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Published in deep house ·

Bobby Nourmand

Smokin' Joe

A laid-back, smoky slice of deep house where a rolling bassline meets a bluesy vocal: the Los Angeles producer's mystery track from The Magician's Magic Tapes, released on Potion in 2016.

Review

Genre and Mood

Bobby Nourmand‘s Smokin’ Joe sits where deep house meets disco and blues, a laid-back groove with a smoky, after-hours feel. The mood is groovy, chill and hypnotic: dance music that smoulders rather than explodes.

Song Summary

Smokin’ Joe is a study in cool restraint. A rolling bassline carries the track, a bluesy vocal drifts over it, and the melodic touches fill in the corners without crowding the groove. Nourmand, a Los Angeles producer, says it began with “some coffee, a guitar, Ableton, a note pad” and a friend; he sent a basic sketch to the label, then spent a long time writing melodies, arranging the vocals and mixing. He describes his sound as “timeless, classic, psychedelic”, shaped by his mother’s disco records and his father’s rock and roll, and you can hear both in a track that swings like a club record but sounds like it grew out of a guitar.

Musical Breakdown

The edit embedded here is short and tight, getting to its groove quickly and keeping it there with only small shifts along the way.

Intro

A crisp kick and light percussion establish an easy, mid-tempo pulse, with a hint of warmth in the chords.

Build-up

The bassline slides in, funky and supple, and the groove settles into a laid-back strut.

Main Section

The bluesy vocal arrives, soulful and slightly weary, floating over the bass while subtle melodic layers shimmer in the background.

Bridge

The beat steps back for a moment and the vocal and chords hang in the air, a brief pause that heightens the return of the bass.

Climax

The full groove comes back together, bass, beat and vocal locked in, the track at its most hypnotic.

Outro

The layers fall away gradually, leaving the bassline to roll out on its own.

Concepts in Focus

The engine of Smokin’ Joe is its bassline. In deep house the bass often does the work a chorus does in a pop song: it is the part your body remembers. Listen to how the bass enters in the build-up and how the vocal floats on top of it rather than leading it.

The track’s story is a lesson in the dj mix as a launch pad. Before it had a release date it was a mystery track on The Magician’s Magic Tape 55, the Belgian DJ’s monthly mix series, where it caught fire; listeners spent months trying to identify it before it came out on his own label, Potion, in January 2016. Nourmand says hearing it in that mix shocked him.

It also shows the extended mix at work. The Potion release on Discogs is the Extended Mix at 4:35, with room at the start and the end for a DJ to blend it; the version embedded here, on Spinnin’ Records’ channel, is the shorter Edit for listening.

Artistic Context

Bobby Nourmand is based in Los Angeles, and before Smokin’ Joe he was known for reworking classic rock, including a take on The Beatles’ “Because”, into modern dance music. Smokin’ Joe, catalogue number POTION004, was released on 11 January 2016 on Potion, the label run by The Magician (Stephen Fasano), whose Magic Tapes series was one of the most closely watched tastemaker mixes in melodic house at the time.

Impact and Reception

Dancing Astronaut called it easily the biggest release of Nourmand’s career, and he said he felt early on that it could be big; after the Magic Tape premiere it was played by many well-known DJs. It belongs on this playground as an example of how much atmosphere a simple groove can create. Play it as the evening begins and let it set the tone.

Learn from this track

Introductory

What you will learn

  • Hear how a bassline can carry a deep house track as much as its vocal does.
  • Explain how an unreleased track can build an audience through a DJ's mixtapes before it is released.
  • Describe the difference between an edit for listening and an extended mix for DJs.

Listening guide

  1. the intro A crisp kick and light percussion set an easy, mid-tempo pulse before the bass arrives.
  2. the build-up The bassline slides in, funky and supple, and the groove settles into a laid-back strut.
  3. the main section The bluesy vocal floats over the bass, soulful and slightly weary, while the groove keeps rolling underneath.
  4. the outro The layers fall away and the bassline rolls out, the kind of ending a DJ can mix from.

Concepts in this track

extended mix

7 tracks

A longer version of a track, with extra intro, outro or instrumental sections, made for clubs and DJs rather than radio.

bassline

33 tracks

The lowest melodic part of a track. In dance music it often carries the hook as much as the vocal does, and its rhythm against the kick drum defines the groove.

dj mix

2 tracks

A continuous sequence of tracks blended by a DJ so that one flows into the next. Extended and club mixes exist so that DJs have long intros and outros to mix with.

Listen next, and why

Questions for discussion

  1. The track caught on as a mystery ID on a DJ mixtape. Why might not knowing a track's name make listeners want it more?
  2. Nourmand says he started it with coffee, a guitar, Ableton and a notepad. What does that tell you about how much a deep house track needs?
  3. The edit and the extended mix contain the same ideas. Which would you play at home, and which in a club?

References

  1. Dancing Astronaut. The Magician and Bobby Nourmand talk tastemaking, Magic Tapes, and the release of 'Smokin Joe' (2016). Interview
  2. Discogs. Bobby Nourmand - Smokin' Joe (2016). Database
  3. Indie Shuffle. Bobby Nourmand - S M O K I N' J O E (2016). Review

Weighted overlap of genres, feelings and moods.

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