellbeing, which gives the title’s plea an autobiographical weight.

Bridge: Finding Strength in Community

The track was greeted on release by a community of British club and grime figures, from Skepta to Kurupt FM’s DJ Grindah, and it plays like a record made for that crowd.

Final Chorus: A Call to Action

The last return of the title lands over the same relentless beat; nothing resolves, the demand simply repeats.

Concepts in Focus

Drum and bass is built on the breakbeat: syncopated, funk-derived drum patterns chopped and played very fast, so the snare lands where you do not quite expect it. Here the drums are tight and machine-precise, which is what gives Skinner’s loose delivery its contrast. Compare the more chaotic, band-driven take on the same rhythm in Asian Dub Foundation – Flyover.

The other half of the genre’s name is the bassline. In this track it is played on distorted, growling synths rather than a bass guitar, and it carries much of the melody and nearly all of the aggression. Listen to how little the vocal has to do because the bass is doing so much.

Artistic Context

Chris Lorenzo is the Birmingham producer and DJ Christopher Lawrence, known for house and bass house on labels such as Night Bass and his own Late Checkout. Mike Skinner had revived The Streets in 2019 with a run of collaborations, and “Take Me As I Am” followed his July single with Flohio, “How Long’s It Been?”. The track was shared on 3 October 2019 after an Instagram teaser, appeared on Lorenzo’s 2019 album Late Checkout, and closes The Streets’ 2020 mixtape None of Us Are Getting Out of This Life Alive on Island Records, which reached number 2 in the UK. It is credited to Skinner and Lawrence.

Impact and Reception

The Line of Best Fit called it a gritty return and noted the praise it drew from Skepta, Grim Sickers and Faze Miyake; Dancing Astronaut heard it as a paragon of British sounds from a producer whose earlier records came out in America. Put it on loud and let the bass do the talking.

Learn from this track

Introductory

What you will learn

  • Recognise the fast, chopped breakbeat drums of drum and bass.
  • Hear how a distorted bass synthesizer can carry the energy of a track while the vocal stays almost spoken.
  • Place Mike Skinner's conversational style within British rap and club music.

Listening guide

  1. the opening Tight, fast drums set the tempo at once; there is no slow DJ build.
  2. the first verse Mike Skinner's dry, haphazard delivery, closer to talking than to singing, against the precision of the beat.
  3. the chorus The title phrase, the one moment the vocal turns into a hook, while the bass synths tear through underneath.
  4. the end The beat and the bass stay relentless to the last bar; the energy never drops into a ballad moment.

Concepts in this track

bassline

33 tracks

The lowest melodic part of a track. In dance music it often carries the hook as much as the vocal does, and its rhythm against the kick drum defines the groove.

breakbeat

10 tracks

A drum pattern taken from the instrumental break of a funk or soul record, or written in its style: kick and snare are syncopated rather than evenly spaced. Breakbeats drive hip-hop, big beat, jungle and drum and bass.

Listen next, and why

Questions for discussion

  1. Skinner's voice is relaxed while the beat is frantic. Does that contrast make the track feel calmer or more tense?
  2. Lorenzo's house records came out on American labels, yet critics called this a paragon of British sounds. What makes a sound national?
  3. Skinner had just spoken publicly about how fame affected his mental health. Does knowing that change how you hear the title?

References

  1. Dancing Astronaut. Chris Lorenzo fuses drum 'n' bass and garage on 'Take Me As I Am' (2019). Article
  2. The Line of Best Fit. The Streets share gritty new track "Take Me As I Am" (2019). Article
  3. Wikipedia. None of Us Are Getting Out of This Life Alive. Encyclopedia
  4. Wikipedia. Chris Lorenzo. Encyclopedia

Weighted overlap of genres, feelings and moods.

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