The Soulchild Remix turns Gorillaz's woozy 19-2000 into a bright, bouncing cartoon road trip, a 2001 UK top-ten single and the title theme of FIFA Football 2002, with a chorus everyone remembers: get the cool shoeshine.
Will Saul, remixing as CLOSE, stretches Gorgon City and MNEK's 2014 UK number four into a six-and-a-half-minute, dub-tinged deep-house journey, the soulful vocal echoing through a late-night haze.
A sleek, sunlit house cut where Katy Menditta's soulful vocal floats over a rubbery bassline and crisp garage-tinged drums, built for the moment a club exhales.
Gilligan Moss stretches Glass Animals' sticky love song into a glistening electronic daydream of chiming percussion, warped vocal slivers and a slow-blooming groove.
Future Forward Society and Mount Sims build a slinking, shadowy electro crawl, all low-slung bass, cold synths and a voice that seems to whisper from the corner of the room.
The HV Thrillseeker Mix stretches The Creep into a longer, harder club tool, with the menace of the original pushed through a relentless, driving groove.
A long, prowling electro mix that keeps its shadows close: The Creep in its Capri Mix stretches Mount Sims' sly menace over six and a half minutes of pulsing synths.
A long, strutting electro groove released on Kompute Musik, with Mount Sims' deadpan vocal riding a relentless machine pulse that barely changes and never needs to.
A chopped-up soul vocal, wobbling synth chords and a swinging, head-nodding beat: Flume's breakout cut is two and a half minutes of pure, woozy elation.
The neo-house track that introduced FKJ: chopped vocals, warm filtered chords and an elastic bassline wrapped into four and a half minutes of slow-burning, sunlit intimacy.
The Austrian producer filous strips the Gorillaz classic down to a delicate xylophone, plucked strings and airy beats, and LissA's light voice turns the old windmill anthem into a hazy daydream.
The Sardinian techno producer closes his debut album A Raver's Diary (Boxer, 2009) with an unexpected, tender song of layered guitars and his own fragile voice that swells into a wall of sound.
DJ S.K.T rebuilds the vocal hook of Wamdue Project's 1999 number one King of My Castle into a tight, sunny 2017 house edit for DFX, using a replayed sample rather than the original master.
Trentemøller strips Karen O away and leaves only the nightmare: a throbbing, sinister synth drive that sounds like a car speeding down a Lynchian highway at night.
A chopped funk loop and a robot reciting a workout mantra: Harder, Better, Faster, Stronger is Daft Punk turning a sample into one of the most quoted hooks of the century.
The curtain-raiser of Random Access Memories: live drums, Nile Rodgers' guitar and a vocoder mission statement announcing that Daft Punk came back to make music breathe again.
Giorgio Moroder tells his own origin story over a click track, then Daft Punk unfold nine minutes of arpeggiated disco, live drums and strings into a time-travelling tribute to the sound he invented.
Recorded live at Bercy, Daft Punk fold the sunny house bounce of Face to Face into the jittery robot funk of Short Circuit, and the pyramid crowd goes up with it.
Giorgio Moroder opens Daft Punk's Collaborators films, remembering the Moog, the dance floor and the perfectionism of the two Frenchmen who brought him back into the studio for Random Access Memories.
One phrase, one bassline and seven minutes of repetition: Around the World is Daft Punk proving that a loop can be a whole world on its own, and Michel Gondry's video turned its arrangement into choreography.
A slow Sunday-afternoon deep house cut from a Paris duo's debut EP on La Belle Records, all warm chords, an unhurried beat and Santana's soft vocal drifting in and out of the haze.
A wistful, treated saxophone line, a lazy, warm beat and Chet Faker's husky croon make this Built on Glass lead single the definition of late-night electronic soul, and triple j's number one song of 2014.