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Chicken Lips

D.R.O.M.P - Special 12" Mix

The eight-minute 12-inch version of Chicken Lips' 2012 single for Southern Fried, a disco-minded house track whose title spells out Don't Rain On My Parade and which one reviewer heard as a fun funk workout turning clattery and percussive.

Review

Genre and Mood

Chicken Lips’ D.R.O.M.P (Special 12“ Mix) is house with disco and electro in its make-up, the styles Discogs files it under. It is groovy and playful, and the title sets the mood: the letters stand for Don’t Rain On My Parade, a celebratory refusal to let anything spoil the night.

Song Summary

D.R.O.M.P. was Chicken Lips’ 2012 single for Southern Fried Records, written by Andrew Meecham, Dean Meredith and Charmaine Baines, produced by Meecham and Meredith, recorded at Lipstudio 2 and mixed at Rogue Cat Sound. The Special 12“ Mix is the long version, just over eight minutes, and opens the seven-track remix release, ahead of five remixes and a radio edit of 3:35.

Musical Breakdown

No source we found walks through this mix, so this breakdown stays with what was written about the single and what its form tells you.

Intro: Room to Mix

An eight-minute version is made for DJs: a long stretch to mix in and out of, where the radio edit has to get to the point.

Main Section: A Funk Workout

Rocksucker heard the core of the single as a fun funk workout, a groove built for dancing rather than a song structure, and began with a question: Grace Jones if she lived in east London?

Build-up: Clatter and Carnival

In the same review the workout flowers into a clattery percussive thing for those keeping the carnival fever going: the track grows by adding rhythm rather than melody.

Outro: The Long Way Out

How the last minutes unfold is not described in any source we found.

Concepts in Focus

The extended mix is a club format: the same production stretched for a DJ, with longer intros and outros that let a groove settle. Here the radio edit runs less than half the length of this mix.

The record is also a remix package, with versions by The Emperor Machine, Andy Meecham’s own side project, The Rhythm Odyssey, Robi Insinna with Headman, Amine Edge & Dance and Sona Vabos. Curiously, Discogs lists the Special 12“ Mix not on the 12-inch vinyl, which carries the Emperor Machine version, the radio edit and two remixes, but first on the label’s promo CD.

The groove is the point of it all: a funk-derived pattern that keeps a dance floor moving, pushed along here, by the review’s account, by percussion.

Artistic Context

Chicken Lips are a dance music band and production team from Stafford, England. Meecham and Meredith had been members of Bizarre Inc, whose Playing with Knives reached number four, before they began as Chicken Lips in 1999, making left-field house also called disco-dub and a stream of 12-inch singles on Kingsize; Steve Kotey of Bear Funk later made them a trio. Southern Fried is the London independent founded in 1994 by Norman Cook, the producer behind Fatboy Slim – Sunset (Bird of Prey).

Impact and Reception

Little has been written about D.R.O.M.P. beyond record-shop listings and one review: Rocksucker gave the single three quails out of five and found the acronym fun to say. Put the eight minutes on loud and see whether the parade stays dry.

Learn from this track

Introductory

What you will learn

  • Explain what a 12-inch or extended mix is and how it differs from the radio edit of the same single.
  • Describe how a single can be released as a package of remixes, including one by a member's own side project.
  • Hear how a house groove can be carried by percussion as much as by melody.

Listening guide

  1. the length Just over eight minutes, against 3:35 for the radio edit: a long form made for DJs to mix in and out of.
  2. the groove What Rocksucker heard as a fun funk workout: the dance-floor groove at the core of the single.
  3. the percussion The point where, in the same review, the workout flowers into a clattery percussive thing for those who want to keep the carnival going.

Concepts in this track

extended mix

15 tracks

A longer version of a track, with extra intro, outro or instrumental sections, made for clubs and DJs rather than radio.

remix

164 tracks

A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.

groove

63 tracks

The felt quality of a rhythm that makes people move: how drums, bass and the other parts lock together and push against each other in time.

Listen next, and why

Questions for discussion

  1. Why might a DJ prefer an eight-minute version of a track to a three-minute one?
  2. The record came with remixes by six other producers. What does a remix package offer that a single version cannot?
  3. The title is an acronym for Don't Rain On My Parade. How does a playful title shape what you expect to hear?

References

  1. Discogs. Chicken Lips - D.R.O.M.P.. Database
  2. Discogs. Chicken Lips - D.R.O.M.P. (ECB326, 12-inch). Database
  3. Rocksucker. Singles: Dinosaur Jr., Ben Gibbard, Scouting For Girls, Savages, Feeder and some others! (2012). Review
  4. Last.fm. D.R.O.M.P (Remixes). Database
  5. Wikipedia. Chicken Lips. Encyclopedia
  6. Wikipedia. Bizarre Inc. Encyclopedia
  7. Wikipedia. Southern Fried Records. Encyclopedia
  8. YouTube. D.R.O.M.P (Special 12" Mix) (2015). Video

Weighted overlap of genres, feelings and moods.

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