Skip to content
Published in deep house ·

Chopstick & Johnjon

Pining Moon

The lead single of Chopstick & Johnjon's debut album Twelve (2014): a warm, unhurried house song with words by the London singer Chris James, which the Berlin duo also used to close the record in an acoustic version.

Review

Genre and Mood

Chopstick & Johnjon made Pining Moon a song first and a house track second. It moves at an unhurried deep house pace, but it is built on a sung lyric and a melody, closer to pop than to a DJ tool. The mood is longing and melancholic, yet relaxed: the title’s pining sits inside a groove warm enough to make it bearable.

Song Summary

Pining Moon is the eighth of twelve tracks on Twelve, the duo’s debut album, released on 4 April 2014 on their own Berlin label Suol. It came out first as a single on 7 March 2014, with a video about a week later. The composers are credited as Chopstick and Johnjon, the lyric to Chris James, the London-based singer who appears on eleven of the album’s twelve tracks. Resident Advisor described the album as a warm, funk-laden take on house aimed between the dance floor and the living room, and Balance Music heard the single as a turn towards more organic, slower sounds.

Musical Breakdown

The Groove

The beat is steady and warm rather than driving, giving the song room instead of pushing it towards a peak.

The Song

The lyric and melody sit at the centre, and the arrangement serves them, which is what the album’s press release meant by favouring song over track.

The Long Version

At five and a half minutes, the album version gives the groove time to settle around the song before and after the vocal.

Concepts in Focus

Twelve closes with an alternate version of its own single: track twelve is Pining Moon (Acoustic Version). Hearing the same song first with its house beat and then without it is the clearest way to understand what the production adds. If the song survives without the groove, it was a song all along; the beat was its setting.

The single also shows how a remix can keep a song in circulation. The 2014 release paired the original with mixes by Jay Shepheard and Death On The Balcony; Oliver Koletzki remixed it for his 2019 collection Remix Tales, and in 2020 Suol issued Pining Moon & Roots Revisited, with a remix by Daniel Bortz.

Underneath it all is a house groove used gently, as in Marian – For You: the steady pulse is there for comfort rather than release.

Artistic Context

Chopstick & Johnjon are Chi-Thien Nguyen and John Muder, who started working together in Hamburg in 2002 and later moved to Berlin to make music full-time, with releases from 2004. They run Suol, which has released music by Daniel Bortz, Till von Sein and Fritz Kalkbrenner. Twelve came a decade into their partnership, with Chris James, also of the band Stateless, as its main voice and Tanner Ross as a guest.

Impact and Reception

Balance Music praised Twelve for craftsmanship over maximum floor impact, and Pining Moon became the song that kept coming back, in remixes and acoustic form, for years. Put on the original, then the acoustic version, and listen for what stays.

Learn from this track

Introductory

What you will learn

  • Compare an original recording with an acoustic version by the same artist and say what each brings out.
  • Explain how remixes by other producers extend a song's life, here over six years.
  • Describe a house groove that serves a song rather than a peak-time dance floor.

Listening guide

  1. the groove A warm, funk-tinged house pulse that never hurries, the duo's take on house between the dance floor and the living room.
  2. the vocal The sung lyric by Chris James at the centre; the track behaves like a song with a beat, not a beat with a vocal.
  3. the length Over five and a half minutes: the album version lets the groove breathe around the song in a way a radio edit cannot.

Concepts in this track

alternate version

58 tracks

A second finished recording of the same song by the same artist, with a different arrangement, tempo or sound rather than a reworking by another producer. Comparing two versions shows how much of a song's mood comes from production rather than from melody and words.

remix

164 tracks

A new version of a recording made by reworking its parts: changing the beat, harmony, tempo or structure, often by another producer. A remix can turn a ballad into a club track.

house groove

45 tracks

The rhythmic signature of house music: a four-on-the-floor kick, off-beat hi-hats and claps on two and four, at roughly 118 to 128 beats per minute.

Listen next, and why

Questions for discussion

  1. Twelve ends with an acoustic version of the same song. Why might a dance act close its debut album without a beat?
  2. Pining Moon has been remixed by Jay Shepheard, Death On The Balcony, Oliver Koletzki and Daniel Bortz. What does a remix owe to the original?
  3. The press release for Twelve spoke of favouring song over track. What is the difference, and where do you hear it here?

References

  1. Resident Advisor. Chopstick & Johnjon unveil debut album (2014). Article
  2. Balance Music. Chopstick & Johnjon – Twelve (2014). Article
  3. NBHAP. Chopstick & Johnjon: video for Pining Moon (2014). Article
  4. MusicBrainz. Twelve. Database
  5. Deezer. Pining Moon (single) (2014). Database
  6. Deezer. Pining Moon & Roots Revisited (2020). Database
  7. YouTube (Chopstick - Topic). Pining Moon (Provided to YouTube by Zebralution). Video

Weighted overlap of genres, feelings and moods.

Neighbourhood

This track, the tracks most like it and theirs. Drag, zoom, hover; a dot opens the track.

Show as table