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Published in funk ·

The Limp Twins

Sunday Driver

The Limp Twins were Will 'Quantic' Holland and Russ Porter, and Sunday Driver comes from the funky, guitar-driven album they made in their bedrooms for Tru Thoughts in 2003: three and a half unhurried minutes that the Hôtel Costes series later put on its seventh volume.

Review

Genre and Mood

The Limp Twins made Sunday Driver on an album that Discogs files under acid jazz, downtempo, future jazz and jazz-dance, and that Last.fm simply calls funky. The title sets the mood before a note is played: a Sunday driver is the person who takes the road at their own pace, and the song borrows that unhurried, relaxed and playful spirit.

Song Summary

Sunday Driver is the tenth of eleven tracks on Tales From Beyond The Groove, three minutes and twenty-nine seconds long. Like the rest of the album, it was made by two friends and nobody else: the credits give the writing and arranging to both, the production, bass, guitar and tenor saxophone to Will Holland, and the lyrics, vocals and organ to Russ Porter. XLR8R heard the album as guitar-driven and funny, a record about the pair’s childhood and friendship rather than a showcase of their other projects. That homemade, good-humoured scale is the detail that makes the track memorable.

Musical Breakdown

Sound

The album’s styles, acid jazz, downtempo and jazz-dance, point to a groove-based track rather than a song that builds to a climax: a small band sound, made by two players, at an easy pace.

Setting

According to the album cover, the duo recorded it in their bedrooms. That is the room you are listening to, and it suits a song named after a slow drive.

Concepts in Focus

Sunday Driver is an honest piece of lo-fi. Lo-fi is music made with modest means, often at home, and the Limp Twins made their album exactly that way, in their bedrooms, by their own account. Here lo-fi is not an effect chosen for its charm but the circumstances of the recording, and it fits the humour XLR8R praised in a scene that took itself very seriously.

The album’s styles all depend on the groove: the felt quality of a rhythm, how drums, bass and the other parts lock together and push against each other in time. Funk and acid jazz are built on it, and downtempo slows it down. A track called Sunday Driver is a good place to hear a groove that relaxes rather than drives. Compare it with the patient Tru Thoughts soul of Alice Russell – High Up On the Hook.

Artistic Context

The Limp Twins were Will Holland and Russ Porter. Holland, born in 1980 in Bewdley, Worcestershire, is better known as Quantic, and until 2020 all his albums came out on the Brighton label Tru Thoughts; Porter also played in the Quantic Soul Orchestra. Their album Tales From Beyond The Groove was released by Tru Thoughts on 17 November 2003, and the label still carries Sunday Driver on its own YouTube channel.

Impact and Reception

Reviewing the album for XLR8R in 2004, Jon Freer called it guitar-driven and praised its sense of humour in a downbeat scene that took itself very seriously. Sunday Driver found its widest audience through compilations: in 2004 Stéphane Pompougnac put it on Hôtel Costes, Volume 7, and it later appeared on Tru Thoughts’ tenth-anniversary collection. Play it on a slow day, ideally with the window down.

Learn from this track

Introductory

What you will learn

  • Explain what lo-fi means and why music made at home can sound more intimate than a studio record.
  • Describe what a groove is and how funk and acid jazz rely on it.
  • Trace how a track from a small label's album can reach a much wider audience through a compilation.

Listening guide

  1. the band Two musicians covering everything: the album credits give bass, guitar and tenor saxophone to Will Holland, and vocals and organ to Russ Porter.
  2. the room An album made, according to its own cover, in two bedrooms: listen for the scale of a home recording rather than a studio.
  3. the groove The styles Discogs gives the album, acid jazz, jazz-dance and downtempo, all live on groove: listen for how the parts lock together without hurrying.
  4. the title A Sunday driver is the slow car in front of you; listen for how the pace of the music matches the name.

Concepts in this track

lo-fi

6 tracks

Music recorded with modest means, often at home, that keeps the marks of its making: room noise, simple equipment, imperfect takes. Lo-fi can be a necessity or a deliberate aesthetic, and many listeners hear it as more intimate than polished studio sound.

groove

63 tracks

The felt quality of a rhythm that makes people move: how drums, bass and the other parts lock together and push against each other in time.

Listen next, and why

Questions for discussion

  1. A Sunday driver is someone who drives slowly and gets in everyone's way. How does the music sound like that, or not?
  2. The album was made in two bedrooms. Can you hear that, or does it only matter once you know it?
  3. Why would a track like this end up on a hotel's lounge compilation rather than on a dance floor?

References

  1. Last.fm. Tales From Beyond The Groove. Database
  2. Discogs. The Limp Twins - Tales From Beyond The Groove (2003). Database
  3. XLR8R. Tales From Beyond The Groove (2004). Review
  4. Wikipedia. Quantic (musician). Encyclopedia
  5. MusicBrainz. Sunday Driver (recording on Hôtel Costes, Volume 7). Database
  6. MusicBrainz. Sunday Driver (album recording). Database
  7. Tru Thoughts. The Limp Twins - Sunday Driver (2012). Video

Weighted overlap of genres, feelings and moods.

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