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Published in deep house ·

Konstantin Sibold

Madeleine

Stuttgart DJ Konstantin Sibold's nine-minute house track opened Innervisions' Secret Weapons Part 5 in 2013, was a DJ weapon before it was a record, and came back as a radio edit almost ten years later.

Review

Genre and Mood

Konstantin Sibold built Madeleine for the long middle of a night: nine minutes of house at 121 beats per minute, in F major, with deep house patience. Its mood is hypnotic and a little dreamy, the feeling of a groove that keeps going while the room forgets the time.

Song Summary

Madeleine is a club track first and a record second. It opened side A of Innervisions’ Secret Weapons Part 5, a twelve-inch of four tracks by four producers, released in February 2013. The series name says what such tracks are for: records DJs carry because they work. Telekom Electronic Beats later called it his most acclaimed contribution to the Berlin label, so obviously crafted for the imprint that it is hard to imagine it anywhere else.

Musical Breakdown

At nine minutes and one second the track is long enough to be heard as a slow arc rather than a song.

Intro

The groove is set out at a tempo slightly below peak time, with all nine minutes still ahead and nothing in a hurry.

Build-up

Listen for how the track adds and shifts its elements over the steady beat; in a track this long, small changes do the work that a chorus does in a song.

Main Section

Listen for the melodic material over the groove; that is what a radio edit has to reach much sooner.

Outro

Listen to how the original ends, and compare it with the radio edit, which has to stop more than four minutes sooner.

Concepts in Focus

A house groove at 121 beats per minute is steady enough to dance to for hours and slow enough to feel unhurried. Much of the hypnotic effect comes from that steadiness, held for nine minutes.

In 2022 Sibold made a radio edit, four minutes and eleven seconds against the original nine, and Innervisions released both together. The label called it a new suit for the classic. Comparing the two shows what a DJ track does with its extra minutes.

The dj mix came first. Madeleine appears in the tracklist of Dixon and Âme’s Boiler Room set in Amsterdam on 25 October 2012, months before the record came out. That is how a secret weapon works: heard in a mix long before it can be bought.

Artistic Context

Konstantin Sibold is a DJ and producer based in Stuttgart, a former resident of the club Rocker 33, where he started the Common Sense People party series with Leif Mueller. Groove named him, with Jon Charnis, as one of two little-known producers on an EP compiled by Âme and Dixon that also carried Culoe De Song and Mario Basanov. His later records appeared on Cocoon, Running Back and Afterlife. Its long patience recalls Marek Hemmann – Gemini.

Impact and Reception

Groove was clear: the winner of this EP is Konstantin Sibold with Madeleine. Innervisions returned to it almost ten years later, calling it a classic, and in 2025 the original appeared on Armada’s compilation Timeless. Like Santé, Richard Judge – Awake, it outlived its first release. Give it all nine minutes.

Learn from this track

Intermediate

What you will learn

  • Explain why a house track of nine minutes is made for DJs, and what a radio edit of it must leave out.
  • Describe how a steady house groove at 121 beats per minute can feel hypnotic rather than repetitive.
  • Explain how a track can circulate in DJ mixes before it is released, and why labels call such tracks secret weapons.

Listening guide

  1. the opening The groove laid out at 121 beats per minute, unhurried, with the whole nine minutes still ahead.
  2. the middle How the track keeps a long stretch moving: listen for the small changes over the steady groove.
  3. the melody Where the melodic material in F major enters, the part a radio edit has to reach much sooner.
  4. the ending How the nine-minute original ends, compared with the four-minute radio edit.

Concepts in this track

radio edit

40 tracks

A shortened version of a track for radio and streaming: a quicker start, fewer repeats, usually three to four minutes.

dj mix

20 tracks

A continuous sequence of tracks blended by a DJ so that one flows into the next. Extended and club mixes exist so that DJs have long intros and outros to mix with.

house groove

45 tracks

The rhythmic signature of house music: a four-on-the-floor kick, off-beat hi-hats and claps on two and four, at roughly 118 to 128 beats per minute.

Listen next, and why

Questions for discussion

  1. Dixon and Âme played Madeleine in a Boiler Room set months before it came out. What does a track gain from being heard first in a DJ mix?
  2. The 2022 radio edit lasts four minutes, less than half the original. What would you cut, and what must survive?
  3. Groove called Madeleine the winner of its EP. What makes one track stand out on a compilation of four producers?

References

  1. Groove. DIVERSE Secret Weapons EP Part 5 (Innervisions 042) (2013). Review
  2. Discogs. Secret Weapons EP (Part Five) (2013). Database
  3. Telekom Electronic Beats. From Neo-Trance To Melodic Techno: 6 Tracks You Need To Hear By Konstantin Sibold (2018). Article
  4. Innervisions. Madeleine, by Konstantin Sibold (2022). Label
  5. MusicBrainz. Madeleine (Boiler Room: Dixon b2b Âme in Amsterdam, Oct 25, 2012). Database
  6. YouTube. Madeleine (Extended Mix), Armada Electronic Elements presents Timeless (2025). Video
  7. Innervisions. Konstantin Sibold - Madeleine (Radio Edit) (2022). Video

Weighted overlap of genres, feelings and moods.

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