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Published in electro ·

Cassius

Toop Toop

Cassius open 15 Again with under three minutes of dance rock: a Clash-style guitar riff from -M-, a dance beat and Philippe Zdar's megaphone-distorted vocal, the riff Madonna later borrowed on her Sticky & Sweet tour.

Review

Genre and Mood

Cassius open their third album with Toop Toop, a track that refuses to choose between electro, indie rock and dance music. It is energetic and playful, with a gritty edge: Wikipedia files it under indie rock and dance rock, and the critic Ben Cardew called it a weirdly alluring rock, reggae and house fusion.

Song Summary

Three things make the song, and the sources agree on them: a Clash-style guitar riff, a dance beat and a vocal distorted as if sung through a megaphone. MusicBrainz credits the guitar to -M-, the French singer Matthieu Chedid, who also shares the writing credit with the duo; Philippe Zdar sings lead, Boombass plays bass and Cassius produce. On the album it lasts 2:47, the radio edit 2:54. The song arrives, repeats its hook with conviction and leaves.

Musical Breakdown

No source maps the song section by section, so this guide follows its described elements only.

Intro

The sources describe no separate intro; the album version goes straight to its riff and beat.

Main Section

The guitar riff and the dance beat carry the song together, with Zdar’s distorted voice on top.

Outro

At under three minutes, the song ends with energy to spare.

Concepts in Focus

A riff is a short, repeated instrumental phrase that a song is built around. Toop Toop’s riff could be lifted out whole: in 2008 Madonna used it in her performance of Into the Groove on the Sticky & Sweet Tour.

distortion is usually discussed for guitars, but here it is applied to the voice. Sung as if through a megaphone, Zdar’s vocal trades warmth for a tinny, shouted urgency.

The song also has a remarkable remix history. The single carried versions by Mr Oizo, Martin Eyerer and Oliver Koletzki; hear Koletzki’s own music in Oliver Koletzki – Through the Darkness. While rehearsing the 15 Again tour, Cassius also released the a cappella so that fans could remix it, and the resulting Cassius Workshop project drew, by the band’s count, more than 400 remixes.

Artistic Context

Cassius were Philippe Cerboneschi (Zdar) and Hubert Blanc-Francard (Boombass), who met in 1988 working on albums for MC Solaar, recorded as La Funk Mob and took the name Cassius in 1996, becoming part of the French touch. 15 Again, their third album, was recorded in three weeks in Ibiza and released on 11 September 2006 by EMI and Virgin, with guests including Pharrell Williams, Sébastien Tellier and -M-. Toop Toop came out first, as the lead single, in July 2006. Chedid later led his own project, heard in Lamomali – L’Âme Au Mali.

Impact and Reception

The single reached number nine on the UK dance chart, 35 in Italy and 39 in France, appeared on David Guetta’s Fuck Me I’m Famous Ibiza Mix 06 and in the soundtrack of Paolo Sorrentino’s film Il Divo. Zdar died in Paris on 19 June 2019; a year later Cat Power and -M- recorded Toop Toop as a tribute to him. It is here as proof that a dance track can be short and blunt and still last. Play it first, as Cassius did.

Learn from this track

Introductory

What you will learn

  • Recognise how a single guitar riff can carry a dance track, and why it travelled as far as a Madonna tour.
  • Explain how deliberately distorted vocals, here sung as if through a megaphone, change the character of a voice.
  • Describe how releasing an a cappella invited fans to remix a song, and what the Cassius Workshop produced.

Listening guide

  1. the riff The Clash-style guitar figure credited to -M-, the element Madonna later lifted for Into the Groove on her 2008 tour.
  2. the vocal Philippe Zdar's lead vocal, distorted as if shouted through a megaphone, which the sources single out as the track's signature.
  3. the beat The dance beat under the guitar: the reason a song filed under indie rock and dance rock ended up in Ibiza mixes.
  4. the ending Under three minutes on the album: the opener of 15 Again says what it has to say and stops.

Concepts in this track

riff

25 tracks

A short, repeated melodic or rhythmic figure, usually played by an instrument, that anchors a song. Rock riffs are often guitar figures; in electronic music the same role falls to a synth or bass line.

remix

164 tracks

A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.

distortion

10 tracks

Deliberately overdriving a signal so that it clips and gains harmonics: grit on a guitar, a bass or a vocal. It adds aggression and presence.

Listen next, and why

Questions for discussion

  1. Toop Toop sits between rock and house. Which side do you hear first, and does that change on a second listen?
  2. Why might a band hand out the a cappella of its own single and let hundreds of strangers remix it?
  3. Cat Power and -M- covered the song in 2020 as a tribute to Zdar. What can a cover say about a song that the original cannot?

References

  1. Wikipedia. Toop Toop. Encyclopedia
  2. Wikipedia. 15 Again. Encyclopedia
  3. Wikipedia. Cassius (band). Encyclopedia
  4. MusicBrainz. Toop Toop (recording credits). Database
  5. Line Noise. A tribute to Cassius, the good-time boys of the French Touch (2024). Article
  6. Stereogum. Cat Power & -M-, Toop Toop (Cassius Cover) (2020). Article

Weighted overlap of genres, feelings and moods.

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