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Published in deep house ·

Marian

For You

The opening song of Marian's debut album: a sub bass rising from the depths, cello around Fabian Reichelt's voice and Marek Hemmann's mid-tempo house, a love song that dissolves into a bittersweet groove.

Review

Genre and Mood

Marian open their album with For You, and it sits right on the seam between deep house and electronic pop. It has the reduced, patient sound of a club producer, but it is built as a song, with a singer, a melody and something to say. The mood is romantic and bittersweet, the longing of a love song carried by a groove that never quite lets itself go.

Song Summary

For You is, in the duo’s own words, a love song. The notes on their album page describe how it is made: a sub bass drones up from the depths, cello sounds caress it, and it finally dissolves into a bittersweet mid-tempo house dance. The track starts almost underground, gains warmth from an acoustic instrument, and only then becomes something you could move to. Fabian Reichelt’s intimate vocal keeps it personal throughout.

Musical Breakdown

Intro

The sub bass arrives first, low and slow, a pressure in the room more than a melody.

Verse 1

Reichelt’s voice enters close to the microphone, and the cello sounds wrap around the electronic frame, softening its edges.

Main Section

The beat settles into a moderate house tempo. Nothing is rushed: the groove sways rather than drives.

Outro

The song does not explode; it dissolves, as the album notes put it, into the dance it has been approaching all along.

Concepts in Focus

For You begins with its bassline, and that is unusual. Most songs introduce the bass after the beat or the chords; here a sub bass, low enough to be felt as much as heard, is the first thing you meet.

The second idea is the house groove used at song pace. Marek Hemmann’s club records, like Marek Hemmann – Gemini, ride their groove for nine minutes. For You keeps the steady house pulse but holds it to a moderate tempo and about four minutes, so the groove serves the singer rather than the dance floor.

Finally, a remix: in 2013 Freude am Tanzen released a remix edition of the album, on which the German trio Marbert Rocel reworked For You into a version of about seven and a half minutes. Comparing the two shows what a remixer keeps and what they rebuild.

Artistic Context

Marian is the duo of Marek Hemmann, born in Gera in 1979 and based in Jena since 2005, and the singer Fabian Reichelt. Hemmann had spent years refining a housy, sometimes melancholic style, solo and with Mathias Kaden as Hemmann & Kaden; in 2010 he and Reichelt made the Left/Right EP, which brought pop-friendly elements into that sound. Only Our Hearts to Lose followed on 13 June 2011 on Freude am Tanzen, the Jena label that grew out of a local house party series in the mid-1990s. Resident Advisor noted the album’s cellos, jazz organs, intimate vocals and electronic beats.

Impact and Reception

Only Our Hearts to Lose was meant to blur the line between electronic production and classic songwriting, and For You, its first track, is the clearest statement of that aim. The album earned a remix edition two years later, with names from the label’s circle such as Mathias Kaden and Douglas Greed, while Hemmann went on to his solo album Bittersweet in 2013. Start it in a quiet room and let the bass rise first.

Learn from this track

Introductory

What you will learn

  • Hear how a sub bass can open a song and carry it before any beat arrives.
  • Describe how a house groove at a moderate tempo can serve a love song rather than a dance floor.
  • Explain what a remix changes in a song by comparing the original with a remix by another artist.

Listening guide

  1. the opening A deep sub bass that seems to rise from below, felt as much as heard, before the rest of the track gathers around it.
  2. the vocal Fabian Reichelt's close, intimate singing, with cello sounds softening the electronic setting around him.
  3. the groove The moment the song settles into its unhurried mid-tempo house pulse, more sway than push.

Concepts in this track

bassline

67 tracks

The lowest melodic part of a track. In dance music it often carries the hook as much as the vocal does, and its rhythm against the kick drum defines the groove.

remix

164 tracks

A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.

house groove

45 tracks

The rhythmic signature of house music: a four-on-the-floor kick, off-beat hi-hats and claps on two and four, at roughly 118 to 128 beats per minute.

Listen next, and why

Questions for discussion

  1. The label calls the song's ending a bittersweet dance. Can a groove itself sound sad, or does the voice make it so?
  2. Marek Hemmann made his name with minimal club tracks. What does a producer gain, and lose, by building a song around a singer?
  3. Listen to the Marbert Rocel remix after the original. Which parts of For You survive, and which are new?

References

  1. Bandcamp (Marian). Only Our Hearts to Lose (2011). Liner notes
  2. Resident Advisor. Marian debuts on Freude am Tanzen (2011). Article
  3. Wikipedia. Marek Hemmann. Encyclopedia
  4. Wikipedia. Freude am Tanzen. Encyclopedia
  5. Deezer. Only Our Hearts to Lose (Remixes) (2013). Database

Weighted overlap of genres, feelings and moods.

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