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Published in deep house ·

Christopher Schwarzwälder, Iannis Ritter

High - Original Mix

The opening track of Three Rivers EP, released on the Berlin label URSL in 2015: almost seven minutes of club music by Christopher Schwarzwälder and Iannis Ritter, filed under deep house and tech house.

Review

Genre and Mood

Christopher Schwarzwälder and Iannis Ritter made High for the club. Discogs files the EP it opens under deep house and tech house, and Beatport lists the track itself as deep house: styles built on a steady pulse and long, gradual change rather than on verses and choruses. Hypnotic and groovy is what those styles aim for, and at almost seven minutes the track is long enough to work that way.

Song Summary

High is the first of three tracks on Three Rivers, a 12-inch EP released on the Berlin label URSL in June 2015 under the catalogue number URSL023, and sold as a download on Beatport later the same month. The “Original Mix” of its title marks it as the producers’ own version, the one any later remix would start from. It runs six minutes and fifty-one seconds. The other two tracks are Flowers Are Green, by the same duo featuring Mo, and Elevator Music, which Schwarzwälder made with David Dorad, featuring Ritter.

Musical Breakdown

No published review describes High section by section, and this review does not invent one; it gives the frame rather than a map. A deep house or tech house track of this length usually starts and ends in a way a DJ can mix, develops by adding and removing layers over a steady kick, and saves its few big moments for when the groove steps aside. Listen for where High follows that pattern and where it does not.

Concepts in Focus

The foundation of deep house is the house groove: a kick on every beat, off-beat hi-hats and claps on two and four, at a tempo a room can dance to for hours. In a track built like High, everything else happens on top of that groove, and the length is there so the dancers can stay inside it.

High also belongs to a particular club culture: small labels, 12-inch vinyl, download stores and DJ sets rather than charts. URSL describes itself on Discogs as a platform for electronic music founded in 2011, based in Berlin, and it released High both on vinyl and as a download for DJs. Compare the way Alec Troniq, GABRIEL VITEL – Faces, from the same year and the same kind of small German label, is made for the middle of a night.

Artistic Context

Christopher Schwarzwälder and Iannis Ritter have worked together beyond this EP. According to MusicBrainz, they released a whole album as a duo, Ritterwald, in August 2016, and another, Out the Window, in 2019; both also release their own tracks under their own names. High comes from the year before the first of those albums, and its video on the label’s own YouTube channel is the simplest way to hear it.

Impact and Reception

High is not a chart record. It is a club track from a small label that has found its listeners through DJ sets and streaming. Give it all seven minutes, at volume, and let the groove do its work.

Learn from this track

Introductory

What you will learn

  • Describe the conventions of deep house and tech house, the styles Discogs files this EP under, and listen for them in a long club track.
  • Explain what an original mix is and why a club track runs almost seven minutes.
  • Describe how a small label releases club music on vinyl and as a download for DJs.

Listening guide

  1. the pulse A house groove keeps a kick drum on every beat; listen for whether High holds that pulse from start to finish.
  2. the length Six minutes and fifty-one seconds, as Beatport lists it: long enough for a DJ to mix in and out, and for small changes to matter.
  3. the EP High is the first track of the 12-inch, before Flowers Are Green and Elevator Music; hear it as the opening of a three-track release.

Concepts in this track

club culture

34 tracks

The world of nightclubs, DJs, dancers and their rituals in which house, techno and much dance music were made and are judged.

house groove

45 tracks

The rhythmic signature of house music: a four-on-the-floor kick, off-beat hi-hats and claps on two and four, at roughly 118 to 128 beats per minute.

Listen next, and why

Questions for discussion

  1. High runs almost seven minutes. What do you listen for in a long club track that you would not in a three-minute song?
  2. The title calls it the original mix. Why would a club track need a name for its first version?
  3. Two producers made High together. How might a shared track differ from one made alone?

References

  1. Discogs. Christopher Schwarzwälder - Three Rivers (2015). Database
  2. Discogs. URSL. Database
  3. Beatport. Christopher Schwarzwalder, Iannis Ritter - High (Original Mix) [URSL] (2015). Database
  4. Redeye Records. Christopher Schwarzwalder - Three Rivers EP (URSL023). Database
  5. MusicBrainz. Ritterwald (2016). Database
  6. MusicBrainz. Out the Window (2019). Database
  7. YouTube (URSL Video). URSL023 Christopher Schwarzwalder & Iannis Ritter - High. Video

Weighted overlap of genres, feelings and moods.

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