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Published in trip-hop ·

Smoke City

Underwater Love

The first track of Smoke City's debut album Flying Away: a gentle, constant guitar strum, samples of rainforest, Luiz Bonfá and James Brown, and Nina Miranda's voice moving between English and Portuguese, a UK number four after a Levi's advert in 1997.

Review

Genre and Mood

Smoke City’s Underwater Love is trip-hop with acid jazz and bossa nova in its blood, the three genres Wikipedia names for it. The feelings are in its title and in the words critics used: sultry, hypnotic and dreamy, a “sublime slice of sub-aqua sultriness” in Record Mirror’s phrase.

Song Summary

The song opens the band’s debut album Flying Away, and this is its full album version, 6:46 long. It is built on a gentle, constant guitar strum, drums and samples: rainforest noises, Luiz Bonfá’s Bahia Soul and James Brown’s Mother Popcorn. Over them Nina Miranda sings an English hook and slips into spoken Portuguese.

Musical Breakdown

No source we found times this recording, so the guide follows its elements rather than a clock.

The Guitar

The strum is the ground of the track, gentle and constant; Tom Bromley singled out the hypnotic guitar.

The Groove

Underneath runs what Bromley called a funky drum loop. The rainforest noises add a place rather than a note.

The Vocal

Miranda carries the English hook. A reviewer liked best the moments when she turns to spoken Portuguese, more than her exotic purring of the English hook.

The Album Version

At 6:46 this is the long cut. The single’s CD led with a four-minute radio edit and added remixes by Morales and Voyager.

Concepts in Focus

sampling is how the song travels. Three borrowed recordings, a bossa nova guitarist, a funk record and a rainforest, sit inside a song played and programmed in London, and Music & Media heard a blend of dub, hip hop and jazz in the result.

A radio edit trims a track for broadcast. The single of Underwater Love led with a 4:00 edit; the album keeps the full 6:46. A slow track hypnotises through repetition, so hear the long one.

The song also shows the power of a placement, the idea behind soundtrack work. Its life changed when Levi’s used it in Mermaids, an advert directed by Michel Gondry, who also directed The Chemical Brothers – Star Guitar. In 2001 another band reached the chart the same way with Pepe Deluxé – Before You Leave.

Artistic Context

Smoke City were Nina Miranda, Marc Brown and Chris Franck, a London band active from 1994 to 2002 that blended acid jazz and trip hop with samba and bossa nova and sang some lyrics in Portuguese. Miranda and Brown, former school friends, wrote the song; it was recorded in 1994, when Miranda was living in Brazil, and first released in 1995 on Ritas Records. Jive Records reissued it as a single on 31 March 1997, and Flying Away followed on Jive the same year.

Impact and Reception

The Levi’s advert made Underwater Love a number four hit in Britain, the 14th song to enter the chart through a Levi’s ad. Melody Maker made it Single of the Week, Music Week gave it five out of five and thought it was begging to be the next Bond theme, and NME praised its dub and Brazilian touches. It remains the band’s best-known song. Give it the full 6:46 and let it pull you under.

Learn from this track

Introductory

What you will learn

  • Name the three samples the song is built on and explain how they mix Brazil, American funk and the sound of a rainforest.
  • Compare the 6:46 album version on Flying Away with the four-minute radio edit that the single led with.
  • Explain how a song recorded in 1994 became a hit in 1997 through a television advert.

Listening guide

  1. the guitar The gentle, constant strum that the whole track rests on, the hypnotic guitar one critic praised.
  2. the drums A funky drum loop under the guitar; one of the samples is James Brown's Mother Popcorn.
  3. the textures Rainforest noises and a sample of Luiz Bonfá's Bahia Soul, the Brazilian colours around the beat.
  4. the vocal Nina Miranda singing the English hook and moving into spoken Portuguese, the passages a reviewer liked best.

Concepts in this track

soundtrack

36 tracks

Music written for or placed in a film, series or game. A placement can give a song a second life and an audience far beyond its genre.

radio edit

40 tracks

A shortened version of a track for radio and streaming: a quicker start, fewer repeats, usually three to four minutes.

sampling

63 tracks

Taking a fragment of an existing recording and reusing it in a new one, as a loop, a chop or a texture. Sampling is central to hip-hop and dance music and raises questions of credit and copyright.

Listen next, and why

Questions for discussion

  1. The song mixes a Brazilian guitarist, James Brown and the sound of a rainforest. What does each bring to the mood?
  2. The single led with a four-minute edit, but the album keeps 6:46. What does a slow, hypnotic track gain from the extra time?
  3. Underwater Love was released in 1995 and became a hit only after a jeans advert in 1997. What does that say about how listeners found music in the 1990s?

References

  1. Wikipedia. Underwater Love (Smoke City song). Encyclopedia
  2. Wikipedia. Smoke City. Encyclopedia
  3. MusicBrainz. Underwater Love (recording). Database
  4. smokecityVEVO. Smoke City - Underwater Love (Official Audio). Video

Weighted overlap of genres, feelings and moods.

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