extended mix
7 tracksA longer version of a track, with extra intro, outro or instrumental sections, made for clubs and DJs rather than radio.
Form and structure
12 tracks.
A shortened version of a track for radio and streaming: a quicker start, fewer repeats, usually three to four minutes.
Read more on WikipediaA longer version of a track, with extra intro, outro or instrumental sections, made for clubs and DJs rather than radio.
A second finished recording of the same song by the same artist, with a different arrangement, tempo or sound rather than a reworking by another producer. Comparing two versions shows how much of a song's mood comes from production rather than from melody and words.
Whilk & Misky
Whilk & Misky's London soul-pop at its most direct: a warm, swinging groove and a voice that asks for exactly one thing, over and over, until you want it too.
TEEMID, Joie Tan
Gnarls Barkley's frantic classic slowed into a hazy deep-house lullaby: TEEMID and Joie Tan make Crazy sound like a confession whispered at four in the morning.
Mando Diao
Mando Diao trade garage-rock grit for a disco-rock floor-filler, a pulsing four-on-the-floor beat and a shout-along chorus about needing someone to dance with.
Lilly Wood and The Prick, Robin Schulz
Robin Schulz lifts a mournful 2010 French folk-pop song onto a bouncing deep house beat, Nili Hadida's bleak prayer and a looping guitar riff becoming a number one across Europe in 2014.
Format:B
A rubbery, swaggering tech-house stomper from Berlin's Format:B, built on a fat bassline and chopped vocals from Shorty Long's 1966 Motown single Function at the Junction, cut down to a radio-sized strut.
DJ S.K.T
DJ S.K.T rebuilds the vocal hook of Wamdue Project's 1999 number one King of My Castle into a tight, sunny 2017 house edit for DFX, using a replayed sample rather than the original master.
Daft Punk
Nile Rodgers' chicken-scratch guitar, Pharrell's easy vocal and Daft Punk's robot choir turn a four-chord loop into the most irresistible disco revival of the 2010s: the lead single of Random Access Memories, in its radio edit.
Claptone, Clap Your Hands Say Yeah
Claptone sets Alec Ounsworth's fragile, quavering indie vocal over a patient deep house groove, a dancefloor track that sounds like it is mourning something.
Broken Back
Bright acoustic strumming over a gentle electronic beat, Broken Back's first single sounds like optimism earned the hard way.
Bodyrockers
A crunching dance-rock riff, a strutting beat and a hook about the way you move: Bodyrockers' 2005 floor-filler is pure, unashamed swagger.
Axwell, Max C
Axwell's piano-lit house anthem distilled to under three minutes: a rolling bassline, a gospel-tinged vocal from Max'C and a chorus built for arms in the air.
Tinush
'Sandburg', German for sandcastle, is the title track of the Berlin producer Tinush's 2014 EP on Crosswalk: seven minutes of melodic deep house, later cut to a three-minute radio edit, with remixes by Alec Troniq and Umami.