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Published in deep house ·

Mario Basanov

We Are Child Of Love

The 2012 Needwant single of the Lithuanian producer Mario Basanov, later known as Ten Walls: a slow-motion house original with a smooth, sultry vocal by Minalga, the follow-up to his Lonely Days.

Review

Genre and Mood

Mario Basanov released We Are Child Of Love as house in no hurry: deep house with a disco pulse, which his label, Needwant, called “the slow mo original”. It is sultry because the label heard the singer Minalga deliver “a smooth sultry vocal”; relaxed because of that slow motion; romantic because this page hears the title as a love song.

Song Summary

The single came out on Needwant in spring 2012, on a 12-inch catalogued NEEDW021 and digitally, as the follow-up to Basanov’s Lonely Days. Needwant wrote that it matches Lonely Days in vocal quality: this time Basanov “passes the mic to Minalga”, backed by what the label called his “ever-consistent production”. Discogs credits Marijus Adomaitis, Basanov’s real name, as writer and producer. The original mix runs five minutes and forty-five seconds; a short cut version had already appeared on his own YouTube channel in September 2011.

Musical Breakdown

No source we found times the original part by part, so this guide follows the label’s notes, version by version.

Main Section

The original is the slow one. Listen for the pace first, then for Minalga’s voice, which the label calls smooth and sultry and places in front of the production.

The Other Versions

Basanov made two more versions himself. The dub, in Needwant’s words, has “a bumping old school feel with an energetic bassline” and keeps snippets of the vocal; the redub brings “even more hefty bass”, the full vocal and “skippy percussion”. The Mekanism’s remix adds what the label calls “a progressive touch”, made “for 4am floors”.

Concepts in Focus

A dub version comes from Jamaican studios, where a record was stripped to drums and bass and the voice was left in pieces. Mario’s Dub follows that idea inside house: bass up front, the vocal reduced to snippets.

A remix by another producer is a different thing. Where Basanov’s dub and redub rearrange his own parts, The Mekanism, new Needwant signings, rebuilt the track for a later hour of the night.

The music video, credited to Basanov and “inspired by Minsk”, runs three minutes and forty-seven seconds, a shorter cut of the song than the original mix.

Artistic Context

Basanov, born Marijus Adomaitis in Kaunas in 1983, produced Lithuanian pop singers and released dance music under this name until 2012, the year he won Best Electronic Act at Lithuania’s M.A.M.A. awards. In 2014, as Ten Walls, he reached number 6 in the UK with Walking with Elephants; in 2015 his comments comparing gay people to paedophiles cost him festival bookings and his agency, and he later apologised. A year after this single he shared an Innervisions EP with Konstantin Sibold, whose Konstantin Sibold – Madeleine shares its patience.

Impact and Reception

The redub travelled first: it appeared on the compilation Future Disco, Volume 5: Downtown Express in February 2012, and the label reported plays from Manik and Soul Clap, among others. A version of the song, crediting Minalga as writer, returned on Basanov’s album Journey that November. Needwant predicted it would be heard “well into the summer months”; give it a slow summer evening.

Learn from this track

Introductory

What you will learn

  • Describe what a slow-motion house original is, using the label's own word for this one.
  • Explain how a producer's dub and redub of his own track differ from a remix by someone else.
  • Place Mario Basanov's 2012 single in the career that later made him known as Ten Walls.

Listening guide

  1. the tempo Needwant called this the slow mo original: listen for a house track that takes its time rather than pushing.
  2. the vocal The label heard Minalga deliver a smooth, sultry vocal: listen for how close and unhurried it sits.
  3. the production Needwant praised Basanov's ever-consistent production behind the voice: listen for what supports the voice without crowding it.
  4. the other versions After the original, compare the dub, with its old-school feel, energetic bassline and snippets of the vocal, and the redub, with even heftier bass, full vocal and skippy percussion.

Concepts in this track

music video

144 tracks

A short film made to accompany a song. Since MTV it has shaped how songs are remembered, and on YouTube it is often the main way a song is heard.

dub

16 tracks

A Jamaican practice of remixing a record by stripping it to drums and bass and treating the rest with echo, reverb and drop-outs. Dub's studio techniques shaped techno, house and electronic music at large.

remix

164 tracks

A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.

Listen next, and why

Questions for discussion

  1. The label calls the original slow mo and the redub a track that grabs the dancefloor. Why would one single offer both?
  2. Basanov made his own dub and redub. What can a producer do to his own song that another remixer cannot?
  3. The official video runs 3:47, the original mix 5:45. What does a song lose or gain in the shorter cut?

References

  1. Needwant. Mario Basanov - We Are Child Of Love (Official) (2012). Label
  2. Discogs. Mario Basanov - We Are Child Of Love (2012). Database
  3. Discogs. We Are Child Of Love (MP3) (2012). Database
  4. Wikipedia. Ten Walls. Encyclopedia
  5. Wikipedia. Mario Basanov. Encyclopedia
  6. MusicBrainz. We Are Child of Love (Remixes) (2012). Database
  7. MusicBrainz. We Are Child of Love (Mario's Redub) (2012). Database
  8. Mario Basanov. Mario Basanov - We are Child Of Love (Cut Version) (2011). Video
  9. Mario Basanov - Topic. We Are Child of Love (Journey) (2012). Video

Weighted overlap of genres, feelings and moods.

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