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Published in chanson ·

Pupkulies & Rebecca

Fou de toi

Fou de toi, from Pupkulies & Rebecca's 2012 album Looking for the Sea, is a short French-language song from the German duo who make house music that their label calls more chansons than tracks.

Review

Genre and Mood

Pupkulies & Rebecca’s “Fou de toi” is chanson carried by house: electronic, romantic in its title alone, “crazy about you”, and dreamy and playful in the way the duo’s own biography describes their music, songs made for dreaming and dancing.

Song Summary

It is the third of ten tracks on Looking for the Sea, released by the German label Normoton in April 2012, and at three minutes and thirty-three seconds it is among the album’s shortest songs. Its label describes the album as more chansons than tracks, sung in English and French, with house as the main thread, though in a European rather than an American sense: Paris and Berlin, not Chicago. This one is sung in French.

Musical Breakdown

No source describes “Fou de toi” part by part, so this breakdown stays with what is documented about the album it belongs to.

The Voice

Rebecca Hannah Gropp writes the lyrics and sings, in English, German and French across the duo’s records. Reviewing an earlier album, Cokemachineglow heard her voice move between Françoise Hardy and Beth Gibbons depending on the mood.

The Beat and the Sounds

Janosch Blaul makes the beats. For this album, the label says, some hi-hats were made from rustling leaves, old synthesizers sit beside an organetta bought at a flea market, and every sound was chosen to have room to breathe.

Concepts in Focus

A house groove is usually built for a long night: a steady kick, off-beat hats, repetition. Here it serves a short song instead, and the label’s phrase, chansons with heart rather than tracks, is a good way to hear it. Notice how the groove supports the voice instead of taking over.

Hi-hats made from rustling leaves are a homemade kind of sampling: record a real sound, cut it short and play it as a rhythm. The label does not say which songs use the leaves, so listen for a hiss that sounds more like the outdoors than a drum machine. For a similar soft French vocal over house, compare CLAAP!, S.A.N.T.A.N.A. – Dimanche.

Artistic Context

Pupkulies & Rebecca are Janosch Blaul and Rebecca Hannah Gropp, active since 2006, whose debut came out on Normoton. Looking for the Sea was their fourth album, recorded mainly in the south of France, like their second. Producers such as Acid Pauli & Nu later remixed their songs, and the Amsterdam Dance Event names their sound “Afro Chanson House”.

Impact and Reception

The label claimed their following had grown without the help of the press, and the record found few published reviews. “Fou de toi” lived on in the clubs instead: Wareika remixed it twice for Rotary Cocktail in June 2012, and in 2020 DMC called the Parallells remix “a beautiful track for beautiful weather”. Start with the original, the short song all those remixes grew from.

Learn from this track

Introductory

What you will learn

  • Explain what the duo's label means by songs that are more chansons than tracks, and how a house groove can carry a sung song.
  • Describe how found sounds, such as hi-hats made from rustling leaves, can replace a drum machine's stock sounds.
  • Place Fou de toi within Looking for the Sea, the duo's fourth album, recorded mainly in the south of France.

Listening guide

  1. the vocal Rebecca's French singing, the voice a DMC reviewer of a later remix called steamy, female and French.
  2. the beat The house pulse underneath, house in what the label calls a European sense: Paris and Berlin rather than Chicago.
  3. the percussion Whether the hi-hats sound like rustling leaves; the label says the album made some of them that way, without naming the songs.
  4. the space How few sounds play at once: the label says each sound was chosen to have room to breathe.

Concepts in this track

sampling

63 tracks

Taking a fragment of an existing recording and reusing it in a new one, as a loop, a chop or a texture. Sampling is central to hip-hop and dance music and raises questions of credit and copyright.

house groove

45 tracks

The rhythmic signature of house music: a four-on-the-floor kick, off-beat hi-hats and claps on two and four, at roughly 118 to 128 beats per minute.

Listen next, and why

Questions for discussion

  1. What is the difference between a chanson and a track? Can one recording be both?
  2. Why might producers record rustling leaves rather than use a drum machine's hi-hat?
  3. Fou de toi was remixed by several producers for the club. What does a remix take from a song like this, and what does it leave behind?

References

  1. Oye Records. Pupkulies & Rebecca - Looking For The Sea (2012). Label
  2. Bandcamp (Pupkulies & Rebecca). Looking For The Sea (2012). Artist
  3. Last.fm. Pupkulies & Rebecca biography. Encyclopedia
  4. Cokemachineglow. PupKulies & Rebecca: Burning Boats (2009). Review
  5. DMC World Magazine. Pupkulies + Rebecca - Fou de Toi (Parallells Remix) (2020). Review
  6. Bandcamp (Rotary Cocktail). Looking For the Sea In Remix Pt. 2 (2012). Label
  7. Amsterdam Dance Event. Pupkulies & Rebecca. Article
  8. MusicBrainz. Looking for the Sea. Database
  9. YouTube (Pupkulies Rebecca). PUPKULIES & REBECCA - FOU DE TOI. Video

Weighted overlap of genres, feelings and moods.

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